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Songs from Thrice-Blooded Land, Nyanyian Tana Yang Diperciki Tiga Darah:Seni Suara dan Ritus-Ritus Toraja (Sulawesi, Indonesia) (Indonesian), Chants de la terre aux trois sangs (French)

Public

Toraja ritual music from Sulawesi, Indonesia

Musiques rituelles des Toraja de l'île de Sulawesi, Indonésie.
Somme de connaissances et d'archives audiovisuelles sur les musiques toraja. (French)

Collection Details

Creator: Rappoport, Dana
Metadata author: Rappoport, Dana
Publishing structure: Center for Southeast Asian Studies
Keywords: Ethnomusicologie
Ethnologie -- Indonésie
Multimédias
Édition électronique
Toradja (peuple d'Indonésie)
License: https://creativecommons.org/licenses/by-nc-nd/3.0/fr/
Date(s) of document/data: 2009
Date(s) of subject/content of document/data: 1991 to 2005
Content language: Indonesian (language, family : Austronesian )
Toraja-sa'dan (language, family : Austronesian )
English (language, family : Indo-European )
French (language, family : Indo-European )
Evocated agent: Toraja

Subcollections (1216)

Part A : Multimedia argument, Bab A : Intisari Multimedia (Indonesian), Partie A : Argumentaire multimédia (French) Sort By : Title Inventory number
- [A.1] Religious principles, [A.1] Prinsip keagamaan (Indonesian), [A.1] Principes religieux (French) Sort By : Title Inventory number
  - [A.1.1] Introduction, [A.1.1] Introduction (French), [A.1.1] Introduksi (Indonesian) Sort By : Title Inventory number
    - [A.1.1.1] Location of study, [A.1.1.1] Lokalisasi penelitian (Indonesian), [A.1.1.1] Localisation de l'étude (French) Sort By : Title Inventory number
      - [A.1.1.1 P0-1] The study applies to the Toraja Sa'dan and Toraja Mamasa groups., [A.1.1.1 P0-1] Penelitian ini berkaitan dengan kelompok Toraja Sa’dan dan Toraja Mamasa. (Indonesian), [A.1.1.1 P0-1] L'étude porte sur le groupe des Toraja Sa'dan et Toraja Mamasa (French)
        
        [A.1.1.1 P0-1 A-1] Fieldwork area, [A.1.1.1 P0-1 A-1] Région de collecte (French), [A.1.1.1 P0-1 A-1] Daerah Pengumpulan Data (Indonesian)
        
        [A.1.1.1 P0-1 A-2] Boundaries in previous times. , [A.1.1.1 P0-1 A-2] Limites dans l'histoire (French), [A.1.1.1 P0-1 A-2] Batas dalam Sejarah (Indonesian)
        
        [A.1.1.1 P0-1 A-3] Administrative boundaries, [A.1.1.1 P0-1 A-3] Limites administratives (French), [A.1.1.1 P0-1 A-3] Batas-Batas Administratif (Indonesian)
        
        [A.1.1.1 P0-1 A-4] Linguistic boundaries, [A.1.1.1 P0-1 A-4] Limites linguistiques (French), [A.1.1.1 P0-1 A-4] Batas-Batas Linguistik (Indonesian)
    - [A.1.1.2] Data on social structure., [A.1.1.2] Données sur la structure sociale (French), [A.1.1.2] Data-data tentang struktur sosial (Indonesian) Sort By : Title Inventory number
      - [A.1.1.2 P0-2] Hereditary social status governs socio-religious practices., [A.1.1.2 P0-2] Data-data tentang struktur sosial (Indonesian), [A.1.1.2 P0-2] Le statut social, héréditaire, régit les pratiques socio-religieuses. (French)
      - [A.1.1.2 P0-3] Toraja society is divided into three or four status levels., [A.1.1.2 P0-3] La société toraja est partagée en trois ou quatre niveaux de statut. (French), [A.1.1.2 P0-3] Masyarakat Toraja terbagi dalam tiga sampai empat tingkat status sosial. (Indonesian)
        
        [A.1.1.2 P0-3 A-1] The nobles, [A.1.1.2 P0-3 A-1] Kaum Bangsawan (Indonesian), [A.1.1.2 P0-3 A-1] Les nobles (French)
        
        [A.1.1.2 P0-3 A-2] ‘Those in the middle’, [A.1.1.2 P0-3 A-2] “Mereka yang Berada di Tengah” (to tangnga) (Indonesian), [A.1.1.2 P0-3 A-2] « Ceux du milieu » (French)
        
        [A.1.1.2 P0-3 A-3] The commoners. , [A.1.1.2 P0-3 A-3] Les roturiers (French), [A.1.1.2 P0-3 A-3] Rakyat Biasa (Indonesian)
        
        [A.1.1.2 P0-3 A-4] The dependants, [A.1.1.2 P0-3 A-4] Hamba-Hamba (Indonesian), [A.1.1.2 P0-3 A-4] Les dépendants (French)
      - [A.1.1.2 P0-4] It is possible, through marriage and the rituals, to change status. , [A.1.1.2 P0-4] Il est possible, par le mariage et par les rituels, de changer de statut. (French), [A.1.1.2 P0-4] Dimungkinkan, melalui perkawinan dan melalui ritus, status sosial seseorang dapat berubah. (Indonesian)
      - [A.1.1.2 P0-5] Society is organized into great families (rapuan), among whom a strong extended family feeling prevails. , [A.1.1.2 P0-5] Masyarakat terorganisir ke dalam keluarga-keluarga besar, yang ditandai dengan sebuah perasaan yang kuat sebagai bagian dari “rumpun” tertentu. (Indonesian), [A.1.1.2 P0-5] La société est organisée en grandes familles, chez lesquelles règne un fort sentiment d'appartenance au groupe de filiation rapuan. (French)
      - [A.1.1.2 P0-6] In the songs, the noble class is praised for its grandeur., [A.1.1.2 P0-6] Les chants louent la classe noble pour sa grandeur. (French), [A.1.1.2 P0-6] Dalam nyanyian-nyanyian, kaum bangsawan diagung-agungkan untuk kebesaran mereka. (Indonesian)
        
        [A.1.1.2 P0-6 A-1] The great trees. , [A.1.1.2 P0-6 A-1] Pohon-Pohon Besar. (Indonesian), [A.1.1.2 P0-6 A-1] Les grands arbres (French)
        
        [A.1.1.2 P0-6 A-2] Gold, [A.1.1.2 P0-6 A-2] Emas (Indonesian), [A.1.1.2 P0-6 A-2] L’or (French)
        
        [A.1.1.2 P0-6 A-3] Weapons, [A.1.1.2 P0-6 A-3] Les armes (French), [A.1.1.2 P0-6 A-3] Persenjataan (Indonesian)
        
        [A.1.1.2 P0-6 A-4] Ancestral textiles, [A.1.1.2 P0-6 A-4] Kain Para Leluhur (Indonesian), [A.1.1.2 P0-6 A-4] Les tissus ancestraux (French)
        
        [A.1.1.2 P0-6 A-5] Birds, [A.1.1.2 P0-6 A-5] Burung-burung (Indonesian), [A.1.1.2 P0-6 A-5] Les volatiles (French)
        
        [A.1.1.2 P0-6 A-6] Water, paddy fields, [A.1.1.2 P0-6 A-6] L’eau, les rizières (French), [A.1.1.2 P0-6 A-6] Air, Sawah-Sawah (Indonesian)
      - [A.1.1.2 P0-7] The class of nobles is identified by its exemplarity, [A.1.1.2 P0-7] Kaum bangsawan dikenal melalui suri teladan mereka (Indonesian), [A.1.1.2 P0-7] La classe noble est distinguée pour son exemplarité (French)
        
        [A.1.1.2 P0_7 A-1] A ‘true man’., [A.1.1.2 P0_7 A-1] Seorang “Manusia Tulen”. (Indonesian), [A.1.1.2 P0_7 A-1] Un « être vrai » (French)
        
        [A.1.1.2 P0_7 A-2] A successful marriage and a magnificent issue., [A.1.1.2 P0_7 A-2] Un mariage réussi et une filiation magnifique (French), [A.1.1.2 P0_7 A-2] Sebuah perkawinan yang berhasil dan sebuah hubungan kekerabatan yang ideal. (Indonesian)
        
        [A.1.1.2 P0_7 A-3] The spirit of enterprise., [A.1.1.2 P0_7 A-3] Le sens de l'entreprise (French), [A.1.1.2 P0_7 A-3] Nilai Kewirausahaan. (Indonesian)
        
        [A.1.1.2 P0_7 A-4] Master of weaving., [A.1.1.2 P0_7 A-4] La maîtrise du tissage (French), [A.1.1.2 P0_7 A-4] Kemahiran Bertenun. (Indonesian)
        
        [A.1.1.2 P0_7 A-5] Master of metalworking., [A.1.1.2 P0_7 A-5] La maîtrise de la forge (French), [A.1.1.2 P0_7 A-5] Kemahiran Pandai Besi. (Indonesian)
        
        [A.1.1.2 P0_7 A-6] Extraordinary piety., [A.1.1.2 P0_7 A-6] Une piété hors norme (French), [A.1.1.2 P0_7 A-6] Kesalehan yang Sangat Kuat. (Indonesian)
        
        [A.1.1.2 P0_7 A-7] A prodigious being., [A.1.1.2 P0_7 A-7] Mahluk yang Murah Hati dan Penolong. (Indonesian), [A.1.1.2 P0_7 A-7] Un être prodigue (French)
  - [A.1.2] The setting sun/ rising sun opposition, [A.1.2] Oposisi matahari terbit/matahari terbenam (Indonesian), [A.1.2] L'opposition couchant/levant (French) Sort By : Title Inventory number
    - [A.1.2.1] The village, between setting sun and rising sun, [A.1.2.1] Kampung antara matahari terbit dan matahari terbenam (Indonesian), [A.1.2.1] Le village, entre couchant et levant (French) Sort By : Title Inventory number
      - [A.1.2.1 P0_10] The rising sun and upstream are associated with the world of the divinities and deified ancestors., [A.1.2.1 P0_10] Arah timur dan hulu diasosiasikan dengan dunia dewata dan nenek moyang yang telah menjadi dewa. (Indonesian), [A.1.2.1 P0_10] Au levant et à l'amont est associé le monde des divinités et des ancêtres divinisés. (French)
        
        [A.1.2.1 P0_10 A-1] Upstream, world of divinities., [A.1.2.1 P0_10 A-1] L'amont, monde des divinités (French), [A.1.2.1 P0_10 A-1] Hulu Sungai, Dunia Para Dewata. (Indonesian)
        
        [A.1.2.1 P0_10 A-2] The sites of the rituals of the rising sun., [A.1.2.1 P0_10 A-2] Les lieux des rituels du Levant (French), [A.1.2.1 P0_10 A-2] Tempat-Tempat Ritual di Sebelah Timur. (Indonesian)
      - [A.1.2.1 P0_8] The villages are built following the axes setting sun/rising sun and upstream/downstream., [A.1.2.1 P0_8] Kampung-kampung dibangun berdasarkan poros matahari terbenam/matahari terbit dan hulu/muara. (Indonesian), [A.1.2.1 P0_8] Les villages sont construits selon les axes couchant/levant et amont/aval (French)
      - [A.1.2.1 P0_9] The setting sun and downstream are associated with the world of the deceased and the ancestors., [A.1.2.1 P0_9] Autour du village, le couchant et l'aval sont associés au monde des défunts et des ancêtres. (French), [A.1.2.1 P0_9] Di desa, matahari terbenam dan muara diasosiasikan dan dengan dunia orang mati dan para leluhur. (French)
        
        [A.1.2.1 P0_9 A-1] Downstream, the ancestors’world., [A.1.2.1 P0_9 A-1] L'aval, monde des ancêtres (French), [A.1.2.1 P0_9 A-1] Muara, Dunia Para Leluhur. (Indonesian)
        
        [A.1.2.1 P0_9 A-2] The megalith field., [A.1.2.1 P0_9 A-2] Le champ de mégalithes (French), [A.1.2.1 P0_9 A-2] Arena Megalit. (Indonesian)
        
        [A.1.2.1 P0_9 A-3] The tombs., [A.1.2.1 P0_9 A-3] Les sépultures (French), [A.1.2.1 P0_9 A-3] Makam. (Indonesian)
    - [A.1.2.2] The house, crossroads of polarities., [A.1.2.2] La maison, carrefour des polarités (French), [A.1.2.2] Rumah sebagai persilangan polaritas (Indonesian) Sort By : Title Inventory number
      - [A.1.2.2 P0_11] The ancestral houses are erected following cosmological polarities., [A.1.2.2 P0_11] Rumah adat didirikan berdasarkan polaritas kosmologis. (Indonesian), [A.1.2.2 P0_11] Les maisons ancestrales sont érigées selon des polarités cosmologiques. (French)
      - [A.1.2.2 P0_12] The village space is organized around great noble houses., [A.1.2.2 P0_12] Ruang desa terorganisir pada sekitar rumah-rumah adat besar (tongkonan layuk) dari kaum bangsawan. (Indonesian), [A.1.2.2 P0_12] L'espace villageois s'organise autour de grandes maisons nobiliaires. (French)
        
        [A.1.2.2 P0_12 A-1] Dwelling place., [A.1.2.2 P0_12 A-1] Tempat Tinggal. (Indonesian), [A.1.2.2 P0_12 A-1] Lieu d'habitation (French)
        
        [A.1.2.2 P0_12 A-2] Center of a stem family., [A.1.2.2 P0_12 A-2] Pusat Suatu Hubungan Kekerabatan. (Indonesian), [A.1.2.2 P0_12 A-2] Centre d'une filiation (French)
        
        [A.1.2.2 P0_12 A-3] Sign of nobility., [A.1.2.2 P0_12 A-3] Tanda Kebangsawanan. (Indonesian), [A.1.2.2 P0_12 A-3] Marque de noblesse (French)
        
        [A.1.2.2 P0_12 A-4] Social and ritual center., [A.1.2.2 P0_12 A-4] Pusat Sosial dan Ritual. (Indonesian), [A.1.2.2 P0_12 A-4] Centre social et rituel (French)
        
        [A.1.2.2 P0_12 A-5] Musical space., [A.1.2.2 P0_12 A-5] Espace musical (French), [A.1.2.2 P0_12 A-5] Ruang Musikal. (Indonesian)
        
        [A.1.2.2 P0_12 A-6] Living structure., [A.1.2.2 P0_12 A-6] Struktur yang Hidup. (Indonesian), [A.1.2.2 P0_12 A-6] Structure vivante (French)
        
        [A.1.2.2 P0_12 A-7] Wood engravings., [A.1.2.2 P0_12 A-7] Ukiran di Atas Kayu. (Indonesian), [A.1.2.2 P0_12 A-7] Gravures sur bois (French)
        
        [A.1.2.2 P0_12 A-8] Carving in the round., [A.1.2.2 P0_12 A-8] Bentuk Utuh. (Indonesian), [A.1.2.2 P0_12 A-8] Rondes-bosses (French)
        
        [A.1.2.2 P0_12 A-9] Animal carvings., [A.1.2.2 P0_12 A-9] Binatang-Binatang yang Dipahat. (Indonesian), [A.1.2.2 P0_12 A-9] Animaux sculptés (French)
      - [A.1.2.2 P0_13] Each house has one or more rice granaries., [A.1.2.2 P0_13] Setiap rumah memiliki satu atau beberapa lumbung padi. (Indonesian), [A.1.2.2 P0_13] Chaque maison possède un à plusieurs greniers à riz. (French)
        
        [A.1.2.2 P0_13 A-1] The granary –where the rice is stored., [A.1.2.2 P0_13 A-1] Le grenier, lieu de conservation du riz (French), [A.1.2.2 P0_13 A-1] Lumbung merupakan tempat penyimpanan padi, Baruppu’, 1993. (Indonesian)
        
        [A.1.2.2 P0_13 A-2] The granary, sign of nobility., [A.1.2.2 P0_13 A-2] Lumbung Tanda Kebangsawanan. (Indonesian), [A.1.2.2 P0_13 A-2] Le grenier, marque de noblesse (French)
    - [A.1.2.3] The rituals from the setting sun to the rising sun., [A.1.2.3] Ritus ufuk timur dan ufuk barat (Indonesian), [A.1.2.3] Les rituels du couchant au levant (French) Sort By : Title Inventory number
      - [A.1.2.3 P0_14] The setting sun rituals relate to funerals., [A.1.2.3 P0_14] Ritus "di sebelah matahari terbenam" berkaitan dengan upacara kematian. (Indonesian), [A.1.2.3 P0_14] Les rituels du Couchant sont relatifs aux funérailles. (French)
      - [A.1.2.3 P0_15] The rising sun rituals relate the fecundity of the land, animals and humans., [A.1.2.3 P0_15] Ritus “di sebelah matahari terbit” berkaitan dengan kesuburan tanah, binatang dan manusia. (Indonesian), [A.1.2.3 P0_15] Les rituels du Levant sont relatifs à la fécondité de la terre, des animaux et des humains. (French)
  - [A.1.3] The ritual cycle, [A.1.3] Siklus ritual (Indonesian), [A.1.3] Le cycle rituel (French) Sort By : Title Inventory number
    - [A.1.3.1] Sebuah siklus berbentuk tangga, [A.1.3.1] Un cycle en forme d'échelle (French), [A.1.3.1] A cycle in the form of a ladder. Turning around from one side to the other. (Indonesian) Sort By : Title Inventory number
      - [A.1.3.1 P0_16] The rule of the ladder of inter-locking bamboos' implies that each ritual of the setting sun is twinned with a ritual of the rising sun., [A.1.3.1 P0_16] « La règle de l'échelle des bambous emboîtés » implique que chaque rituel du Couchant soit jumelé à un rituel du Levant. (French), [A.1.3.1 P0_16] “Aturan anak tangga bambu berkaki kembar” (aluk silau’ eran simuane tallang) menghendaki bahwa setiap ritus kematian selalu memiliki padanannya dalam Ritus kehidupan. (Indonesian)
        
        [A.1.3.1 P0_16 A-1] The ritual rule is thought through an architectural rule., [A.1.3.1 P0_16 A-1] Cette règle symbolique est pensée sur un principe architectural (French), [A.1.3.1 P0_16 A-1] Aturan ritus ini berdasarkan prinsip arsitektur (Indonesian)
    - [A.1.3.2] Turning around from one side to the other., [A.1.3.2] Peralihan dari keadaan yang satu ke yang lain (Indonesian), [A.1.3.2] Le retournement d'un côté à l'autre (French) Sort By : Title Inventory number
      - [A.1.3.2 P0_17] Turning around, i.e., the necessary passage from the setting to the rising, is the principle on which the ritual dynamic is based., [A.1.3.2 P0_17] Le retournement, c'est-à-dire le nécessaire passage du couchant au levant, est le principe fondateur de la dynamique rituelle. (French), [A.1.3.2 P0_17] Peralihan yang diartikan sebagai perpindahan dari sebelah matahari terbenam” ke “sebelah matahari terbit”, merupakan prinsip dasar dinamika ritual. (Indonesian)
        
        [A.1.3.2 P0_17 A-1] Turning around in the words of the songs., [A.1.3.2 P0_17 A-1] L'idée de « retournement » dans les paroles des chants (French), [A.1.3.2 P0_17 A-1] Peralihan dalam Syair-Syair Nyanyian. (Indonesian)
      - [A.1.3.2 P0_18] The principle of turning around invades the whole religious system., [A.1.3.2 P0_18] Prinsip peralihan menyusup ke seluruh sistem religi. (Indonesian), [A.1.3.2 P0_18] Le principe de retournement envahit l'ensemble du système religieux. (French)
        
        [A.1.3.2 P0_18 A-1] The ‘duty’of turning around., [A.1.3.2 P0_18 A-1] “Tanggung Jawab” Peralihan Arah. (Indonesian), [A.1.3.2 P0_18 A-1] Le « devoir » de retournement (French)
        
        [A.1.3.2 P0_18 A-2] ‘Turning around the deceased’., [A.1.3.2 P0_18 A-2] « Retourner le défunt » (French), [A.1.3.2 P0_18 A-2] “Perubahan Arah Letak Jenazah”. (Indonesian)
        
        [A.1.3.2 P0_18 A-3] ‘Turning around the effigy’., [A.1.3.2 P0_18 A-3] « Retourner l'effigie » (French), [A.1.3.2 P0_18 A-3] “Merubah Letak Patung”. (Indonesian)
        
        [A.1.3.2 P0_18 A-4] ‘Turning around the drum’., [A.1.3.2 P0_18 A-4] « Retourner le tambour » (French), [A.1.3.2 P0_18 A-4] “Perubahan Letak Gendang”. (Indonesian)
        
        [A.1.3.2 P0_18 A-5] ‘Turning around the offering’., [A.1.3.2 P0_18 A-5] « Retournement de l'offrande » (French), [A.1.3.2 P0_18 A-5] “Peralihan Posisi Persembahan”. (Indonesian)
        
        [A.1.3.2 P0_18 A-6] ‘Turning around the bate mast’., [A.1.3.2 P0_18 A-6] « Retournement du mât bate » (French), [A.1.3.2 P0_18 A-6] “Perubahan Letak Arah Bate”. (Indonesian)
      - [A.1.3.2 P0_19] This turnaround is a process of regeneration, turning the deceased into ‘life spirit’., [A.1.3.2 P0_19] Perubahan posisi ini merupakan proses regenerasi dari maut menjadi “roh kehidupan”. (Indonesian), [A.1.3.2 P0_19] Ce retournement est un processus de régénération de la mort en « esprit de vie ». (French)
    - [A.1.3.3] The balance of the rituals., [A.1.3.3] L'équilibre des rituels (French), [A.1.3.3] Keseimbangan ritual (Indonesian) Sort By : Title Inventory number
      - [A.1.3.3 P0_20] The dynamic balance between left and right must be maintained., [A.1.3.3 P0_20] L'équilibre dynamique entre la gauche et la droite doit être réalisé. (French), [A.1.3.3 P0_20] Keseimbangan dinamis antara kiri dan kanan harus terlaksana. (Indonesian)
    - [A.1.3.4] The graduation of the rituals., [A.1.3.4] Gradasi ritual (Indonesian), [A.1.3.4] La gradation des rituels (French)
    - [A.1.3.4] The graduation of the rituals., [A.1.3.4] La gradation des rituels (French), [A.1.3.4] Gradasi ritual (Indonesian) Sort By : Title Inventory number
      - [A.1.3.4 P0_21 A-2] The metaphor for Toraja roofing., [A.1.3.4 P0_21 A-2] La métaphore de la toiture toraja (French), [A.1.3.4 P0_21 A-2] Metafora Sistem Atap Toraja. (Indonesian)
      - [A.1.3.4 P0_21] Graduation entails a succession of ever greater rituals., [A.1.3.4 P0_21] La gradation implique une succession de rituels de plus en plus grands. (French), [A.1.3.4 P0_21] Gradasi berkaitan dengan urut-urutan berbagai ritus yang semakin besar. (Indonesian)
        
        [A.1.3.4 P0_21 A-1] Graduation in the words of the songs., [A.1.3.4 P0_21 A-1] La gradation dans les paroles des chants (French), [A.1.3.4 P0_21 A-1] Gradasi dalam Syair-Syair Nyanyian. (Indonesian)
    - [A.1.3.5]The guardians of the ritual order., [A.1.3.5] Penjaga tata tertib ritus (Indonesian), [A.1.3.5] Les gardiens de l'ordre rituel (French) Sort By : Title Inventory number
      - [A.1.3.5 P0_22] The overall officiant (to minaa)., [A.1.3.5 P0_22] L'officiant généraliste : to minaa. (French), [A.1.3.5 P0_22] To minaa (“ilmuan”) (Indonesian)
        
        [A.1.3.5 P0_22 A-1] 1) ‘The Valiant Drum’., [A.1.3.5 P0_22 A-1] 1) « Le Tambour Vaillant » (French), [A.1.3.5 P0_22 A-1] 1). “Gendang Berani”. (Indonesian)
        
        [A.1.3.5 P0_22 A-2] 2) ‘The Learned Guardian of the Hundred Gates’., [A.1.3.5 P0_22 A-2] 2) « Le Savant Gardien des Cent Portes » (French), [A.1.3.5 P0_22 A-2] 2). “Cendikiawan, Penjaga Seratus Pintu”. (Indonesian)
        
        [A.1.3.5 P0_22 A-3] 3) ‘The Chicken-headed Savant’., [A.1.3.5 P0_22 A-3] 3). “Cendekiawan Kepala Ayam”. (Indonesian), [A.1.3.5 P0_22 A-3] 3) « Le Sage à Tête de Poulet » (French)
      - [A.1.3.5 P0_23] The officiant(ess) of the rising sun rituals: to burake., [A.1.3.5 P0_23] L'officiant(e) des rites du Levant : to burake. (French), [A.1.3.5 P0_23] Pemangku adat dalam ritus-ritus "sisi matahari terbit": to burake (Indonesian)
        
        [A.1.3.5 P0_23 A-1] Object of the officiant(ess) burake: a drum., [A.1.3.5 P0_23 A-1] Attribut Pemangku Adat Burake, yang Berupa Sebuah Gendang. (Indonesian), [A.1.3.5 P0_23 A-1] Attribut de l'officiant(e) burake, un tambour (French)
        
        [A.1.3.5 P0_23 A-2] To burake tattiku’ officiants, in the north region., [A.1.3.5 P0_23 A-2] Pemangku Adat To Burake Tattiku’ di Daerah Bagian Utara. (Indonesian), [A.1.3.5 P0_23 A-2] Officiants to burake tattiku' dans la région Nord (French)
        
        [A.1.3.5 P0_23 A-3] Recurrence of the transvestite officiants in South Sulawesi., [A.1.3.5 P0_23 A-3] Pemangku adat banci sering ditemukan di Sulawesi Selatan. (Indonesian), [A.1.3.5 P0_23 A-3] Récurrence des officiants travestis à Sulawesi-Sud (French)
      - [A.1.3.5 P0_24] ‘He who sings’(to menani), master of praise., [A.1.3.5 P0_24] « Celui qui chante » : to menani, maître de la louange. (French), [A.1.3.5 P0_24] “Ia yang menyanyi”, to menani, pemangku adat madah pujian (Indonesian)
      - [A.1.3.5 P0_25] The officiant of the setting sun rituals: the to mebalun., [A.1.3.5 P0_25] L'officiant des rites du Couchant : le to mebalun. (French), [A.1.3.5 P0_25] Pemangku adat ritus di sisi matahari terbenam: to mebalun (Indonesian)
        
        [A.1.3.5 P0_25 A-1] Officiant sacrificing., [A.1.3.5 P0_25 A-1] Officiant sacrifiant (French), [A.1.3.5 P0_25 A-1] Petugas Adat Pengorbanan. (Indonesian)
- [A.2] Music of the setting sun, [A.2] Musik rampe matampu’ (Indonesian), [A.2] Musiques du couchant (French) Sort By : Title Inventory number
  - [A.2.1] Music and funerals, [A.2.1] Musik dan ritus pemakaman (Indonesian), [A.2.1] Musiques et funérailles (French) Sort By : Title Inventory number
    - [A.2.1.1] Field Sources., [A.2.1.1] [A.2.1.1 Sumber Penelitian Lapangan (Indonesian), [A.2.1.1] Sources de terrain (French) Sort By : Title Inventory number
      - [A.2.1.1 P0_1] Region in which funeral music was collected., [A.2.1.1 P0_1] Région des collectes de musiques de funérailles (French), [A.2.1.1 P0_1] Daerah Penelitian Musik Ritus Pemakaman (Indonesian)
        
        [A.2.1.1 P0_1 A-1] Sites and dates of recording., [A.2.1.1 P0_1 A-1] Lieux et dates d'enregistrements (French), [A.2.1.1 P0_1 A-1] Tempat dan Tanggal Perekaman. (Indonesian)
      - [A.2.1.1 P0_2] From traditional to syncretic rituals., [A.2.1.1 P0_2] Dari ritus-ritus tradisional ke ritus sinkretis. (Indonesian), [A.2.1.1 P0_2] Des rituels traditionnels aux rituels syncrétiques (French)
        
        [A.2.1.1 P0_2 A-1] Traditional funerals., [A.2.1.1 P0_2 A-1] Upacara Pemakaman Tradisional. (Indonesian), [A.2.1.1 P0_2 A-1] Les funérailles traditionnelles (French)
        
        [A.2.1.1 P0_2 A-2] The Christianized funerals., [A.2.1.1 P0_2 A-2] Upacara Pemakaman Kristen. (Indonesian), [A.2.1.1 P0_2 A-2] Les funérailles christianisées (French)
    - [A.2.1.2] General aim of the funerals., [A.2.1.2] Tujuan Umum Upacara Pemakaman (Indonesian), [A.2.1.2] But général des funérailles (French) Sort By : Title Inventory number
      - [A.2.1.2 P0_3] The funeral ritual consecrates a separation and a voyage., [A.2.1.2 P0_3] Ritual pemakaman berkaitan dengan sebuah perpisahan dan perjalanan. (Indonesian), [A.2.1.2 P0_3] Le rituel funéraire consacre une séparation et un voyage. (French)
        
        [A.2.1.2 P0_3 A-1] Biological death or symbolic death?, [A.2.1.2 P0_3 A-1] Mort biologique, mort symbolique ? (French), [A.2.1.2 P0_3 A-1] Kematian Biologis, Kematian Simbolis? (Indonesian)
      - [A.2.1.2 P0_4] The funeral ritual allows the deceased’s children to share out the inheritance., [A.2.1.2 P0_4] Ritus pemakaman merupakan kesempatan bagi anak-anak mendiang untuk melaksanakan pembagian warisan. (Indonesian), [A.2.1.2 P0_4] Le rituel funéraire permet aux enfants du défunt la répartition de l'héritage. (French)
      - [A.2.1.2 P0_5] The funeral ritual enables each family to affirm its rank., [A.2.1.2 P0_5] Le rituel funéraire permet à chaque famille d'affirmer son rang. (French), [A.2.1.2 P0_5] Ritus pemakaman merupakan peluang bagi setiap keluarga untuk menunjukkan posisi sosial seseorang. (Indonesian)
        
        [A.2.1.2 P0_5 A-1] The megalith., [A.2.1.2 P0_5 A-1] Megalit. (Indonesian), [A.2.1.2 P0_5 A-1] Le mégalithe (French)
        
        [A.2.1.2 P0_5 A-2] The catafalque., [A.2.1.2 P0_5 A-2] Usungan (saringan). (Indonesian), [A.2.1.2 P0_5 A-2] Le catafalque (French)
        
        [A.2.1.2 P0_5 A-3] The coffin., [A.2.1.2 P0_5 A-3] Le cercueil (French), [A.2.1.2 P0_5 A-3] Bungkusan Orang Mati. (Indonesian)
      - [A.2.1.2 P0_6] The funeral ritual allows families to renew social ties through chains of reciprocity., [A.2.1.2 P0_6] Le rituel funéraire permet aux familles de renouveler le lien social par des chaînes de réciprocité. (French), [A.2.1.2 P0_6] Ritus pemakaman memungkinkan keluarga untuk memperbaharui jaringan sosialnya melalui rantaian yang bersifat timbal balik. (Indonesian)
      - [A.2.1.2 P0_7] The funeral ritual enables the deceased’s shade to set off downstream towards ancestorhood., [A.2.1.2 P0_7] Ritus pemakaman memberi kemungkinan pada roh (bombo) mendiang untuk berangkat ke muara, menuju ke negeri para leluhur. (Mamaindé), [A.2.1.2 P0_7] Le rituel funéraire permet à l'ombre du défunt de partir en aval vers l'ancestralité. (French)
    - [A.2.1.3] Classification of funerals., [A.2.1.3] Classification des funérailles (French), [A.2.1.3] Klasifikasi pemakaman. (Indonesian) Sort By : Title Inventory number
      - [A.2.1.3 P0_10] 2) Example in the north., [A.2.1.3 P0_10] 2). Pemakaman dengan pengorbanan satu sampai tujuh ekor kerbau (Indonesian), [A.2.1.3 P0_10] 2) Les funérailles avec un à sept buffles abattus (French)
        
        [A.2.1.3 P0_10 A-1] Table of types of funeral with one to seven buffaloes., [A.2.1.3 P0_10 A-1] Un exemple au nord du pays (French), [A.2.1.3 P0_10 A-1] Bagan dengan tipe pemakaman satu sampai tujuh ekor kerbau. Sebuah contoh di bagian utara Tana Toraja. (Indonesian)
      - [A.2.1.3 P0_11] 3) The funerals with at least seven and up to twenty-four buffaloes slaughtered., [A.2.1.3 P0_11] 3). Pemakaman dengan 7 sampai 24 ekor kerbau korban. (Indonesian), [A.2.1.3 P0_11] 3) Les funérailles avec au moins sept à vingt-quatre buffles abattus. (French)
        
        [A.2.1.3 P0_11 A-1] Table of types of funerals from seven to twenty-four buffaloes., [A.2.1.3 P0_11 A-1] Autres funérailles de sept à vingt-quatre buffles (French), [A.2.1.3 P0_11 A-1] Bagan jenis pemakaman dengan 7 sampai 24 ekor kerbau. (Mamaindé)
        
        [A.2.1.3 P0_11 A-2] Day 1. Opening ritual., [A.2.1.3 P0_11 A-2] Jour 1 : Rituel d'ouverture (French), [A.2.1.3 P0_11 A-2] Hari 1: Ritus pembukaan. (Indonesian)
        
        [A.2.1.3 P0_11 A-3] Day 2. Day of pause., [A.2.1.3 P0_11 A-3] Hari 2: Hari istirahat. (Indonesian), [A.2.1.3 P0_11 A-3] Jour 2 : Jour d'arrêt (French)
        
        [A.2.1.3 P0_11 A-4] D3: Wrapping of the corpse and effigy., [A.2.1.3 P0_11 A-4] Hari 3: Mendiang dibungkus kain kafan. (Indonesian), [A.2.1.3 P0_11 A-4] Jour 3 : Enveloppement du défunt et confection de l'effigie (French)
        
        [A.2.1.3 P0_11 A-5] Day 4-6. Day of pause., [A.2.1.3 P0_11 A-5] Jours 4-6 : Jours d'arrêt (French), [A.2.1.3 P0_11 A-5] Hari 4-6: Hari istirahat. (Indonesian)
        
        [A.2.1.3 P0_11 A-6] Day 7. Welcome of guests, exit of the effigy and banners for the field, then sacrifices., [A.2.1.3 P0_11 A-6] Jour 7 : Accueil des invités, sortie de l'effigie et des bannières sur le champ, puis sacrifices (French), [A.2.1.3 P0_11 A-6] Hari 7: Penerimaan tamu, pengarakan patung dan panji-panji di lapangan, yang disusul dengan penyembelihan hewan. (Indonesian)
        
        [A.2.1.3 P0_11 A-7] Day 8. Entombment and rites of closure., [A.2.1.3 P0_11 A-7] Jour 8 : Mise en sépulture et rites de fermeture (French), [A.2.1.3 P0_11 A-7] Hari 8: Pengantaran ke makam dan ritus penutupan. (Indonesian)
      - [A.2.1.3 P0_12] The funerals show identical structures., [A.2.1.3 P0_12] Upacara pemakaman memiliki strukturasi yang identik. (Indonesian), [A.2.1.3 P0_12] Les funérailles présentent une structuration identique (French)
        
        [A.2.1.3 P0_12 A-1] Washing the corpse., [A.2.1.3 P0_12 A-1] Pencucian Jenazah. (Indonesian), [A.2.1.3 P0_12 A-1] Laver le mort (French)
        
        [A.2.1.3 P0_12 A-2] Weeping., [A.2.1.3 P0_12 A-2] Peratapan. (Indonesian), [A.2.1.3 P0_12 A-2] Pleurer (French)
        
        [A.2.1.3 P0_12 A-3] Coming, giving, welcoming., [A.2.1.3 P0_12 A-3] Venir, donner, accueillir (French), [A.2.1.3 P0_12 A-3] Datang, Memberi dan Menerima. (Indonesian)
        
        [A.2.1.3 P0_12 A-4] Taking part., [A.2.1.3 P0_12 A-4] Para undangan ikut berpatisipasi dalam upacara pemakaman. (Indonesian), [A.2.1.3 P0_12 A-4] Participer (French)
        
        [A.2.1.3 P0_12 A-6] Sacrificing., [A.2.1.3 P0_12 A-6] Penyembelihan. (Indonesian), [A.2.1.3 P0_12 A-6] Sacrifier (French)
        
        [A.2.1.3 P0_12 A-7] Butchering., [A.2.1.3 P0_12 A-7] Découper (French), [A.2.1.3 P0_12 A-7] Pemotongan daging. (Indonesian)
        
        [A.2.1.3 P0_12 A-8] Sharing the meat., [A.2.1.3 P0_12 A-8] Partager la viande (French), [A.2.1.3 P0_12 A-8] Pembagian daging. (Indonesian)
        
        [A.2.1.3 P0_12 A-9] Entombment., [A.2.1.3 P0_12 A-9] Mettre en sépulture (French), [A.2.1.3 P0_12 A-9] Menguburkan jenazah. (Indonesian)
      - [A.2.1.3 P0_8] Three categories of funeral rituals can be identified., [A.2.1.3 P0_8] Trois catégories de rituels funéraires peuvent être distinguées. (French), [A.2.1.3 P0_8] Terdapat tiga kategori pemakaman. (Indonesian)
      - [A.2.1.3 P0_9] 1) Funeral with no buffalo sacrifice., [A.2.1.3 P0_9] 1). Pemakaman Tanpa Kerbau Korban (Indonesian), [A.2.1.3 P0_9] 1) Les funérailles sans sacrifice de buffle (French)
        
        [A.2.1.3 P0_9 A-1] Children funeral., [A.2.1.3 P0_9 A-1] Bagan beberapa jenis pemakaman tanpa kerbau. (Indonesian), [A.2.1.3 P0_9 A-1] Funérailles d'enfants (French)
    - [A.2.1.4] The most sophisticated funeral ritual: rapasan sapu randanan., [A.2.1.4] Le rituel funéraire le plus élaboré : Sapu Randanan (French), [A.2.1.4] [A.2.1.4 Ritus pemakaman yang paling kompleks: sapu randanan. (Indonesian) Sort By : Title Inventory number
      - [A.2.1.4 P0_13] The most sophisticated funeral ritual takes place in two stages at two places, separated by an interval varying from one month to several years., [A.2.1.4 P0_13] Ritus pemakaman yang paling kompleks berlangsung dua kali dan dilaksanakan di dua tempat yang berbeda, dengan jarak waktu antara satu bulan sampai beberapa tahun. (Indonesian), [A.2.1.4 P0_13] Le rituel funéraire le plus élaboré se déroule en deux temps et deux lieux, séparés par un intervalle variant d'un mois à plusieurs années. (French)
        
        [A.2.1.4 P0_13 A-1] The house., [A.2.1.4 P0_13 A-1] Rumah. (Indonesian), [A.2.1.4 P0_13 A-1] La maison (French)
        
        [A.2.1.4 P0_13 A-3] In the courtyard –the tree as sacrificial stake., [A.2.1.4 P0_13 A-3] Di halaman, batang pohon dijadikan sebagai tiang penambatan hewan korban. (Indonesian), [A.2.1.4 P0_13 A-3] Dans la cour, l'arbre comme pieu sacrificiel (French)
        
        [A.2.1.4 P0_13 A-4] The ‘field of slaughter’., [A.2.1.4 P0_13 A-4] “Arena Pembantaian”. (Indonesian), [A.2.1.4 P0_13 A-4] Le « champ de l'abattage » (French)
      - [A.2.1.4 P0_14] The funeral ritual is led by various persons., [A.2.1.4 P0_14] Le rituel funéraire est mené par différentes personnes. (French), [A.2.1.4 P0_14] Ritus pemakaman dikendalikan oleh banyak orang. (Indonesian)
        
        [A.2.1.4 P0_14 A-1] The deceased., [A.2.1.4 P0_14 A-1] Mendiang. (Indonesian), [A.2.1.4 P0_14 A-1] Le défunt (French)
        
        [A.2.1.4 P0_14 A-2] The widower or widow., [A.2.1.4 P0_14 A-2] Le veuf ou la veuve (French), [A.2.1.4 P0_14 A-2] Duda atau Janda. (Indonesian)
        
        [A.2.1.4 P0_14 A-3] The deceased's children., [A.2.1.4 P0_14 A-3] Les enfants du défunt (French), [A.2.1.4 P0_14 A-3] Anak-Anak Mendiang. (Indonesian)
        
        [A.2.1.4 P0_14 A-4] The officiated., [A.2.1.4 P0_14 A-4] Para Petugas Lapangan. (Indonesian), [A.2.1.4 P0_14 A-4] Les « officiés » (French)
        
        [A.2.1.4 P0_14 A-5] The fasters., [A.2.1.4 P0_14 A-5] Les jeûneurs (French), [A.2.1.4 P0_14 A-5] Orang-Orang yang Berpantang. (Indonesian)
        
        [A.2.1.4 P0_14 A-6] The death wrapper., [A.2.1.4 P0_14 A-6] L'enveloppeur de mort (French), [A.2.1.4 P0_14 A-6] Pemangku Pembalutan Jenazah. (Indonesian)
        
        [A.2.1.4 P0_14 A-7] The officiants to minaa., [A.2.1.4 P0_14 A-7] Pemangku Adat To Minaa. (Indonesian), [A.2.1.4 P0_14 A-7] Les officiants to minaa (French)
        
        [A.2.1.4 P0_14 A-8] The guests, the villagers., [A.2.1.4 P0_14 A-8] Les invités, les villageois (French), [A.2.1.4 P0_14 A-8] Para Tamu, Orang-Orang Kampung. (Indonesian)
        
        [A.2.1.4 P0_14 A-9] The singers., [A.2.1.4 P0_14 A-9] Les chanteurs (French), [A.2.1.4 P0_14 A-9] Para Penyanyi. (Indonesian)
      - [A.2.1.4 P0_15] Sequences of the first funeral ceremony (ma'puli)., [A.2.1.4 P0_15] Rentetan upacara pemakaman tahap pertama (ma’puli) (Indonesian), [A.2.1.4 P0_15] Séquences de la première cérémonie de funérailles (ma'puli). (French)
        
        [A.2.1.4 P0_15 A-1] Day 1. Ma' Puli. Beating the drum., [A.2.1.4 P0_15 A-1] Jour 1: Ma' Puli. Battre le tambour. (French), [A.2.1.4 P0_15 A-1] Hari 1: Ma’puli. Gendang ditabuh. (Indonesian)
        
        [A.2.1.4 P0_15 A-2] Invoking and sacrificing., [A.2.1.4 P0_15 A-2] Invoquer et sacrifier (French), [A.2.1.4 P0_15 A-2] Pemanjatan Doa dan Penyembelihan Hewan. (Indonesian)
        
        [A.2.1.4 P0_15 A-3] Turning around the body., [A.2.1.4 P0_15 A-3] Perubahan Letak Jenazah. (Indonesian), [A.2.1.4 P0_15 A-3] « Retourner le corps » (French)
        
        [A.2.1.4 P0_15 A-4] Setting up the meat tree and banners., [A.2.1.4 P0_15 A-4] Pendirian Tiang Tempat Persembahan dan Panji-Panji. (Indonesian), [A.2.1.4 P0_15 A-4] Ériger l'arbre à viande et les bannières (French)
        
        [A.2.1.4 P0_15 A-5] Sharing the meat; gambling at the cock-fight., [A.2.1.4 P0_15 A-5] Partager la viande ; jouer au combat de coqs (French), [A.2.1.4 P0_15 A-5] Pembagian Daging; Acara Sabung Ayam. (Indonesian)
        
        [A.2.1.4 P0_15 A-6] Day 2. Ma'doya. Wrapping the body., [A.2.1.4 P0_15 A-6] Hari ke 2. Ma’doya. Membungkus Jenazah dengan Kain Kafan. (Indonesian), [A.2.1.4 P0_15 A-6] Jour 2 : Ma'doya. Envelopper le corps. (French)
        
        [A.2.1.4 P0_15 A-7] Day 3. Ma'batang. Setting up the trident mast., [A.2.1.4 P0_15 A-7] Jour 3 : Ma'batang. Ériger le mât trident. (French), [A.2.1.4 P0_15 A-7] Hari ke 3. Ma’batang. Pendirian “Tiang Bercabang Tiga”, Bandera. (Indonesian)
        
        [A.2.1.4 P0_15 A-8] Sharing on the great field., [A.2.1.4 P0_15 A-8] Pembagian Daging dalam Arena yang Luas. (Indonesian), [A.2.1.4 P0_15 A-8] Partager sur le grand champ (French)
        
        [A.2.1.4 P0_15 A-9] Hari ke 4: “Menadah Air Susu”, ma’pasusu. (French), [A.2.1.4 P0_15 A-9] Day 4. Ma'pasusu ‘Collecting the milk’. (French), [A.2.1.4 P0_15 A-9] Jour 4 : Ma'pasusu « Recueillir le lait » (French)
      - [A.2.1.4 P0_16] The intermediary period constitutes a pause between the two funeral celebrations., [A.2.1.4 P0_16] Pause entre les deux fêtes funéraires. (French), [A.2.1.4 P0_16] Rentang waktu antara kedua upacara pemakaman tersebut merupakan kesempatan untuk istirahat. (Indonesian)
        
        [A.2.1.4 P0_16 A-1] Building-sites for temporary accommodation., [A.2.1.4 P0_16 A-1] Chantiers de construction pour les secondes funérailles (French), [A.2.1.4 P0_16 A-1] Pembangunan Pemukiman Sementara. (Indonesian)
      - [A.2.1.4 P0_17] Sequences from the second funeral ceremony (ma'palao)., [A.2.1.4 P0_17] Pelaksanaan upacara pemakaman kedua ma’palao. (Indonesian), [A.2.1.4 P0_17] Séquences de la seconde cérémonie de funérailles (ma'palao) (French)
        
        [A.2.1.4 P0_17 A-1] Day 1.Taking the body down from the ceiling; singing the hagiography., [A.2.1.4 P0_17 A-1] Hari 1. Menurunkan jenazah dari atas rumah; menyanyikan madah pujian. (Indonesian), [A.2.1.4 P0_17 A-1] Jour 1 : Descendre le corps du plafond ; chanter l'hagiographie (French)
        
        [A.2.1.4 P0_17 A-2] Day 2. Taking the deceased down into the courtyard., [A.2.1.4 P0_17 A-2] Hari ke 2. Menurunkan jenazah ke halaman rumah. (Indonesian), [A.2.1.4 P0_17 A-2] Jour 2 : Descendre le défunt dans la cour (French)
        
        [A.2.1.4 P0_17 A-3] Day 3. Making the effigy., [A.2.1.4 P0_17 A-3] Jour 3 : Fabriquer l'effigie (French), [A.2.1.4 P0_17 A-3] Hari ke 3. Pembuatan patung tau-tau. (Indonesian)
        
        [A.2.1.4 P0_17 A-4] Descending in procession., [A.2.1.4 P0_17 A-4] Prosesi ma’pasonglo’. (Indonesian), [A.2.1.4 P0_17 A-4] Descendre en procession (French)
        
        [A.2.1.4 P0_17 A-5] Installing the deceased on his tower., [A.2.1.4 P0_17 A-5] Installer le défunt sur sa tour (French), [A.2.1.4 P0_17 A-5] Menempatkan mendiang di atas menara lakkian. (Indonesian)
        
        [A.2.1.4 P0_17 A-6] Day 4. Erecting the megalith., [A.2.1.4 P0_17 A-6] Jour 4 : Ériger le mégalithe (French), [A.2.1.4 P0_17 A-6] Hari 4. Pendirian megalit. (Indonesian)
        
        [A.2.1.4 P0_17 A-7] Welcoming the guests., [A.2.1.4 P0_17 A-7] Accueillir les invités (French), [A.2.1.4 P0_17 A-7] Menerima Para Tamu. (Indonesian)
        
        [A.2.1.4 P0_17 A-8] Sacrificing and then sharing the meat., [A.2.1.4 P0_17 A-8] Sacrifice puis partage de la viande (French), [A.2.1.4 P0_17 A-8] Penyembelihan kerbau, yang disusul dengan pembagian daging. (Indonesian)
        
        [A.2.1.4 P0_17 A-9] Day 7. Putting the body in the grave., [A.2.1.4 P0_17 A-9] Hari ke 7. Membawa jenazah ke makam. (Indonesian), [A.2.1.4 P0_17 A-9] Jour 7 : Mettre le corps en sépulture (French)
      - [A.2.1.4 P0_18] After the funeral ritual –the journey and transformation of the deceased., [A.2.1.4 P0_18] Après le rituel funéraire, le voyage et la transformation du défunt. (French), [A.2.1.4 P0_18] Sesudah ritus pemakaman, perjalanan dan peralihan mendiang menjadi leluhur. (Indonesian)
      - [A.2.1.4 P0_19] The ma’nene’ rite allows the deceased’s spirit to attain ancestorhood., [A.2.1.4 P0_19] Le rituel de restauration des sépultures permet à l'esprit du défunt l'accès vers l'ancestralité. (French), [A.2.1.4 P0_19] P0_19. Ritus restorasi tempat pemakaman dapat menjadi sarana bagi mendiang untuk mencapai tingkat penjelmaannya sebagai leluhur. (Indonesian)
        
        [A.2.1.4 P0_19 A-1] Going to the graves., [A.2.1.4 P0_19 A-1] Se rendre aux sépultures (French), [A.2.1.4 P0_19 A-1] Datang ke makam. (Indonesian)
        
        [A.2.1.4 P0_19 A-2] Weeping, singing again for the deceased., [A.2.1.4 P0_19 A-2] Meratapi, menyanyi kembali untuk mendiang. (Indonesian), [A.2.1.4 P0_19 A-2] Pleurer, chanter à nouveau pour le défunt (French)
        
        [A.2.1.4 P0_19 A-3] Taking the bodies out of the coffins again., [A.2.1.4 P0_19 A-3] Mengeluarkan jenazah dari bungkusan kain kafan. (Indonesian), [A.2.1.4 P0_19 A-3] Ressortir les os des cercueils (French)
  - [A.2.2] Music of the most sophisticated ritual, [A.2.2] Musik ritual kematian terlengkap (Indonesian), [A.2.2] Musiques du rituel le plus élaboré (French) Sort By : Title Inventory number
    - [A.2.2.1] The funeral badong round dance., [A.2.2.1] La ronde funéraire badong (French), [A.2.2.1] [A.2.2.1 Tarian Berbentuk Lingkaran untuk Ritus Pemakaman Badong. (Indonesian) Sort By : Title Inventory number
      - [A.2.2.1 P0_20] The badong is sung by a male chorus dancing in a circle., [A.2.2.1 P0_20] Badong merupakan kor kaum lelaki yang dinyanyikan sambil menari dalam bentuk lingkaran. (Indonesian), [A.2.2.1 P0_20] Le badong est une ronde dansée par un chœur masculin. (French)
        
        [A.2.2.1 P0_20 A-1] Male-female?, [A.2.2.1 P0_20 A-1] Masculin-féminin ? (French), [A.2.2.1 P0_20 A-1] Lelaki-perempuan? (Indonesian)
        
        [A.2.2.1 P0_20 A-2] The different roles in the badong., [A.2.2.1 P0_20 A-2] Les différents rôles dans le badong (French), [A.2.2.1 P0_20 A-2] Berbagai Peran dalam Badong. (Indonesian)
        
        [A.2.2.1 P0_20 A-3] The badong may be protected by guardians., [A.2.2.1 P0_20 A-3] Tarian badong dapat memperoleh pengawalan. (Indonesian), [A.2.2.1 P0_20 A-3] La ronde peut être protégée par des gardiens (French)
        
        [A.2.2.1 P0_20 A-4] Polybadong., [A.2.2.1 P0_20 A-4] Polybadong (French), [A.2.2.1 P0_20 A-4] Polibadong. (Indonesian)
        
        [A.2.2.1 P0_20 A-5] The badong song starts in silence with a swaying motion., [A.2.2.1 P0_20 A-5] Tarian badong dimulai dengan tanpa suara dan dengan ayunan bahu. (Indonesian), [A.2.2.1 P0_20 A-5] La ronde démarre en silence par un balancement (French)
        
        [A.2.2.1 P0_20 A-6] Each song has a type of coordination between arms and steps, linked to the tempo., [A.2.2.1 P0_20 A-6] Chaque chant a un type de coordination entre bras et pas, lié au tempo (French), [A.2.2.1 P0_20 A-6] Setiap nyanyian memiliki sebuah tipe kordinasi antara lengan dan langkah, dalam kaitannya dengan tempo. (Indonesian)
      - [A.2.2.1 P0_21] The badong is performed at several points in the ritual, linked to the deceased’s body or effigy., [A.2.2.1 P0_21] Badong dilaksanakan dalam berbagai kesempatan ritual, misalnya pada saat pemindahan jenazah atau patung mendiang. (Indonesian), [A.2.2.1 P0_21] Le badong est chanté à certains moments du rituel, lors du déplacement du corps ou de l'effigie du défunt. (French)
        
        [A.2.2.1 P0_21 A-1] Before and after the descent of the body from the house to the rice granary., [A.2.2.1 P0_21 A-1] Sebelum dan sesudah penurunan jenazah dari rumah ke beranda lumbung. (Indonesian), [A.2.2.1 P0_21 A-1] Avant et après la descente du corps de la maison au grenier à riz (French)
        
        [A.2.2.1 P0_21 A-2] From the rice granary to the center of the courtyard., [A.2.2.1 P0_21 A-2] Du grenier à riz au centre de la cour de la maison (French), [A.2.2.1 P0_21 A-2] Dari lumbung ke tengah halaman. (Indonesian)
        
        [A.2.2.1 P0_21 A-3] From the courtyard to the ceremonial field., [A.2.2.1 P0_21 A-3] Dari halaman rumah ke arena upacara. (Indonesian), [A.2.2.1 P0_21 A-3] De la cour au champ cérémoniel (French)
        
        [A.2.2.1 P0_21 A-4] Welcoming the guests., [A.2.2.1 P0_21 A-4] Pada saat penerimaan tamu. (Indonesian), [A.2.2.1 P0_21 A-4] Lors de l'accueil des invités (French)
        
        [A.2.2.1 P0_21 A-5] The night., [A.2.2.1 P0_21 A-5] Tengah Malam. (Indonesian), [A.2.2.1 P0_21 A-5] La nuit (French)
        
        [A.2.2.1 P0_21 A-6] From the ceremonial field to the grave., [A.2.2.1 P0_21 A-6] Dari arena upacara ke makam. (Indonesian), [A.2.2.1 P0_21 A-6] Du champ cérémoniel à la sépulture (French)
      - [A.2.2.1 P0_22] The badong concentrates the energy of the grief in an agonistic game., [A.2.2.1 P0_22] Badong memusatkan energi kesedihan dalam permainan sakratulmaut. (Indonesian), [A.2.2.1 P0_22] Le badong concentre l'énergie de la peine dans un jeu agonistique. (French)
        
        [A.2.2.1 P0_22 A-1] Grief., [A.2.2.1 P0_22 A-1] Rasa Sedih. (Indonesian), [A.2.2.1 P0_22 A-1] La peine (French)
        
        [A.2.2.1 P0_22 A-2] The meat., [A.2.2.1 P0_22 A-2] Daging. (Indonesian), [A.2.2.1 P0_22 A-2] La viande (French)
        
        [A.2.2.1 P0_22 A-3] The challenge., [A.2.2.1 P0_22 A-3] Persaingan. (Indonesian), [A.2.2.1 P0_22 A-3] Le défi (French)
      - [A.2.2.1 P0_23] The choice of the funeral poem sung depends on the deceased’s social rank and the rite performed., [A.2.2.1 P0_23] Pemilihan jenis sajak untuk sebuah upacara pemakaman ditentukan oleh tingkat sosial mendiang serta tipe ritus yang dilaksanakan. (Indonesian), [A.2.2.1 P0_23] Le choix du poème funéraire chanté dépend du rang social du défunt et du rite accompli. (French)
        
        [A.2.2.1 P0_23 A-1] THE HAGIOGRAPHY FOR THE NOBLES., [A.2.2.1 P0_23 A-1] Madah Riwayat Hidup Untuk Kaum Ningrat. (Indonesian), [A.2.2.1 P0_23 A-1] L'HAGIOGRAPHIE POUR LES NOBLES (French)
        
        [A.2.2.1 P0_23 A-2] A hagiographic poem., [A.2.2.1 P0_23 A-2] Sebuah Syair Hagiografis. (Indonesian), [A.2.2.1 P0_23 A-2] Un poème hagiographique (French)
        
        [A.2.2.1 P0_23 A-3] Way of performing., [A.2.2.1 P0_23 A-3] Mode d'exécution (French), [A.2.2.1 P0_23 A-3] Cara Pelaksanaan. (Indonesian)
        
        [A.2.2.1 P0_23 A-4] Narrative structure., [A.2.2.1 P0_23 A-4] Struktur Naratif. (Indonesian), [A.2.2.1 P0_23 A-4] Structure narrative (French)
        
        [A.2.2.1 P0_23 A-5] Affirmation of rank., [A.2.2.1 P0_23 A-5] Penekanan tentang tingkat lapisan sosial seseorang. (Indonesian), [A.2.2.1 P0_23 A-5] Affirmation du rang (French)
        
        [A.2.2.1 P0_23 A-6] STANZAS FOR LESS NOBLE., [A.2.2.1 P0_23 A-6] Bait Bersajak Bebas Untuk Kaum Bangsawan Kecil. (Indonesian), [A.2.2.1 P0_23 A-6] STROPHES LIBRES POUR MOINS NOBLES (French)
        
        [A.2.2.1 P0_23 A-7] Ritual circumstance., [A.2.2.1 P0_23 A-7] Circonstance rituelle (French), [A.2.2.1 P0_23 A-7] Situasi dan Kondisi Ritual. (Indonesian)
      - [A.2.2.1 P0_24] The metrical structure of the badong is based on the octosyllable., [A.2.2.1 P0_24] Struktur metris dalam badong berdasarkan atas persajakan octosyllabs (delapan suku kata). (Indonesian), [A.2.2.1 P0_24] La structure métrique du badong est fondée sur l'octosyllabe. (French)
      - [A.2.2.1 P0_25] There are two categories of badong, depending on the timing of the ritual: badong in unison and antiphonal badong., [A.2.2.1 P0_25] Ditemukan menurut waktu ritus dua kategori tarian badong untuk upacara pemakaman: tarian badong dengan kor dalam suara tunggal (unisono) dan tarian badong yang sahut-menyahut (antifoni). (Indonesian), [A.2.2.1 P0_25] Il existe, selon le moment du rituel, deux catégories de ronde badong : les rondes à l'unisson et les rondes antiphonées. (French)
        
        [A.2.2.1 P0_25 A-1] The verse is sung in unison., [A.2.2.1 P0_25 A-1] Sajak dinyanyikan oleh kor terpadu dalam suara tunggal (unisono). (Indonesian), [A.2.2.1 P0_25 A-1] Le vers est chanté à l'unisson (French)
        
        [A.2.2.1 P0_25 A-2] The line is pronounced by two groups., [A.2.2.1 P0_25 A-2] Sajak dituturkan oleh dua kelompok. (Indonesian), [A.2.2.1 P0_25 A-2] Le vers est énoncé par 2 groupes (French)
        
        [A.2.2.1 P0_25 A-3] The line is pronounced by four groups., [A.2.2.1 P0_25 A-3] Sajak yang dituturkan oleh empat kelompok. (Indonesian), [A.2.2.1 P0_25 A-3] Le vers est énoncé par quatre groupes (French)
        
        [A.2.2.1 P0_25 A-4] Anadiplosis., [A.2.2.1 P0_25 A-4] L'anadiplose (French), [A.2.2.1 P0_25 A-4] Anadiplosis. (Indonesian)
      - [A.2.2.1 P0_26] Procedures for dismembering the line: phonetic deformation and vowel-play., [A.2.2.1 P0_26] Metoda penguraian sajak: perubahan fonetik dan permaianan vokal. (Indonesian), [A.2.2.1 P0_26] Procédés de démembrement du vers : déformation phonétique et jeux de voyelles. (French)
        
        [A.2.2.1 P0_26 A-1] Melismas., [A.2.2.1 P0_26 A-1] Mélismes (French), [A.2.2.1 P0_26 A-1] Melisma. (Indonesian)
        
        [A.2.2.1 P0_26 A-2] Vowel deformation., [A.2.2.1 P0_26 A-2] Deformasi vokal. (Indonesian), [A.2.2.1 P0_26 A-2] Déformation des voyelles (French)
        
        [A.2.2.1 P0_26 A-3] Attenuation of consonants., [A.2.2.1 P0_26 A-3] Atténuation des consonnes (French), [A.2.2.1 P0_26 A-3] Pelunakan konsonan. (Indonesian)
        
        [A.2.2.1 P0_26 A-4] Vocalic alternation., [A.2.2.1 P0_26 A-4] Pergantian vokalis. (Indonesian), [A.2.2.1 P0_26 A-4] Alternance vocalique (French)
      - [A.2.2.1 P0_27] Voice arrangement in the badong., [A.2.2.1 P0_27] Penataan Suara dalam Tarian Badong. (Indonesian), [A.2.2.1 P0_27] Agencement des voix dans la ronde badong (French)
        
        [A.2.2.1 P0_27 A-1] Terminology., [A.2.2.1 P0_27 A-1] Terminologi. (Indonesian), [A.2.2.1 P0_27 A-1] Terminologie (French)
        
        [A.2.2.1 P0_27 A-2] Soloist ornament in seconds., [A.2.2.1 P0_27 A-2] Ornement soliste à la seconde (French), [A.2.2.1 P0_27 A-2] Ornamen Solis pada sekon. (Indonesian)
        
        [A.2.2.1 P0_27 A-3] Collective ornamentation of the melodic line., [A.2.2.1 P0_27 A-3] Ornement collectif de la ligne mélodique (French), [A.2.2.1 P0_27 A-3] Ornamen Kolektif dari Garis Melodis. (Indonesian)
        
        [A.2.2.1 P0_27 A-4] Harmonic density., [A.2.2.1 P0_27 A-4] Kepadatan Harmonis. (Indonesian), [A.2.2.1 P0_27 A-4] Densité harmonique (French)
        
        [A.2.2.1 P0_27 A-5] Contrasts of intensity., [A.2.2.1 P0_27 A-5] Contrastes d'intensité (French), [A.2.2.1 P0_27 A-5] Kontras dari Intensitas. (Indonesian)
        
        [A.2.2.1 P0_27 A-6] Parallelism of the voices., [A.2.2.1 P0_27 A-6] Parallélisme des voix (French), [A.2.2.1 P0_27 A-6] Paralelisme Suara. (Indonesian)
      - [A.2.2.1 P0_28] The melodico-rhythmic formulas are made up of four or five melodic cells., [A.2.2.1 P0_28] Les formules mélodico-rythmiques se composent de quatre à cinq cellules mélodiques. (French), [A.2.2.1 P0_28] Formula melodiko-ritmis terdiri dari empat sampai lima motif melodis. (Indonesian)
        
        [A.2.2.1 P0_28 A-1] A binary melodic profile., [A.2.2.1 P0_28 A-1] Un profil mélodique binaire (French), [A.2.2.1 P0_28 A-1] Sebuah profil melodis biner. (Indonesian)
        
        [A.2.2.1 P0_28 A-2] The addition of the segments., [A.2.2.1 P0_28 A-2] Tambahan Motif-Motif. (Indonesian), [A.2.2.1 P0_28 A-2] L'addition des cellules (French)
        
        [A.2.2.1 P0_28 A-3] Restricted scales., [A.2.2.1 P0_28 A-3] Des échelles restreintes (French), [A.2.2.1 P0_28 A-3] Tangga nada yang terbatas. (Indonesian)
        
        [A.2.2.1 P0_28 A-4] Dynamism through sforzandi., [A.2.2.1 P0_28 A-4] Dynamisme par sforzandi (French), [A.2.2.1 P0_28 A-4] Dinamisme melalui Sforzandi. (Indonesian)
    - [A.2.2.2] The retteng to mate solo declamation., [A.2.2.2] La déclamation soliste retteng to mate (French), [A.2.2.2] Deklamasi solis retteng to mate. (Indonesian) Sort By : Title Inventory number
      - [A.2.2.2 P0_29] A solo declamation is improvised during a badong performance., [A.2.2.2 P0_29] Sebuah deklamasi solis diimprovisasikan di tengah-tengah lingkaran badong. (Indonesian), [A.2.2.2 P0_29] Une déclamation soliste est improvisée au coeur de la ronde badong. (French)
      - [A.2.2.2 P0_30] The declamation retteng is a recitation recto tono., [A.2.2.2 P0_30] Deklamasi retteng merupakan sebuah resitasi dalam satu nada. (Indonesian), [A.2.2.2 P0_30] La déclamation retteng est une récitation recto tono. (French)
      - [A.2.2.2 P0_31] The retteng is characterized by the apocope –temporary elision of the last syllable of each line., [A.2.2.2 P0_31] Retteng ditandai dengan apokop – penghilangan sementara suku kata terakhir dari setiap sajak. (Indonesian), [A.2.2.2 P0_31] Le retteng est caractérisé par l'apocope (élision temporaire de la dernière syllabe de chaque vers). (French)
      - [A.2.2.2 P0_32] The retteng is distinguished by a lean vocal style., [A.2.2.2 P0_32] Le retteng se distingue par une stylistique du décharnement vocal. (French), [A.2.2.2 P0_32] Ciri khas retteng ditandai dengan sebuah stilistik vokal yang kering. (Indonesian)
      - [A.2.2.2 P0_33] The retteng is formed of octosyllables., [A.2.2.2 P0_33] Le retteng est formé d'octosyllabes (French), [A.2.2.2 P0_33] Retteng terbentuk dari delapan suku kata (oktosilabel). (Indonesian)
      - [A.2.2.2 P0_34] The retteng’s literary content aims either to praise the deceased or resolve conflicts through an improvised dialogue (siretteng)., [A.2.2.2 P0_34] Muatan sastra dari retteng bertujuan baik untuk memuja mendiang maupun untuk menyelesaikan konflik melalui suatu dialog yang diimprovisasikan (siretteng). (Indonesian), [A.2.2.2 P0_34] Le contenu littéraire du retteng vise soit à louer le défunt, soit à résoudre des conflits par un dialogue improvisé (siretteng). (French)
        
        [A.2.2.2 P0_34 A-1] The expression of sadness., [A.2.2.2 P0_34 A-1] L'expression de la tristesse (French), [A.2.2.2 P0_34 A-1] Ungkapan Kesedihan. (Indonesian)
        
        [A.2.2.2 P0_34 A-2] The expression of a conflict., [A.2.2.2 P0_34 A-2] Ungkapan suatu konflik. (Indonesian), [A.2.2.2 P0_34 A-2] L'expression d'un conflit (French)
    - [A.2.2.3 P0_35 A-2] Until dawn., [A.2.2.3 P0_35 A-2] Jusqu'à l'aube (French), [A.2.2.3 P0_35 A-2] Sampai Subuh. (Indonesian)
    - [A.2.2.3] The dondi’ vigil chorus., [A.2.2.3] Le chœur de veille dondi' (French), [A.2.2.3] Kor jaga malam dondi (Indonesian) Sort By : Title Inventory number
      - [A.2.2.3 P0_35] The dondi’ is a vigil chorus., [A.2.2.3 P0_35] Dondi’ merupakan kor untuk jaga malam. (Indonesian), [A.2.2.3 P0_35] Le dondi' est un chœur de veille. (French)
        
        [A.2.2.3 P0_35 A-1] The dondi', sitting, huddled tightly together., [A.2.2.3 P0_35 A-1] Dondi’, sedang duduk, saling berdempetan, dan berpelukan. (Indonesian), [A.2.2.3 P0_35 A-1] Le dondi’, assis, serrés, enlacés (French)
        
        [A.2.2.3 P0_35 A-2] Until dawn., [A.2.2.3 P0_35 A-2] Sampai Subuh. (Indonesian), [A.2.2.3 P0_35 A-2] Jusqu'à l'aube (French)
      - [A.2.2.3 P0_36] The literary contents of the dondi’ reveal a collective emotional lyricism., [A.2.2.3 P0_36] Le contenu littéraire du dondi' dévoile une lyrique collective affective. (French), [A.2.2.3 P0_36] Muatan sastra dari dondi’ mengungkapkan suatu lirik kolektif afektif. (Indonesian)
        
        [A.2.2.3 P0_36 A-1] The deceased’s crossing ‘southwards’., [A.2.2.3 P0_36 A-1] Le voyage de l'ombre vers l'aval (French), [A.2.2.3 P0_36 A-1] Perjalanan mendiang “Menuju ke Hilir”. (Indonesian)
        
        [A.2.2.3 P0_36 A-2] The sadness of separation., [A.2.2.3 P0_36 A-2] Kesedihan atas perpisahan. (Indonesian), [A.2.2.3 P0_36 A-2] La tristesse (French)
        
        [A.2.2.3 P0_36 A-3] Soothing the grief of the family., [A.2.2.3 P0_36 A-3] L'apaisement du chagrin par le chant (French), [A.2.2.3 P0_36 A-3] Kata-kata yang menentramkan keluarga yang berduka. (Indonesian)
        
        [A.2.2.3 P0_36 A-4] Expressing the unity of the group., [A.2.2.3 P0_36 A-4] Ekspresi keutuhan kelompok. (Indonesian), [A.2.2.3 P0_36 A-4] L'expression de l'unité du groupe (French)
        
        [A.2.2.3 P0_36 A-5] Pessimistic aphorisms., [A.2.2.3 P0_36 A-5] Kata-kata mutiara yang bernada pesimis. (Indonesian), [A.2.2.3 P0_36 A-5] Des aphorismes pessimistes (French)
        
        [A.2.2.3 P0_36 A-6] Riddling metaphors., [A.2.2.3 P0_36 A-6] Metafor-metafor dalam bentuk teka-teki. (Indonesian), [A.2.2.3 P0_36 A-6] Des métaphores en devinettes (French)
        
        [A.2.2.3 P0_36 A-7] Performative metalinguistic expressions., [A.2.2.3 P0_36 A-7] Des expressions métalinguistiques, de type performatif (French), [A.2.2.3 P0_36 A-7] Ungkapan-ungkapan metalinguistik tipe performatif. (Indonesian)
        
        [A.2.2.3 P0_36 A-8] A judgment on the song’s performance., [A.2.2.3 P0_36 A-8] Penilaian atas pelaksanaan kegiatan bernyanyi. (Indonesian), [A.2.2.3 P0_36 A-8] Un jugement sur l'exécution du chant (French)
      - [A.2.2.3 P0_37] The dondi’ is a discontinuous discourse in both sense and sound., [A.2.2.3 P0_37] Le dondi' est une parole discontinue sur le plan du sens et du son. (French), [A.2.2.3 P0_37] Dondi’ merupakan bahasa yang tidak sinambung pada tingkat makna dan suara. (Indonesian)
        
        [A.2.2.3 P0_37 A-1] The silences., [A.2.2.3 P0_37 A-1] Diam membisu. (Indonesian), [A.2.2.3 P0_37 A-1] Les silences (French)
        
        [A.2.2.3 P0_37 A-2] Semantic discontinuity., [A.2.2.3 P0_37 A-2] La discontinuité sémantique (French), [A.2.2.3 P0_37 A-2] Diskontinuitas semantik. (Indonesian)
      - [A.2.2.3 P0_38] The meter of the dondi’ is different from that of the badong., [A.2.2.3 P0_38] Metrik dari dondi’ berbeda dengan badong. (Indonesian), [A.2.2.3 P0_38] La métrique du dondi' diffère du badong. (French)
      - [A.2.2.3 P0_39] Dondi’ songs have a psalmodic form., [A.2.2.3 P0_39] Les chants dondi' présentent un profil psalmodique. (French), [A.2.2.3 P0_39] Nyanyian dondi’ berupa mantra. (Indonesian)
        
        [A.2.2.3 P0_39 A-1] Scales., [A.2.2.3 P0_39 A-1] Échelles (French), [A.2.2.3 P0_39 A-1] Tangga nada. (Indonesian)
        
        [A.2.2.3 P0_39 A-2] Ends of phrase., [A.2.2.3 P0_39 A-2] Akhir Kalimat. (Indonesian), [A.2.2.3 P0_39 A-2] Fins de phrase (French)
        
        [A.2.2.3 P0_39 A-3] Median inflection., [A.2.2.3 P0_39 A-3] Formula Median. (Indonesian), [A.2.2.3 P0_39 A-3] Formule médiane (French)
      - [A.2.2.3 P0_40] From the syllabic to the melismatic in the dondi’ funeral repertoire., [A.2.2.3 P0_40] Du syllabique au mélismatique dans le répertoire funéraire dondi' (French), [A.2.2.3 P0_40] Dari Silabis ke Melismatik dalam Repertoar Pemakaman dondi’. (Indonesian)
        
        [A.2.2.3 P0_40 A-1] Rhythmical patterns of the syllabic dondi’., [A.2.2.3 P0_40 A-1] Bentuk Ritmis dari Skema Suku Kata. (French), [A.2.2.3 P0_40 A-1] Rythmique des schémas syllabiques (French)
        
        [A.2.2.3 P0_40 A-2] Syllabic dondi’ poetic and musical meters., [A.2.2.3 P0_40 A-2] Metrik poetik dan musikal dari dondi’ silabis. (Indonesian), [A.2.2.3 P0_40 A-2] Métrique poétique et musicale des dondi' syllabiques. (French)
        
        [A.2.2.3 P0_40 A-3] The apogee of the melisma., [A.2.2.3 P0_40 A-3] L'apogée du mélisme (French), [A.2.2.3 P0_40 A-3] Klimaks Melisma. (Indonesian)
        
        [A.2.2.3 P0_40 A-4] Principle of accumulation., [A.2.2.3 P0_40 A-4] Principe d'accumulation (French), [A.2.2.3 P0_40 A-4] Prinsip Akumulasi. (Indonesian)
        
        [A.2.2.3 P0_40 A-5] Principle of vowel distortion., [A.2.2.3 P0_40 A-5] Principe de travestissement des voyelles (French), [A.2.2.3 P0_40 A-5] Prinsip Penyamaran Bunyi Vokal. (Indonesian)
        
        [A.2.2.3 P0_40 A-6] Non-coincidence between metrical series and musical accents., [A.2.2.3 P0_40 A-6] Non-coïncidence entre série métrique et accents musicaux (French), [A.2.2.3 P0_40 A-6] Tekanan metrik kata-kata tidak sesuai dengan tekanan musik. (Indonesian)
        
        [A.2.2.3 P0_40 A-7] Un-measured time., [A.2.2.3 P0_40 A-7] Dé-mesure du temps (French), [A.2.2.3 P0_40 A-7] Ketukan Bebas. (Indonesian)
      - [A.2.2.3 P0_41] The use of ascending chromaticism in the dondi’., [A.2.2.3 P0_41] L'usage du chromatisme ascendant dans le dondi'. (French), [A.2.2.3 P0_41] Pemakaian kromatisisme yang menurun dalam dondi’. (Indonesian)
        
        [A.2.2.3 P0_41 A-1] Elevation of a semitone in the dondi'., [A.2.2.3 P0_41 A-1] Kromatisisme pada intonasi. (Indonesian), [A.2.2.3 P0_41 A-1] Chromatisme à l'intonation (French)
        
        [A.2.2.3 P0_41 A-2] Chromaticism in middle of melody., [A.2.2.3 P0_41 A-2] Chromatisme en milieu de mélodie (French), [A.2.2.3 P0_41 A-2] Kromatisisme di tengah melodi. (Indonesian)
        
        [A.2.2.3 P0_41 A-3] Modulating chromaticism., [A.2.2.3 P0_41 A-3] Le demi-ton dans le chant dondi' (French), [A.2.2.3 P0_41 A-3] Kromatisisme dengan modulasi. (Indonesian)
      - [A.2.2.3 P0_42] The dondi’ can be sung in unison or polyphony., [A.2.2.3 P0_42] Dondi’ dapat dinyanyikan bersama atau dalam bentuk polifoni. (Indonesian), [A.2.2.3 P0_42] Le dondi' peut être chanté à l'unisson ou en polyphonie. (French)
        
        [A.2.2.3 P0_42 A-1] Mixed-sex unison., [A.2.2.3 P0_42 A-1] Suara tunggal. (Indonesian), [A.2.2.3 P0_42 A-1] Unisson mixte (French)
        
        [A.2.2.3 P0_42 A-2] Polyphony by uncoupling., [A.2.2.3 P0_42 A-2] Polifoni Melalui Pelepasan. (Indonesian), [A.2.2.3 P0_42 A-2] Polyphonie par décrochement (French)
        
        [A.2.2.3 P0_42 A-3] Polyphony by ornamentation., [A.2.2.3 P0_42 A-3] Polyphonie par ornementation (French), [A.2.2.3 P0_42 A-3] Polifoni Melalui Hiasan. (Indonesian)
        
        [A.2.2.3 P0_42 A-4] Parallelisms in fifths and thirds., [A.2.2.3 P0_42 A-4] Parallélismes à la quinte et à la tierce (French), [A.2.2.3 P0_42 A-4] Paralelisme pada Kuint dan Terts. (Indonesian)
      - [A.2.2.3 P0_43] Repertoires similar to the dondi’ in other regions., [A.2.2.3 P0_43] Répertoires semblables au dondi' dans d'autres régions (French), [A.2.2.3 P0_43] Repertoar berupa Dondi’ di Daerah Lain. (Indonesian)
        
        [A.2.2.3 P0_43 A-1] In the south, the sengo chorus., [A.2.2.3 P0_43 A-1] Au sud de Makale, le chœur sengo (French), [A.2.2.3 P0_43 A-1] Di bagian selatan, kor sengo. (Indonesian)
        
        [A.2.2.3 P0_43 A-2] In the northeast, the unnosong chorus., [A.2.2.3 P0_43 A-2] Di Bagian Utara Timur Laut, Kor Unnosong. (Indonesian), [A.2.2.3 P0_43 A-2] Au nord-est de Rantepao, le chœur unnosong (French)
    - [A.2.2.4] The dances of welcome., [A.2.2.4] Les danses d'accueil (French), [A.2.2.4] Tarian Penerimaan Tamu (Indonesian) Sort By : Title Inventory number
      - [A.2.2.4 P0_44] The dance randing is a male dance of welcome reserved for the great nobles., [A.2.2.4 P0_44] Tarian randing merupakan tarian kaum lelaki untuk penerimaan tamu, khusus untuk pemakaman kelompok bangsawan tinggi. (Indonesian), [A.2.2.4 P0_44] La danse randing est une danse masculine d'accueil réservée aux grands nobles. (French)
      - [A.2.2.4 P0_45] The katia female dance (distinct from and confused with the sailo’) is performed while the guests are welcomed., [A.2.2.4 P0_45] Tarian yang dibawakan wanita katia (yang berbeda dan dianggap serupa dengan sailo’) dilaksanakan pada saat penerimaan tamu. (Indonesian), [A.2.2.4 P0_45] La danse féminine katia (distincte et confondue avec le sailo') est chantée lors de l'accueil des invités. (French)
        
        [A.2.2.4 P0_45 A-1] Sources., [A.2.2.4 P0_45 A-1] Sumber-Sumber. (Indonesian), [A.2.2.4 P0_45 A-1] Sources (French)
        
        [A.2.2.4 P0_45 A-2] Toraja melodies., [A.2.2.4 P0_45 A-2] Mélodies toraja (French), [A.2.2.4 P0_45 A-2] Melodi Toraja. (Indonesian)
        
        [A.2.2.4 P0_45 A-3] Borrowed melodies., [A.2.2.4 P0_45 A-3] Melodi Pinjaman. (Indonesian), [A.2.2.4 P0_45 A-3] Mélodies empruntées (French)
        
        [A.2.2.4 P0_45 A-4] The triangular headdresses., [A.2.2.4 P0_45 A-4] Tudung Segitiga. (Indonesian), [A.2.2.4 P0_45 A-4] Les coiffes triangulaires (French)
      - [A.2.2.4 P0_46] The female dance joge’ is evidence of borrowing from Bugis culture., [A.2.2.4 P0_46] Tarian wanita joge’ merupakan saksi adanya peminjaman kebudayaan Bugis. (Indonesian), [A.2.2.4 P0_46] La danse féminine joge' témoigne d'un emprunt à la culture bugis. (French)
        
        [A.2.2.4 P0_46 A-1] Linguistic borrowing., [A.2.2.4 P0_46 A-1] Peminjaman Bahasa. (Indonesian), [A.2.2.4 P0_46 A-1] Emprunt linguistique (French)
        
        [A.2.2.4 P0_46 A-2] Borrowing of costumes., [A.2.2.4 P0_46 A-2] Emprunt des costumes (French), [A.2.2.4 P0_46 A-2] Peminjaman Kostum. (Indonesian)
        
        [A.2.2.4 P0_46 A-3] Choreographic borrowing., [A.2.2.4 P0_46 A-3] Pinjaman Koreografis. (Indonesian), [A.2.2.4 P0_46 A-3] Emprunt chorégraphique (French)
        
        [A.2.2.4 P0_46 A-4] Musical borrowing., [A.2.2.4 P0_46 A-4] Emprunt musical (French), [A.2.2.4 P0_46 A-4] Pinjaman musikal. (Indonesian)
      - [A.2.2.4 P0_47] These two female dances are local and residual., [A.2.2.4 P0_47] Ces deux danses féminines sont localisées et résiduelles. (French), [A.2.2.4 P0_47] Kedua tarian wanita ini bersifat lokal dan pinggiran. (Indonesian)
    - [A.2.2.5] The marakka elegiac lamentation., [A.2.2.5] Ratapan kesedihan elegis marakka. (Indonesian), [A.2.2.5] La déploration élégiaque marakka (French) Sort By : Title Inventory number
      - [A.2.2.5 P0_48] The marakka is a female lamentation accompanied by the flute., [A.2.2.5 P0_48] Le marakka est une déploration féminine accompagnée à la flûte. (French), [A.2.2.5 P0_48] Marakka merupakan nyanyian ratapan wanita dengan iringan seruling. (Indonesian)
        
        [A.2.2.5 P0_48 A-1] Images of a diva: Indo’Biri'., [A.2.2.5 P0_48 A-1] Klise seorang biduanita ternama: Indo’ Biri’. (Indonesian), [A.2.2.5 P0_48 A-1] Clichés d'une diva : Indo' Biri' (French)
      - [A.2.2.5 P0_49] The marakka is a repertoire for welcoming guests., [A.2.2.5 P0_49] Le marakka est un répertoire d'accueil des invités. (French), [A.2.2.5 P0_49] Marakka merupakan suatu repertoar penerimaan tamu. (Indonesian)
        
        [A.2.2.5 P0_49 A-1] Remuneration., [A.2.2.5 P0_49 A-1] Rémunérations (French), [A.2.2.5 P0_49 A-1] Gaji. (Indonesian)
      - [A.2.2.5 P0_50] The words of the marakka are an elegy, lamentation, and complaint., [A.2.2.5 P0_50] Syair marakka berbentuk elegi, nyanyian ratapan, dan keluh kesah. (Indonesian), [A.2.2.5 P0_50] Les paroles du marakka relèvent de l'élégie, de la déploration, de la plainte. (French)
        
        [A.2.2.5 P0_50 A-1] Versification., [A.2.2.5 P0_50 A-1] Versification (French), [A.2.2.5 P0_50 A-1] Persajakan. (Indonesian)
        
        [A.2.2.5 P0_50 A-2] Lamentation., [A.2.2.5 P0_50 A-2] Déploration (French), [A.2.2.5 P0_50 A-2] Ratapan. (Indonesian)
        
        [A.2.2.5 P0_50 A-3] Separation., [A.2.2.5 P0_50 A-3] Séparation (French), [A.2.2.5 P0_50 A-3] Perpisahan. (Indonesian)
        
        [A.2.2.5 P0_50 A-4] Journey., [A.2.2.5 P0_50 A-4] Perjalanan. (Indonesian), [A.2.2.5 P0_50 A-4] Voyage (French)
        
        [A.2.2.5 P0_50 A-5] Aphorisms., [A.2.2.5 P0_50 A-5] Aphorismes (French), [A.2.2.5 P0_50 A-5] Kata-Kata Mutiara. (Indonesian)
        
        [A.2.2.5 P0_50 A-6] Entertainment., [A.2.2.5 P0_50 A-6] Divertissement (French), [A.2.2.5 P0_50 A-6] Hiburan. (Indonesian)
        
        [A.2.2.5 P0_50 A-7] Homage to the guests. (French), [A.2.2.5 P0_50 A-7] Penghormatan kepada Tamu. (French), [A.2.2.5 P0_50 A-7] Hommage aux invités (French)
      - [A.2.2.5 P0_51] The poetic meter of the marakka is different from the other repertoires., [A.2.2.5 P0_51] Metrik poetik dari marakka berbeda dengan repertoar lainnya. (Indonesian), [A.2.2.5 P0_51] La métrique poétique du marakka diffère des autres répertoires. (French)
      - [A.2.2.5 P0_52] A melodic line close to tears., [A.2.2.5 P0_52] Sebuah garis melodis yang dekat dengan tangisan. (Indonesian), [A.2.2.5 P0_52] Une ligne mélodique proche des pleurs (French)
        
        [A.2.2.5 P0_52 A-1] Fusion of voice and flute timbres., [A.2.2.5 P0_52 A-1] Fusion des timbres de voix et de flûte (French), [A.2.2.5 P0_52 A-1] Fusi warna suara dan suling. (Indonesian)
        
        [A.2.2.5 P0_52 A-2] Tension of the voice., [A.2.2.5 P0_52 A-2] Tension de la voix (French), [A.2.2.5 P0_52 A-2] Tegangan Suara. (Indonesian)
        
        [A.2.2.5 P0_52 A-3] Melismatic style., [A.2.2.5 P0_52 A-3] Gaya Melismatik. (Indonesian), [A.2.2.5 P0_52 A-3] Style mélismatique (French)
        
        [A.2.2.5 P0_52 A-4] Static nature of the melodic line pulse., [A.2.2.5 P0_52 A-4] Statisme de la pulsation et de la ligne mélodique (French), [A.2.2.5 P0_52 A-4] Statisme Ketukan dan Garis Melodis. (Indonesian)
        
        [A.2.2.5 P0_52 A-5] Evocation of weeping., [A.2.2.5 P0_52 A-5] Évocation des pleurs (French), [A.2.2.5 P0_52 A-5] Menggugah kenangan tentang ratapan. (Indonesian)
      - [A.2.2.5 P0_53] The pentatonic scale peculiar to the marakka., [A.2.2.5 P0_53] L'échelle pentatonique particulière du marakka. (French), [A.2.2.5 P0_53] Tangga nada Pentatonik Khas Marakka. (Indonesian)
      - [A.2.2.5 P0_54] The Toraja marakka song borrows melodies from neighbors in the plains., [A.2.2.5 P0_54] Le répertoire marakka emprunte certaines de ses mélodies aux voisins des plaines bugis. (French), [A.2.2.5 P0_54] Nyanyian marakka meminjam melodi tetangga mereka dari dataran rendah. (Indonesian)
        
        [A.2.2.5 P0_54 A-1] Melodies borrowed from the Bugis., [A.2.2.5 P0_54 A-1] Melodi yang dipinjam dari orang Bugis. (Indonesian), [A.2.2.5 P0_54 A-1] Des mélodies empruntées aux voisins bugis (French)
        
        [A.2.2.5 P0_54 A-2] Similarity with a Makassar community., [A.2.2.5 P0_54 A-2] Kesamaan dengan penduduk Makassar. (Indonesian), [A.2.2.5 P0_54 A-2] Similarité avec une population makassar (French)
- [A.3] Music of the rising sun, [A.3] Musiques du levant (French), [A.3] Musik ritus rampe matallo (Indonesian) Sort By : Title Inventory number
  - [A.3.1] Music for the highest ritual of the rising sun, [A.3.1] Musik Ritus Rampe Matallo (Indonesian), [A.3.1] Musiques du plus grand rituel du levant (French) Sort By : Title Inventory number
    - [A.3.1.1] Context of collection., [A.3.1.1] Konteks Pengumpulan Data (Indonesian), [A.3.1.1] Contexte de collecte (French) Sort By : Title Inventory number
      - [A.3.1.1 P0_1] Most of the rituals of the rising sun were prohibited from the beginning of the twentieth century onwards. (French), [A.3.1.1 P0_1] La plupart des rituels du Levant sont interdits depuis le début du xxe siècle. (French), [A.3.1.1 P0_1] Sebagian besar ritus "di sisi matahari terbit"dilarang sejak awal abad ke-20. (French)
      - [A.3.1.1 P0_2] Region and nature of collection., [A.3.1.1 P0_2] Région et nature de la collecte (French), [A.3.1.1 P0_2] Wilayah dan Keadaan Alam Tempat Pengumpulan Data. (Indonesian)
        
        [A.3.1.1 P0_2 A-1] Dates and place of recordings., [A.3.1.1 P0_2 A-1] Tempat dan tanggal perekaman. (Indonesian), [A.3.1.1 P0_2 A-1] Lieux et dates des enregistrements (French)
    - [A.3.1.2] The most sophisticated ritual of the rising sun: bua’ kasalle., [A.3.1.2] Ritus "di sisi matahari terbit" yang Paling Kompleks: Bua’ Kasalle. (Indonesian), [A.3.1.2] Le rituel du Levant le plus élaboré : bua' kasalle (French) Sort By : Title Inventory number
      - [A.3.1.2 P0_3] Sources used for the study., [A.3.1.2 P0_3] Sources de l'étude (French), [A.3.1.2 P0_3] Sumber Data Penelitian (Indonesian)
        
        [A.3.1.2 P0_3 A-1] The names of the bua’ kasalle ritual., [A.3.1.2 P0_3 A-1] Nama-nama dari Ritus Bua' Kasalle. (Indonesian), [A.3.1.2 P0_3 A-1] Les noms du rituel bua' (French)
        
        [A.3.1.2 P0_3 A-2] Bua’ as the index of a territorial unit., [A.3.1.2 P0_3 A-2] Bua' au sens d'unité territoriale coutumière (French), [A.3.1.2 P0_3 A-2] Bua’ yang bermakna kesatuan adat. (Indonesian)
      - [A.3.1.2 P0_4] The bua’ kasalle ritual, with its various aims, calls upon a set of inter-connected symbolical systems. (French), [A.3.1.2 P0_4] Le rituel bua' kasalle, aux buts variés, convoque un ensemble de systèmes symboliques inter-reliés. (French), [A.3.1.2 P0_4] Ritus bua’, dengan aneka ragam tujuan melibatkan sekumpulan sistem simbolik yang saling terkait. (French)
        
        [A.3.1.2 P0_4 A-1] Occasions involving the bua’ kasalle., [A.3.1.2 P0_4 A-1] Les occasions du grand rituel bua' kasalle (French), [A.3.1.2 P0_4 A-1] Alasan Pelaksanaan Ritus Bua’ Kasalle. (Indonesian)
        
        [A.3.1.2 P0_4 A-2] The mythical roots of the celebration., [A.3.1.2 P0_4 A-2] Racines mythiques du grand rituel bua' kasalle (French), [A.3.1.2 P0_4 A-2] Mitos tentang asal-usul pesta. (Indonesian)
        
        [A.3.1.2 P0_4 A-3] Accumulation of rituals., [A.3.1.2 P0_4 A-3] Akumulasi Ritus. (Indonesian), [A.3.1.2 P0_4 A-3] Accumulation des rituels (French)
        
        [A.3.1.2 P0_4 A-4] Accumulations of animal offerings., [A.3.1.2 P0_4 A-4] Accumulations d'offrandes animales (French), [A.3.1.2 P0_4 A-4] Akumulasi persembahan Binatang. (Indonesian)
        
        [A.3.1.2 P0_4 A-5] Accumulation of poetic forms., [A.3.1.2 P0_4 A-5] Accumulation de formes poétiques (French), [A.3.1.2 P0_4 A-5] Akumulasi bentuk-bentuk puitis. (Indonesian)
        
        [A.3.1.2 P0_4 A-6] Accumulation of musical forms., [A.3.1.2 P0_4 A-6] Akumulasi bentuk musikal. (Indonesian), [A.3.1.2 P0_4 A-6] Accumulation de formes musicales (French)
        
        [A.3.1.2 P0_4 A-7] Accumulations of dance forms., [A.3.1.2 P0_4 A-7] Akumulasi Bentuk-Bentuk Tarian. (Indonesian), [A.3.1.2 P0_4 A-7] Accumulations de formes dansées (French)
      - [A.3.1.2 P0_5] The bua’ kasalle extends over a year, taking place twice several months apart, and in two different places., [A.3.1.2 P0_5] Pesta besar-besaran bua’ kasalle berlangsung selama setahun, yang diadakan dua kali, dengan jarak waktu beberapa bulan antara yang satu dengan yang lainnya, masing-masing pada lokasi yang berbeda. (Indonesian), [A.3.1.2 P0_5] Le rituel bua' kasalle s'étend sur une année, en deux temps espacés de plusieurs mois et deux lieux. (French)
        
        [A.3.1.2 P0_5 A-1] The living house., [A.3.1.2 P0_5 A-1] Rumah Hidup. (Indonesian), [A.3.1.2 P0_5 A-1] La maison vivante (French)
        
        [A.3.1.2 P0_5 A-2] The courtyard and its meat tree., [A.3.1.2 P0_5 A-2] Halaman rumah beserta tiang tempat persembahannya. (Indonesian), [A.3.1.2 P0_5 A-2] La cour et son « arbre à viande » (French)
        
        [A.3.1.2 P0_5 A-3] The ceremonial field., [A.3.1.2 P0_5 A-3] Le champ cérémoniel (French), [A.3.1.2 P0_5 A-3] Arena upacara kedua. (Indonesian)
        
        [A.3.1.2 P0_5 A-4] The towers., [A.3.1.2 P0_5 A-4] Menara-Menara. (Indonesian), [A.3.1.2 P0_5 A-4] Les tours (French)
      - [A.3.1.2 P0_6] The bua’ kasalle is directed by two groups of people: the officiants and the sponsors –members of one or more stem families (rapu)., [A.3.1.2 P0_6] Pesta bua’ dilaksanakan oleh dua kelompok: yakni para pemangku adat, serta para penyandang dana dari satu atau beberapa cabang rumpun keluarga. (Indonesian), [A.3.1.2 P0_6] La grande fête bua' kasalle est conduite par deux groupes de personnes: les officiants et les commanditaires, membres d'une ou de plusieurs grandes familles (rapu). (French)
        
        [A.3.1.2 P0_6 A-1] The sponsors., [A.3.1.2 P0_6 A-1] Les commanditaires (French), [A.3.1.2 P0_6 A-1] Para Penyandang Dana. (Indonesian)
        
        [A.3.1.2 P0_6 A-2] The officiants., [A.3.1.2 P0_6 A-2] Les officiants (French), [A.3.1.2 P0_6 A-2] Para Pemangku Adat (Indonesian)
        
        [A.3.1.2 P0_6 A-3] The ‘officiated’ women (tumbang)., [A.3.1.2 P0_6 A-3] Wanita-Wanita yang Dilantik. (Indonesian), [A.3.1.2 P0_6 A-3] Les officié(e)s (French)
        
        [A.3.1.2 P0_6 A-4] The anak dara or tumba’ effigy., [A.3.1.2 P0_6 A-4] Patung Ana’ Dara. (Indonesian), [A.3.1.2 P0_6 A-4] L'effigie anak dara (French)
      - [A.3.1.2 P0_7] Sequences from the first ceremony: ‘at the front of the house’ (metangdo’)., [A.3.1.2 P0_7] Séquences de la première cérémonie : « Sur le devant de la maison » (metangdo') (French), [A.3.1.2 P0_7] Urutan upacara pertama: “Berada di depan beranda rumah” (metangdo’). (Indonesian)
        
        [A.3.1.2 P0_7 A-1] Day 1: The gelong song., [A.3.1.2 P0_7 A-1] Hari 1: Nyanyian gelong. (Indonesian), [A.3.1.2 P0_7 A-1] Jour 1 : Le chant gelong (French)
        
        [A.3.1.2 P0_7 A-2] The gellu’ dance., [A.3.1.2 P0_7 A-2] Tarian gellu’. (Indonesian), [A.3.1.2 P0_7 A-2] La danse gellu' (French)
        
        [A.3.1.2 P0_7 A-3] Recitations, in the evening., [A.3.1.2 P0_7 A-3] Malam Madah Pujian. (Indonesian), [A.3.1.2 P0_7 A-3] Le soir, récitations (French)
        
        [A.3.1.2 P0_7 A-4] Day 2: Guests bringing gifts., [A.3.1.2 P0_7 A-4] Jour 2 : L'apport des dons par les invités. (French), [A.3.1.2 P0_7 A-4] Hari ke 2: Pembawaan hadiah oleh para tamu. (Indonesian)
        
        [A.3.1.2 P0_7 A-5] The choruses., [A.3.1.2 P0_7 A-5] Les grands chœurs (French), [A.3.1.2 P0_7 A-5] Kor Raksasa. (Indonesian)
        
        [A.3.1.2 P0_7 A-6] Day 3: The pigs are slaughtered., [A.3.1.2 P0_7 A-6] Jour 3 : L'abattage des cochons (French), [A.3.1.2 P0_7 A-6] Hari ke 3: Babi-Babi Disembelih. (Indonesian)
        
        [A.3.1.2 P0_7 A-7] Sacrifice of pigs., [A.3.1.2 P0_7 A-7] Sacrifice des cochons (French), [A.3.1.2 P0_7 A-7] Penyembelihan Babi-Babi. (Indonesian)
        
        [A.3.1.2 P0_7 A-8] Closure of the song., [A.3.1.2 P0_7 A-8] Fermeture du chant (French), [A.3.1.2 P0_7 A-8] Penutup Nyanyian. (Indonesian)
        
        [A.3.1.2 P0_7 A-9] Day 4: Sacrifices, sharing., [A.3.1.2 P0_7 A-9] Hari 4: Penyembelihan dan Pembagian Daging. (Indonesian), [A.3.1.2 P0_7 A-9] Jour 4 : Sacrifices, partage (French)
      - [A.3.1.2 P0_8] The intermediary period is a time of waiting., [A.3.1.2 P0_8] La période intermédiaire est un temps d'attente. (French), [A.3.1.2 P0_8] Masa peralihan juga merupakan waktu penantian. (Indonesian)
        
        [A.3.1.2 P0_8 A-1] Rites for the ‘officiated’ women., [A.3.1.2 P0_8 A-1] Rites consacrés aux femmes officiées (French), [A.3.1.2 P0_8 A-1] Ritus untuk Wanita yang Dilantik. (Indonesian)
        
        [A.3.1.2 P0_8 A-2] The preliminary offerings., [A.3.1.2 P0_8 A-2] Persembahan Awal. (Indonesian), [A.3.1.2 P0_8 A-2] Les offrandes préalables (French)
        
        [A.3.1.2 P0_8 A-3] Erecting tower and platform., [A.3.1.2 P0_8 A-3] Érection des tours (French), [A.3.1.2 P0_8 A-3] Pembangunan Menara. (Indonesian)
      - [A.3.1.2 P0_9] Sequences from the second ceremony: ‘renewing the bua’’ (ba'rui bua’)., [A.3.1.2 P0_9] Urutan upacara yang kedua: “memperbaharui bua’” (ba’rui bua’). (Indonesian), [A.3.1.2 P0_9] Séquences de la seconde cérémonie : « renouveler le bua' » (ba'rui bua'). (French)
        
        [A.3.1.2 P0_9 A-1] Day 1: Entrance in procession on to the field., [A.3.1.2 P0_9 A-1] Hari 1: Masuk ke dalam prosesi di atas arena yang luas. (Indonesian), [A.3.1.2 P0_9 A-1] Jour 1 : Entrée en procession sur le grand champ (French)
        
        [A.3.1.2 P0_9 A-2] Manganda’ dancers., [A.3.1.2 P0_9 A-2] Penari manganda’. (Indonesian), [A.3.1.2 P0_9 A-2] Danseurs de manganda' (French)
        
        [A.3.1.2 P0_9 A-3] Invocations, at night., [A.3.1.2 P0_9 A-3] Malam, Pemanjatan Doa. (Indonesian), [A.3.1.2 P0_9 A-3] La nuit, invocations (French)
        
        [A.3.1.2 P0_9 A-4] Day 2: Buffalo sacrifice., [A.3.1.2 P0_9 A-4] Hari 2: Penyembelihan Kerbau. (Indonesian), [A.3.1.2 P0_9 A-4] Jour 2 : Sacrifice du buffle (French)
        
        [A.3.1.2 P0_9 A-5] Carrying women in palanquins (mamulle)., [A.3.1.2 P0_9 A-5] Port des femmes dans les palanquins (mamulle) (French), [A.3.1.2 P0_9 A-5] Pengantaran perempuan dalam tandu (mamulle). (Indonesian)
        
        [A.3.1.2 P0_9 A-6] Day 3: Circumambulation., [A.3.1.2 P0_9 A-6] Jour 3 : Circumambulation (French), [A.3.1.2 P0_9 A-6] Hari 3: Berkeliling. (Indonesian)
        
        [A.3.1.2 P0_9 A-7] Singgi' praises., [A.3.1.2 P0_9 A-7] Les louanges singgi' (French), [A.3.1.2 P0_9 A-7] Madah Pujian Singgi’. (Indonesian)
        
        [A.3.1.2 P0_9 A-8] The announcement of prosperity: bamboo, braziers., [A.3.1.2 P0_9 A-8] Penyampaian pesan kemakmuran: bambu, suluh. (Indonesian), [A.3.1.2 P0_9 A-8] L'annonce de prospérité : le bambou, les brasiers (French)
        
        [A.3.1.2 P0_9 A-9] Day 4: Last rites, dismembering the effigy., [A.3.1.2 P0_9 A-9] Hari 4: Ritus-ritus terakhir, pembongkaran patung. (Indonesian), [A.3.1.2 P0_9 A-9] Jour 4 : Derniers rites, démembrement de l'effigie (French)
    - [A.3.1.3] The simbong chorus., [A.3.1.3] Le grand chœur simbong (French), [A.3.1.3] Kor simbong yang besar. (Indonesian) Sort By : Title Inventory number
      - [A.3.1.3 P0_10] The simbong is a structured male and female chorus., [A.3.1.3 P0_10] Le simbong ou nani est un chant masculin et féminin clairement structuré. (French), [A.3.1.3 P0_10] Simbong atau nani, yang diperuntukkan baik untuk kaum lelaki maupun kaum perempuan, merupakan nyanyian yang sangat terstruktur. (Indonesian)
        
        [A.3.1.3 P0_10 A-1] Corpus., [A.3.1.3 P0_10 A-1] Korpus. (Indonesian), [A.3.1.3 P0_10 A-1] Corpus (French)
        
        [A.3.1.3 P0_10 A-2] Distribution of voices., [A.3.1.3 P0_10 A-2] Pembagian Suara. (Indonesian), [A.3.1.3 P0_10 A-2] Répartition des voix (French)
        
        [A.3.1.3 P0_10 A-3] Terms for the female song., [A.3.1.3 P0_10 A-3] Nama Nyanyian yang Dikhususkan untuk Kaum Wanita. (Indonesian), [A.3.1.3 P0_10 A-3] Nom du chant féminin (French)
        
        [A.3.1.3 P0_10 A-4] Female costumes., [A.3.1.3 P0_10 A-4] Costumes féminins (French), [A.3.1.3 P0_10 A-4] Kostum Wanita. (Indonesian)
        
        [A.3.1.3 P0_10 A-5] Female accessories., [A.3.1.3 P0_10 A-5] Aksesoris Kaum Wanita. (Indonesian), [A.3.1.3 P0_10 A-5] Accessoire féminin (French)
        
        [A.3.1.3 P0_10 A-6] Word for the male song., [A.3.1.3 P0_10 A-6] Nama Nyanyian untuk Kaum Lelaki. (Indonesian), [A.3.1.3 P0_10 A-6] Nom du chant masculin (French)
        
        [A.3.1.3 P0_10 A-7] Male costume., [A.3.1.3 P0_10 A-7] Costume masculin (French), [A.3.1.3 P0_10 A-7] Kostum Kaum Lelaki. (Indonesian)
        
        [A.3.1.3 P0_10 A-8] Male accessory., [A.3.1.3 P0_10 A-8] Aksesoris Kaum Lelaki. (Indonesian), [A.3.1.3 P0_10 A-8] Accessoire masculin (French)
      - [A.3.1.3 P0_11] The simbong is a fecundity chorus with its source in the waterfall., [A.3.1.3 P0_11] Le simbong est un chœur de fécondité qui prend sa source dans la cascade. (French), [A.3.1.3 P0_11] Simbong merupakan kor tentang kesuburan yang menemukan sumber inspirasinya dalam air terjun. (Indonesian)
        
        [A.3.1.3 P0_11 A-1] The etymology of the name., [A.3.1.3 P0_11 A-1] L'étymologie du nom (French), [A.3.1.3 P0_11 A-1] Asal-Usul Nama. (Indonesian)
        
        [A.3.1.3 P0_11 A-2] The ritual by the waterfall., [A.3.1.3 P0_11 A-2] Le rituel à la cascade (French), [A.3.1.3 P0_11 A-2] Ritus pada Air Terjun. (Indonesian)
      - [A.3.1.3 P0_12] Times and places for the simbong song., [A.3.1.3 P0_12] Temps et lieux du chant simbong. (French), [A.3.1.3 P0_12] Waktu dan tempat nyanyian simbong. (Indonesian)
        
        [A.3.1.3 P0_12 A-1] At the source., [A.3.1.3 P0_12 A-1] À la source (French), [A.3.1.3 P0_12 A-1] Pada Sumber Mata Air. (Indonesian)
        
        [A.3.1.3 P0_12 A-2] Before departing., [A.3.1.3 P0_12 A-2] Avant le départ (French), [A.3.1.3 P0_12 A-2] Sebelum pemberangkatan. (Indonesian)
        
        [A.3.1.3 P0_12 A-3] Opening of the celebration., [A.3.1.3 P0_12 A-3] Ouverture de la fête devant la maison (French), [A.3.1.3 P0_12 A-3] Pada pesta, depan rumah, pembukaan. (Indonesian)
        
        [A.3.1.3 P0_12 A-4] Afternoon and night, in polymusic., [A.3.1.3 P0_12 A-4] L'après-midi et la nuit, les chœurs « en polymusique » (French), [A.3.1.3 P0_12 A-4] Sore dan tengah malam, dalam polimusik. (Indonesian)
        
        [A.3.1.3 P0_12 A-5] Before returning home., [A.3.1.3 P0_12 A-5] Avant de repartir chez eux (French), [A.3.1.3 P0_12 A-5] Sebelum kembali ke rumah mereka. (Indonesian)
      - [A.3.1.3 P0_13] The simbong/nani singers come in numerous groups, male and female., [A.3.1.3 P0_13] Les chanteurs de simbong/nani viennent en groupes nombreux. (French), [A.3.1.3 P0_13] Para penyanyi simbong atau nani datang dalam kelompok besar, lelaki dan perempuan. (Indonesian)
        
        [A.3.1.3 P0_13 A-1] Polymusics., [A.3.1.3 P0_13 A-1] Polymusiques (French), [A.3.1.3 P0_13 A-1] Polimusik-Polimusik. (Indonesian)
        
        [A.3.1.3 P0_13 A-2] Games of response., [A.3.1.3 P0_13 A-2] Permainanan Bersahut-sahutan. (Indonesian), [A.3.1.3 P0_13 A-2] Jeux de réponse (French)
        
        [A.3.1.3 P0_13 A-3] Groups invited., [A.3.1.3 P0_13 A-3] Groupes invités (French), [A.3.1.3 P0_13 A-3] Kelompok-Kelompok yang Diundang. (Indonesian)
      - [A.3.1.3 P0_14] The simbong lyrics begin with the narrative (matrix) and then use stanzas spontaneously chosen., [A.3.1.3 P0_14] Kata-kata simbong terbentuk dari suatu cerita (samparan simbong), diikuti dengan bait bebas. (Indonesian), [A.3.1.3 P0_14] Les paroles du simbong sont composées d'une matrice puis de strophes libres. (French)
        
        [A.3.1.3 P0_14 A-1] THE PANEGYRIC SAMPARAN SIMBONG, [A.3.1.3 P0_14 A-1] LE PANEGYRIQUE SAMPARAN SIMBONG (French), [A.3.1.3 P0_14 A-1] Madah Pujian Samparan Simbong. (Indonesian)
        
        [A.3.1.3 P0_14 A-2] Time of declaiming., [A.3.1.3 P0_14 A-2] Waktu Pengutaraan. (Indonesian), [A.3.1.3 P0_14 A-2] Temps d'énonciation (French)
        
        [A.3.1.3 P0_14 A-3] Semantic content., [A.3.1.3 P0_14 A-3] Muatan Semantik. (Indonesian), [A.3.1.3 P0_14 A-3] Contenu sémantique (French)
        
        [A.3.1.3 P0_14 A-4] THE FREE STANZAS OF THE SINGERS, [A.3.1.3 P0_14 A-4] Bait Bebas Para Penyanyi (Indonesian), [A.3.1.3 P0_14 A-4] LES STROPHES LIBRES DES CHANTEURS (French)
        
        [A.3.1.3 P0_14 A-5] Stanzas in riddles., [A.3.1.3 P0_14 A-5] Strophes à énigmes (French), [A.3.1.3 P0_14 A-5] Bait yang Sulit Diterka. (Indonesian)
        
        [A.3.1.3 P0_14 A-6] Stanzas praising the nobles., [A.3.1.3 P0_14 A-6] Bait-Bait yang Mengagungkan Kaum Bangsawan. (Indonesian), [A.3.1.3 P0_14 A-6] Strophes louant les nobles (French)
        
        [A.3.1.3 P0_14 A-7] Clausula of the stanzas., [A.3.1.3 P0_14 A-7] Clausule des strophes (French), [A.3.1.3 P0_14 A-7] Bait-Bait Terakhir (Klausul). (Indonesian)
      - [A.3.1.3 P0_15] The simbong verses are composed of octosyllables., [A.3.1.3 P0_15] Sajak-sajak simbong yang terdiri dari delapan suku kata (oktosilabel). (Indonesian), [A.3.1.3 P0_15] Les vers de simbong sont composés d'octosyllabes. (French)
      - [A.3.1.3 P0_16] The simbong or nani is sung in a line., [A.3.1.3 P0_16] Le simbong ou nani est chanté en ligne. (French), [A.3.1.3 P0_16] Simbong atau nani dinyanyikan dalam posisi berjejer. (Indonesian)
        
        [A.3.1.3 P0_16 A-1] Choreographic gestures with the sarong simbong., [A.3.1.3 P0_16 A-1] Gestuelles chorégraphiques avec l'objet sarong simbong (French), [A.3.1.3 P0_16 A-1] Perilaku Koreografis Dengan Benda Sarong Simbong. (Indonesian)
        
        [A.3.1.3 P0_16 A-2] Figure in line., [A.3.1.3 P0_16 A-2] Figur Berjejer. (Indonesian), [A.3.1.3 P0_16 A-2] Figure en ligne (French)
        
        [A.3.1.3 P0_16 A-3] Advancing and retreating., [A.3.1.3 P0_16 A-3] Gerakan maju dan mundur. (Indonesian), [A.3.1.3 P0_16 A-3] Avancée et recul (French)
        
        [A.3.1.3 P0_16 A-4] Advance and transfer., [A.3.1.3 P0_16 A-4] Gerakan maju dan gerakan ke kiri dan ke kanan. (Indonesian), [A.3.1.3 P0_16 A-4] Avancée et translation (French)
        
        [A.3.1.3 P0_16 A-5] The singers from left to right., [A.3.1.3 P0_16 A-5] Para penyanyi wanita, dari kiri ke kanan. (Indonesian), [A.3.1.3 P0_16 A-5] Les chanteuses, de gauche à droite (French)
      - [A.3.1.3 P0_17] The simbong is a drone chorus characterized by an unmetered flux with a rhythm given by vowel play., [A.3.1.3 P0_17] Le simbong est un chœur sur bourdon caractérisé par un flux non mesuré rythmé par des jeux de voyelles. (French), [A.3.1.3 P0_17] Simbong merupakan kor dalam bentuk dengungan dengan arus tanpa ketukan yang berirama permainan vokal. (Indonesian)
        
        [A.3.1.3 P0_17 A-1] The drone., [A.3.1.3 P0_17 A-1] Dengungan. (Indonesian), [A.3.1.3 P0_17 A-1] Le bourdon (French)
        
        [A.3.1.3 P0_17 A-2] The solo voice., [A.3.1.3 P0_17 A-2] Suara Solis. (Indonesian), [A.3.1.3 P0_17 A-2] La voix soliste (French)
        
        [A.3.1.3 P0_17 A-3] Tripartite structure., [A.3.1.3 P0_17 A-3] Struktur Tiga Bagian. (Indonesian), [A.3.1.3 P0_17 A-3] Structure tripartite (French)
        
        [A.3.1.3 P0_17 A-4] Three types of musical metre., [A.3.1.3 P0_17 A-4] Trois types de métrique musicale (French), [A.3.1.3 P0_17 A-4] Tiga Tipe Metrik Musikal. (Indonesian)
        
        [A.3.1.3 P0_17 A-5] Vowel play., [A.3.1.3 P0_17 A-5] Jeux de voyelles (French), [A.3.1.3 P0_17 A-5] Permainan Bunyi Vokal. (Indonesian)
        
        [A.3.1.3 P0_17 A-6] Plurivocality., [A.3.1.3 P0_17 A-6] Plurivocalité (French), [A.3.1.3 P0_17 A-6] Plurivokalitas (Indonesian)
        
        [A.3.1.3 P0_17 A-7] Melodies., [A.3.1.3 P0_17 A-7] Mélodies (French), [A.3.1.3 P0_17 A-7] Melodi-melodi. (Indonesian)
        
        [A.3.1.3 P0_17 A-8] Attacks., [A.3.1.3 P0_17 A-8] Serangan. (Indonesian), [A.3.1.3 P0_17 A-8] Attaques (French)
        
        [A.3.1.3 P0_17 A-9] Scales., [A.3.1.3 P0_17 A-9] Échelles (French), [A.3.1.3 P0_17 A-9] Tangga Nada. (Indonesian)
      - [A.3.1.3 P0_18] The similar choruses in the neighboring region., [A.3.1.3 P0_18] Kor yang sejenis di wilayah tetangga. (Indonesian), [A.3.1.3 P0_18] Les chœurs similaires de la région voisine (French)
        
        [A.3.1.3 P0_18 A-1] The Toraja-Mamasa region., [A.3.1.3 P0_18 A-1] Daerah Toraja-Mamasa. (Indonesian), [A.3.1.3 P0_18 A-1] La région Toraja-Mamasa (French)
        
        [A.3.1.3 P0_18 A-2] The chorus io-io., [A.3.1.3 P0_18 A-2] Kor Io-io. (Indonesian), [A.3.1.3 P0_18 A-2] Le chœur io-io (ou dondi') (French)
        
        [A.3.1.3 P0_18 A-3] The simbong chorus., [A.3.1.3 P0_18 A-3] Kor Simbong (di Mamasa). (Indonesian), [A.3.1.3 P0_18 A-3] Le chœur simbong (French)
    - [A.3.1.4] The retteng deata declamation., [A.3.1.4] La déclamation retteng deata (French), [A.3.1.4] Deklamasi retteng deata. (Indonesian) Sort By : Title Inventory number
      - [A.3.1.4 P0_19] The retteng deata is declaimed within the simbong chorus. (French), [A.3.1.4 P0_19] Retteng deata dideklamasikan di tengah pelaksanaan kor raya simbong. (French), [A.3.1.4 P0_19] Le retteng deata est déclamé au sein du grand chœur simbong. (French)
        
        [A.3.1.4 P0_19 A-1] Number of performers., [A.3.1.4 P0_19 A-1] Nombre d'exécutants (French), [A.3.1.4 P0_19 A-1] Jumlah Pemain. (Indonesian)
        
        [A.3.1.4 P0_19 A-2] Announcing the retteng., [A.3.1.4 P0_19 A-2] Annonce du retteng (French), [A.3.1.4 P0_19 A-2] Awal retteng. (Indonesian)
      - [A.3.1.4 P0_20] The retteng deata is a eulogy for a nobleman., [A.3.1.4 P0_20] Retteng deata merupakan sebuah madah pujian untuk lelaki bangsawan. (Indonesian), [A.3.1.4 P0_20] Le retteng deata est une louange de l'homme noble. (French)
        
        [A.3.1.4 P0_20 A-1] Praising his house., [A.3.1.4 P0_20 A-1] Madah pujian untuk rumah. (Indonesian), [A.3.1.4 P0_20 A-1] Louange de sa maison (French)
        
        [A.3.1.4 P0_20 A-2] Praising his power., [A.3.1.4 P0_20 A-2] Sanjungan atas kekuatannya. (Indonesian), [A.3.1.4 P0_20 A-2] Louange de sa puissance (French)
      - [A.3.1.4 P0_21] The retteng deata declamation is chanted., [A.3.1.4 P0_21] Deklamasi retteng deata sedang dimantrakan. (Indonesian), [A.3.1.4 P0_21] La déclamation retteng deata est psalmodiée. (French)
      - [A.3.1.4 P0_22] The declamation retteng deata is characterized by the apocope, intensified by a change in vocal emission on the caesura., [A.3.1.4 P0_22] Deklamasi retteng deata ditandai dengan penggunaan apokop yang diperkuat melalui sebuah perubahan gaya emisi vokal pada pause. (Indonesian), [A.3.1.4 P0_22] La déclamation retteng deata se caractérise par l'apocope, intensifiée par un changement de mode d'émission vocale sur la césure. (French)
        
        [A.3.1.4 P0_22 A-1] Examples of apocope., [A.3.1.4 P0_22 A-1] Exemples d'apocope (French), [A.3.1.4 P0_22 A-1] Contoh apokop. (Indonesian)
    - [A.3.1.5] The serang mundan chorus., [A.3.1.5] Le chœur serang mundan (French), [A.3.1.5] Kor Serang Mundan. (Indonesian) Sort By : Title Inventory number
      - [A.3.1.5 P0_23] The serang mundan song is sung by a mixed-sex chorus., [A.3.1.5 P0_23] Le « nid du canard siffleur » (serang mundan) est un chœur mixte. (French), [A.3.1.5 P0_23] Nyanyian Serang Mundan merupakan kor campuran. (Indonesian)
      - [A.3.1.5 P0_24] In the bua’ kasalle ritual, the serang mundan song may mark a ritual action., [A.3.1.5 P0_24] Dans le rituel bua' kasalle, le serang mundan peut marquer une action rituelle. (French), [A.3.1.5 P0_24] Dalam ritus Bua’ Kasalle, nyanyian serang mundan dapat ditandai dengan sebuah tindakan ritual. (Indonesian)
      - [A.3.1.5 P0_25] The serang mundan song is chanted., [A.3.1.5 P0_25] Le chant serang mundan présente un profil psalmodique. (French), [A.3.1.5 P0_25] Nyanyian Serang Mundan memberikan suatu profil mantra. (Indonesian)
        
        [A.3.1.5 P0_25 A-1] Chanted nature., [A.3.1.5 P0_25 A-1] Profil Mantra. (Indonesian), [A.3.1.5 P0_25 A-1] Profil psalmodique (French)
        
        [A.3.1.5 P0_25 A-2] Embellishment., [A.3.1.5 P0_25 A-2] Hiasan. (Indonesian), [A.3.1.5 P0_25 A-2] Ornementation (French)
      - [A.3.1.5 P0_26] The words of the serang mundan are characterized by an aphoristic and fragmentary form., [A.3.1.5 P0_26] Kata-kata serang mundan ditandai dengan sebuah bentuk aforistik dan terputus-putus. (Indonesian), [A.3.1.5 P0_26] Les paroles du serang mundan se caractérisent par une forme aphoristique et fragmentaire. (French)
        
        [A.3.1.5 P0_26 A-1] Metre of the serang mundan., [A.3.1.5 P0_26 A-1] Metris nyanyian serang mundan. (Indonesian), [A.3.1.5 P0_26 A-1] Métrique du chant serang mundan (French)
        
        [A.3.1.5 P0_26 A-2] Semantic content of the serang mundan., [A.3.1.5 P0_26 A-2] Muatan semantik dari serang mundan. (Indonesian), [A.3.1.5 P0_26 A-2] Contenu sémantique du serang mundan (French)
    - [A.3.1.6] The little music of the officiants., [A.3.1.6] La petite musique des officiants (French), [A.3.1.6] Seni suara para pemangku adat. (Indonesian) Sort By : Title Inventory number
      - [A.3.1.6 P0_27] In the bua’ kasalle celebration, the whole space resonates with words of praise either chanted or sung., [A.3.1.6 P0_27] Dalam ritus agung bua’, seantero ruangan seperti tergetar oleh nyanyian yang dimantrakan atau dinyanyikan. (Indonesian), [A.3.1.6 P0_27] Dans le grand rituel bua' kasalle, l'espace entier résonne de louanges par le biais de la parole psalmodiée ou chantée. (French)
        
        [A.3.1.6 P0_27 A-1] Samparan narrative., [A.3.1.6 P0_27 A-1] Cerita Samparan. (Indonesian), [A.3.1.6 P0_27 A-1] Récit « samparan » (French)
        
        [A.3.1.6 P0_27 A-2] Pulung speech., [A.3.1.6 P0_27 A-2] Parole « pulung » (French), [A.3.1.6 P0_27 A-2] Kata Pulung. (Indonesian)
        
        [A.3.1.6 P0_27 A-3] Singgi’ declamation., [A.3.1.6 P0_27 A-3] Déclamation singgi' (French), [A.3.1.6 P0_27 A-3] Deklamasi singgi’. (Indonesian)
        
        [A.3.1.6 P0_27 A-4] Praise of the buffalo and sandalwood., [A.3.1.6 P0_27 A-4] Madah pujian untuk kerbau dan untuk pohon cendana. (Indonesian), [A.3.1.6 P0_27 A-4] Louange du buffle et du bois de santal (French)
        
        [A.3.1.6 P0_27 A-5] Praise for an ‘officiated’ woman, called Mangria barang., [A.3.1.6 P0_27 A-5] Madah pujian untuk seorang wanita yang dilantik mangria barang. (Indonesian), [A.3.1.6 P0_27 A-5] Louange d'une officiée, Mangria barang (French)
        
        [A.3.1.6 P0_27 A-6] ‘Rite for an officiated woman’, Mangaluk to tumbang., [A.3.1.6 P0_27 A-6] « Rite pour la tumbang », mangaluk to tumbang (French), [A.3.1.6 P0_27 A-6] “Ritus untuk seorang wanita yang dilantik”, Mangaluk To Tumbang. (Indonesian)
        
        [A.3.1.6 P0_27 A-7] ‘Purify’, Massarapa., [A.3.1.6 P0_27 A-7] “Memurnikan”, Massarapa. (Indonesian), [A.3.1.6 P0_27 A-7] « Purifier », Massarapa (French)
        
        [A.3.1.6 P0_27 A-8] Ma'gelong song., [A.3.1.6 P0_27 A-8] Chant ma'gelong (French), [A.3.1.6 P0_27 A-8] Nyanyian Ma’gelong. (Indonesian)
      - [A.3.1.6 P0_28] The officiants' prayers have an organized poetic content full of imagery., [A.3.1.6 P0_28] Doa para pemangku adat memiliki muatan puitis penuh citra dan terorganisir dengan rapi. (Indonesian), [A.3.1.6 P0_28] Les prières des officiants ont un contenu poétique imagé et organisé. (French)
        
        [A.3.1.6 P0_28 A-1] Massarapa ‘effacing dirt and sickness’., [A.3.1.6 P0_28 A-1] Massarapa “pembersihan dari noda, dari kekhawatiran”. (Indonesian), [A.3.1.6 P0_28 A-1] Massarapa : « effacer les souillures, les malaises » (French)
        
        [A.3.1.6 P0_28 A-2] Mangaluk to tumbang ‘rite for the officiated tumbang’., [A.3.1.6 P0_28 A-2] Mangaluk to tumbang, “ritus untuk seorang tumbang yang dilantik”. (Indonesian), [A.3.1.6 P0_28 A-2] Mangaluk to tumbang « rite pour l'officiée tumbang » (French)
      - [A.3.1.6 P0_29] The collective declamations are in two parts (a drone and a solo)., [A.3.1.6 P0_29] Penyampaian kolektif sering dalam dua bagian (sebuah dengungan dan nyanyian seorang solis). (Indonesian), [A.3.1.6 P0_29] Les proférations collectives sont souvent à deux parties (un bourdon et un soliste). (French)
        
        [A.3.1.6 P0_29 A-1] The arrangement of the voices., [A.3.1.6 P0_29 A-1] Organisasi Suara. (Indonesian), [A.3.1.6 P0_29 A-1] L'agencement des voix (French)
        
        [A.3.1.6 P0_29 A-2] The eight-beat octosyllable., [A.3.1.6 P0_29 A-2] L'octosyllabe en huit temps (French), [A.3.1.6 P0_29 A-2] Persajakan delapan suku kata dengan delapan ketukan. (Indonesian)
      - [A.3.1.6 P0_30] The officiants' words are subject to different types of sound effects., [A.3.1.6 P0_30] Kata-kata para pemangku adat diungkapkan melalui beraneka ragam bentuk olah vokal. (Indonesian), [A.3.1.6 P0_30] La parole des officiants subit différents types de traitement sonore. (French)
        
        [A.3.1.6 P0_30 A-1] Spoken speech., [A.3.1.6 P0_30 A-1] Simple parlé (French), [A.3.1.6 P0_30 A-1] Sekedar dalam bentuk lisan. (Indonesian)
        
        [A.3.1.6 P0_30 A-2] Speech without a steady pulse., [A.3.1.6 P0_30 A-2] Parlé rythmé sans pulsation (French), [A.3.1.6 P0_30 A-2] Dalam bentuk lisan, disertai ritme, tanpa ketukan. (Indonesian)
        
        [A.3.1.6 P0_30 A-3] Chanted speech with bell., [A.3.1.6 P0_30 A-3] Parlé scandé avec clochette (French), [A.3.1.6 P0_30 A-3] Dalam bentuk lisan, yang diberi tekanan dengan lonceng. (Indonesian)
        
        [A.3.1.6 P0_30 A-4] Recto tono chanting., [A.3.1.6 P0_30 A-4] Psalmodié recto tono (French), [A.3.1.6 P0_30 A-4] Dalam bentuk mantra yang monoton. (Indonesian)
        
        [A.3.1.6 P0_30 A-5] Chanted/spoken., [A.3.1.6 P0_30 A-5] Psalmodié-parlé (French), [A.3.1.6 P0_30 A-5] Dalam bentuk mantra dan lisan. (Indonesian)
        
        [A.3.1.6 P0_30 A-6] Chanting using two pitches a whole tone apart the interval of a whole tone., [A.3.1.6 P0_30 A-6] Mantra dengan sebuah interval nada. (Indonesian), [A.3.1.6 P0_30 A-6] Psalmodié sur un intervalle de ton (French)
        
        [A.3.1.6 P0_30 A-7] Chanting within the ambitus of a fourth., [A.3.1.6 P0_30 A-7] Mantra dalam sebuah interval kuart. (Indonesian), [A.3.1.6 P0_30 A-7] Psalmodié sur un intervalle de quarte (French)
        
        [A.3.1.6 P0_30 A-8] Melodic/syllabic chanting., [A.3.1.6 P0_30 A-8] Psalmodié-scandé (French), [A.3.1.6 P0_30 A-8] Mantra yang diberi tekanan. (Indonesian)
        
        [A.3.1.6 P0_30 A-9] Chanting/singing., [A.3.1.6 P0_30 A-9] Psalmodié-chanté (French), [A.3.1.6 P0_30 A-9] Mantra yang dinyanyikan. (Indonesian)
  - [A.3.2] Music of the prophylactic rituals, [A.3.2] Musik Ritus Penolak Bala (Indonesian), [A.3.2] Musiques des rituels prophylactiques (French) Sort By : Title Inventory number
    - [A.3.2.1] The music and trance of the maro ritual., [A.3.2.1] La musique et la transe du rituel maro (French), [A.3.2.1] Musik dan kerasukan dari ritus maro. (Indonesian) Sort By : Title Inventory number
      - [A.3.2.1 P0_31] There are three types of maro., [A.3.2.1 P0_31] Ada tiga jenis ritus maro. (Indonesian), [A.3.2.1 P0_31] Il existe trois types de rituels maro. (French)
        
        [A.3.2.1 P0_31 A-1] 1. Maro for healing., [A.3.2.1 P0_31 A-1] 1. Maro pour la guérison (French), [A.3.2.1 P0_31 A-1] 1. Maro untuk penyembuhan. (Indonesian)
        
        [A.3.2.1 P0_31 A-2] 2. Maro for purifying a village., [A.3.2.1 P0_31 A-2] 2. Maro untuk pemurnian sebuah kampung. (Indonesian), [A.3.2.1 P0_31 A-2] 2. Maro pour la purification d'un village (French)
        
        [A.3.2.1 P0_31 A-3] 3. Maro turning the deceased's shade towards the rising sun., [A.3.2.1 P0_31 A-3] 3. Maro de conversion de l'ombre du défunt vers le Levant (French), [A.3.2.1 P0_31 A-3] 3. Maro yang merupakan peralihan roh seorang mendiang ke wilayah terbitnya matahari. (Indonesian)
      - [A.3.2.1 P0_32] Sequences of the maro bate ma’pabalik., [A.3.2.1 P0_32] Séquences du rituel maro pour la conversion de l'ombre du défunt. (French), [A.3.2.1 P0_32] Urutan ritus maro untuk peralihan roh dari mendiang. (Indonesian)
        
        [A.3.2.1 P0_32 A-1] Day 1: rites of separation., [A.3.2.1 P0_32 A-1] Hari 1: Ritus Perpisahan. (Indonesian), [A.3.2.1 P0_32 A-1] Jour 1 : Rites de séparation (French)
        
        [A.3.2.1 P0_32 A-2] Day 2 and 3: ‘going to the market’; struggle against barrenness., [A.3.2.1 P0_32 A-2] Hari ke 2 dan ke 3: “Ke pasar”, perjuangan melawan kemandulan. (Indonesian), [A.3.2.1 P0_32 A-2] Jour 2 et 3 : « Aller au marché »; lutter contre la stérilité (French)
        
        [A.3.2.1 P0_32 A-3] Day 4: ‘Curing, preventing’., [A.3.2.1 P0_32 A-3] Jour 4 : « Guérir, prévenir » (French), [A.3.2.1 P0_32 A-3] Hari ke 4: “Menyembuhkan, mencegah” (Indonesian)
        
        [A.3.2.1 P0_32 A-4] Day 5: ‘make the officiants eat’., [A.3.2.1 P0_32 A-4] Hari ke 5: “Memberi makan para pemangku adat”. (Indonesian), [A.3.2.1 P0_32 A-4] Jour 5: « Faire manger les officiants » (French)
        
        [A.3.2.1 P0_32 A-5] Day 6: erecting masts (bate)., [A.3.2.1 P0_32 A-5] Hari ke 6: Pendirian bendera (bate). (Indonesian), [A.3.2.1 P0_32 A-5] Jour 6 : Erection des mâts (bate) (French)
        
        [A.3.2.1 P0_32 A-6] Bringing masts., [A.3.2.1 P0_32 A-6] Arrivée des mâts (French), [A.3.2.1 P0_32 A-6] Pengarakan Bendera. (Indonesian)
        
        [A.3.2.1 P0_32 A-7] Trances in black and white., [A.3.2.1 P0_32 A-7] Transes en noir et blanc (French), [A.3.2.1 P0_32 A-7] Orang-orang kesurupan (gambar hitam dan putih). (Indonesian)
        
        [A.3.2.1 P0_32 A-8] Visual apotheosis., [A.3.2.1 P0_32 A-8] Apothéose visuelle (French), [A.3.2.1 P0_32 A-8] Puncak peristiwa visual. (Indonesian)
        
        [A.3.2.1 P0_32 A-9] Kick fighting (sisemba)., [A.3.2.1 P0_32 A-9] Combat de pieds (sisemba) (French), [A.3.2.1 P0_32 A-9] Pertarungan dengan kaki (sisemba’). (Indonesian)
      - [A.3.2.1 P0_33] In the maro, the song is present in various forms: chanted recitations and trance songs called gelong., [A.3.2.1 P0_33] Dalam ritus maro, nyanyian hadir dalam berbagai bentuk: mantra dan nyanyian kesurupan yang disebut gelong. (Indonesian), [A.3.2.1 P0_33] Dans le rituel maro, le chant est présent sous diverses formes : récitations psalmodiées et chants de transe gelong. (French)
        
        [A.3.2.1 P0_33 A-1] The gelong is sung in various melodies and positions., [A.3.2.1 P0_33 A-1] Gelong dibawakan dalam melodi dan posisi yang beraneka ragam. (Indonesian), [A.3.2.1 P0_33 A-1] Le gelong est chanté sur différentes mélodies et en diverses positions. (French)
        
        [A.3.2.1 P0_33 A-2] The gelong song is ritually efficacious., [A.3.2.1 P0_33 A-2] Le chant gelong est doté d'une efficace rituelle (French), [A.3.2.1 P0_33 A-2] Nyanyian gelong memiliki daya guna ritual yang tinggi. (Indonesian)
      - [A.3.2.1 P0_34] The kitchen songs are chanted in the houses for six days and six nights., [A.3.2.1 P0_34] Les chants de cuisine sont psalmodiés dans les maisons durant six jours et six nuits. (French), [A.3.2.1 P0_34] Nyanyian dapur dimantrakan dalam rumah selama enam hari enam malam. (Indonesian)
        
        [A.3.2.1 P0_34 A-1] 25,000 lines in six days., [A.3.2.1 P0_34 A-1] 25 000 vers en six jours (French), [A.3.2.1 P0_34 A-1] 25.000 bait dalam enam hari. (Indonesian)
        
        [A.3.2.1 P0_34 A-2] A major corpus., [A.3.2.1 P0_34 A-2] Sebuah Korpus Utama. (Indonesian), [A.3.2.1 P0_34 A-2] Un corpus majeur (French)
        
        [A.3.2.1 P0_34 A-3] Chanted recitations., [A.3.2.1 P0_34 A-3] Des récitations psalmodiées (French), [A.3.2.1 P0_34 A-3] Penuturan dalam Bentuk Mantra. (Indonesian)
      - [A.3.2.1 P0_35] The poetic meter of the ‘song of the madmen’ (gelong maro), in tercets., [A.3.2.1 P0_35] Metrik puitis dari “Nyanyian Orang Gila” (Gelong To Maro) berfungsi dalam bentuk sajak berbaris tiga. (Indonesian), [A.3.2.1 P0_35] La métrique poétique du chant gelong maro fonctionne par tercets. (French)
      - [A.3.2.1 P0_36] The first trance song, performed by the men, summons the divinities to descend to earth., [A.3.2.1 P0_36] Le premier chant de transe, masculin, convoque les divinités à descendre sur terre. (French), [A.3.2.1 P0_36] Nyanyian pertama dari kesurupan, yang dilaksanakan oleh kaum lelaki, mengundang para dewa untuk turun ke bumi. (Indonesian)
        
        [A.3.2.1 P0_36 A-1] The men's ‘jumping’song., [A.3.2.1 P0_36 A-1] Nyanyian yang “dihentak-hentakkan” oleh kaum lelaki. (Indonesian), [A.3.2.1 P0_36 A-1] Le chant « sauté » des hommes (French)
        
        [A.3.2.1 P0_36 A-2] The women’s trance., [A.3.2.1 P0_36 A-2] La transe des femmes (French), [A.3.2.1 P0_36 A-2] Kesurupan kaum perempuan. (Indonesian)
        
        [A.3.2.1 P0_36 A-3] A chanted collective declamation., [A.3.2.1 P0_36 A-3] Sebuah teriakan orang banyak, yang diucapkan kata per kata. (Indonesian), [A.3.2.1 P0_36 A-3] Une profération collective scandée (French)
        
        [A.3.2.1 P0_36 A-4] Content of the men's ‘jumping song’., [A.3.2.1 P0_36 A-4] Contenu du « chant sauté » des hommes (French), [A.3.2.1 P0_36 A-4] Isi dari “Nyanyian yang dibawakan dengan melompat-lompat” oleh kaum lelaki. (Indonesian)
      - [A.3.2.1 P0_37] The second trance song accompanies acts of scarification., [A.3.2.1 P0_37] Le second chant de transe accompagne des actes de scarification. (French), [A.3.2.1 P0_37] Nyanyian kesurupan kedua, disertai dengan tidakan penikaman diri. (Indonesian)
        
        [A.3.2.1 P0_37 A-1] Acts of scarification., [A.3.2.1 P0_37 A-1] Actes de scarification (French), [A.3.2.1 P0_37 A-1] Tindakan penikaman diri. (Indonesian)
        
        [A.3.2.1 P0_37 A-2] The names of the song., [A.3.2.1 P0_37 A-2] Nama nyanyian. (Indonesian), [A.3.2.1 P0_37 A-2] Noms du chant (French)
        
        [A.3.2.1 P0_37 A-3] Content of the scarification song., [A.3.2.1 P0_37 A-3] Muatan nyanyian untuk penorehan. (Indonesian), [A.3.2.1 P0_37 A-3] Contenu du chant de scarification (French)
        
        [A.3.2.1 P0_37 A-4] Melodico-rhythmic aspects of the scarification song., [A.3.2.1 P0_37 A-4] Aspek melodiko-ritmis nyanyian penorehan. (Indonesian), [A.3.2.1 P0_37 A-4] Aspects mélodico-rythmiques du chant de scarification (French)
      - [A.3.2.1 P0_38] The drum in the ritual maro., [A.3.2.1 P0_38] Le tambour dans le rituel maro (French), [A.3.2.1 P0_38] Gendang dalam Ritus Maro (Indonesian)
        
        [A.3.2.1 P0_38 A-1] It accompanies the female dance., [A.3.2.1 P0_38 A-1] Le tambour accompagne la danse féminine (French), [A.3.2.1 P0_38 A-1] Gendang itu mengiringi tarian wanita. (Indonesian)
        
        [A.3.2.1 P0_38 A-2] It is a vehicle for the trance., [A.3.2.1 P0_38 A-2] Il est le support de la transe (French), [A.3.2.1 P0_38 A-2] Gendang berperan sebagai pendukung kesurupan. (Indonesian)
      - [A.3.2.1 P0_39] Maro dance in modern society., [A.3.2.1 P0_39] Pas de danse maro dans la modernité (French), [A.3.2.1 P0_39] Dalam dunia modern, kegiatan maro sudah dihindari. (Indonesian)
        
        [A.3.2.1 P0_39 A-1] The off-beat of the maro song., [A.3.2.1 P0_39 A-1] Les contretemps du chant maro (French), [A.3.2.1 P0_39 A-1] Sinkope nyanyian maro. (Indonesian)
    - [A.3.2.2] The songs of the bugi’ ritual., [A.3.2.2] Nyanyian-nyanyian Ritus Bugi’. (Indonesian), [A.3.2.2] Les chants du rituel bugi' (French) Sort By : Title Inventory number
      - [A.3.2.2 P0_40] Collecting context., [A.3.2.2 P0_40] Contexte de collecte. (French), [A.3.2.2 P0_40] Konteks pengumpulan data. (Indonesian)
        
        [A.3.2.2 P0_40 A-1] At a folklore festival., [A.3.2.2 P0_40 A-1] Lors d'un festival de folklore (French), [A.3.2.2 P0_40 A-1] Dalam Suatu Pekan Budaya. (Indonesian)
        
        [A.3.2.2 P0_40 A-2] At a wedding., [A.3.2.2 P0_40 A-2] Dalam Sebuah Perkawinan. (Indonesian), [A.3.2.2 P0_40 A-2] Lors d'un mariage (French)
      - [A.3.2.2 P0_41] The bugi’ ritual has the purpose of preventing a symbolic future disorder., [A.3.2.2 P0_41] Ritus Bugi’ berperan untuk memberitahu kemungkinan akan terjadinya suatu bala bencana simbolis. (Indonesian), [A.3.2.2 P0_41] Le rituel bugi' sert à prévenir un désordre symbolique à venir. (French)
        
        [A.3.2.2 P0_41 A-1] Description of the ritual by the anthropologists Crystal & Yamashita (1987)., [A.3.2.2 P0_41 A-1] Deskripsi ritus oleh seorang etnolog Amerika, Eric Crystal (1987). (Indonesian), [A.3.2.2 P0_41 A-1] Description du rituel par l'ethnologue Crystal (1987). (French)
      - [A.3.2.2 P0_42] The bugi’ song is either danced or chanted., [A.3.2.2 P0_42] Nyanyian Bugi’, dapat dibawakan dalam bentuk tarian, ataupun dalam bentuk mantra. (Indonesian), [A.3.2.2 P0_42] Le chant bugi' est soit dansé, soit psalmodié. (French)
        
        [A.3.2.2 P0_42 A-1] The words of the bugi’ song., [A.3.2.2 P0_42 A-1] Bahasa Nyanyian Bugi’. (Indonesian), [A.3.2.2 P0_42 A-1] Les paroles du chant bugi' (French)
        
        [A.3.2.2 P0_42 A-2] VIDEO: In the north, the bugi’ is danced in rows and sung in unison., [A.3.2.2 P0_42 A-2] Dans le Nord, le bugi' est dansé en rangs à l'unisson (vidéo). (French), [A.3.2.2 P0_42 A-2] Di bagian utara Tana Toraja, Bugi’ dibawakan para penari yang berjejer secara horizontal, sambil menyanyi dalam satu nada (VIDEO). (Indonesian)
        
        [A.3.2.2 P0_42 A-3] VIDEO: In the south, the bugi’ is danced in a circle and in rows., [A.3.2.2 P0_42 A-3] Dans le Sud, le bugi' est dansé en ronde et en rangs (vidéo). (French), [A.3.2.2 P0_42 A-3] Di bagian selatan, Bugi’ dapat ditarikan dalam lingkaran maupun sambil berjejer (VIDEO). (Indonesian)
        
        [A.3.2.2 P0_42 A-4] The bugi’ song is also chanted by the officiants., [A.3.2.2 P0_42 A-4] Le chant bugi' est aussi psalmodié par les officiants (French), [A.3.2.2 P0_42 A-4] Nyanyian Bugi’ dibawakan pula dalam bentuk mantra oleh para pemangku adat. (Indonesian)
      - [A.3.2.2 P0_43] The poem ossoran bugi’ is a story of wonders., [A.3.2.2 P0_43] Syair Ossoran Bugi’ merupakan ceritera supranatural. (Indonesian), [A.3.2.2 P0_43] Le poème ossoran bugi' est un récit merveilleux. (French)
        
        [A.3.2.2 P0_43 A-1] The story of the search., [A.3.2.2 P0_43 A-1] Kisah Pencarian. (Indonesian), [A.3.2.2 P0_43 A-1] Le récit de la recherche (French)
        
        [A.3.2.2 P0_43 A-2] The imagery of encircling., [A.3.2.2 P0_43 A-2] L'imaginaire de l'encerclement (French), [A.3.2.2 P0_43 A-2] Imajiner Keterkepungan. (Indonesian)
        
        [A.3.2.2 P0_43 A-3] A world upside-down., [A.3.2.2 P0_43 A-3] Un monde inversé (French), [A.3.2.2 P0_43 A-3] Suatu Dunia yang Terbalik. (Indonesian)
        
        [A.3.2.2 P0_43 A-4] Healing through trance., [A.3.2.2 P0_43 A-4] Penyembuhan Melalui Kesurupan. (Indonesian), [A.3.2.2 P0_43 A-4] Guérir par la transe (French)
    - [A.3.2.3] Music for the pakorong ritual., [A.3.2.3] Musik Instrumental Ritus Pakorong. (Indonesian), [A.3.2.3] Les musiques instrumentales du rituel pakorong (French) Sort By : Title Inventory number
      - [A.3.2.3 P0_44] The pakorong ritual is a prophylactic ritual against skin disease., [A.3.2.3 P0_44] Le rituel pakorong est un rituel prophylactique contre les maladies de peau. (French), [A.3.2.3 P0_44] Ritus Pakorong merupakan suatu ritus tolak bala untuk penyakit kulit. (Indonesian)
        
        [A.3.2.3 P0_44 A-1] The sources., [A.3.2.3 P0_44 A-1] Les sources (French), [A.3.2.3 P0_44 A-1] Sumber-Sumber. (Indonesian)
        
        [A.3.2.3 P0_44 A-2] The different names for the ritual., [A.3.2.3 P0_44 A-2] Les différents noms du rituel (French), [A.3.2.3 P0_44 A-2] Berbagai Nama Ritus. (Indonesian)
        
        [A.3.2.3 P0_44 A-3] The sequences of the ritual., [A.3.2.3 P0_44 A-3] Urutan Ritus. (Indonesian), [A.3.2.3 P0_44 A-3] Les séquences du rituel (French)
        
        [A.3.2.3 P0_44 A-4] The figure 7., [A.3.2.3 P0_44 A-4] Angka 7. (Indonesian), [A.3.2.3 P0_44 A-4] Le chiffre 7 (French)
        
        [A.3.2.3 P0_44 A-5] Offerings to the divinity Maruru'., [A.3.2.3 P0_44 A-5] Persembahan kepada Dewa Maruru’ (Indonesian), [A.3.2.3 P0_44 A-5] Offrandes au dieu Maruru' (French)
      - [A.3.2.3 P0_45] The music of the pakorong brings several groups of instrumentalists together, playing in alternation., [A.3.2.3 P0_45] La musique du rituel pakorong réunit plusieurs groupes d'instrumentistes qui jouent alternativement. (French), [A.3.2.3 P0_45] Musik ritus Pakorong mengumpulkan beberapa kelompok pemain musik yang bergantian memainkan instrumen mereka. (Indonesian)
        
        [A.3.2.3 P0_45 A-1] The various groups., [A.3.2.3 P0_45 A-1] Les différents groupes (French), [A.3.2.3 P0_45 A-1] Berbagai Kelompok. (Indonesian)
      - [A.3.2.3 P0_46] Each group of instruments is organized hierarchically., [A.3.2.3 P0_46] Setiap kelompok instrumen, memiliki suatu organisasi hierarkis. (Indonesian), [A.3.2.3 P0_46] Chaque groupe d'instruments possède une organisation hiérarchique. (French)
        
        [A.3.2.3 P0_46 A-1] Lute duet., [A.3.2.3 P0_46 A-1] Duo alat dawai petik kecapi. (Indonesian), [A.3.2.3 P0_46 A-1] Duo de luths (French)
        
        [A.3.2.3 P0_46 A-2] Fiddle trios., [A.3.2.3 P0_46 A-2] Trio Alat Dawai Gesek. (Indonesian), [A.3.2.3 P0_46 A-2] Trios de vièle (French)
        
        [A.3.2.3 P0_46 A-3] Flute quartets., [A.3.2.3 P0_46 A-3] Quatuors de flûte (French), [A.3.2.3 P0_46 A-3] Kuartet suling. (Indonesian)
      - [A.3.2.3 P0_47] The repertoire for flutes (thirty-one pieces) is rhythmically and melodically varied and has three classes of melody., [A.3.2.3 P0_47] Repertoar untuk suling (31 buah), dengan suatu keanekaragaman ritmis dan melodis, memiliki tiga kelas melodi. (Indonesian), [A.3.2.3 P0_47] Le répertoire pour flûtes (31 pièces), d'une grande variété rythmique et mélodique, présente trois classes de mélodies. (French)
        
        [A.3.2.3 P0_47 A-1] Sinuous melodies., [A.3.2.3 P0_47 A-1] Mélodies tortueuses (French), [A.3.2.3 P0_47 A-1] Melodi yang Berlika-Liku. (Indonesian)
        
        [A.3.2.3 P0_47 A-2] Rapid tempo melodies., [A.3.2.3 P0_47 A-2] Mélodies au tempo rapide (French), [A.3.2.3 P0_47 A-2] Melodi dengan Tempo yang Cepat. (Indonesian)
        
        [A.3.2.3 P0_47 A-3] Simple melodies., [A.3.2.3 P0_47 A-3] Mélodies simples (French), [A.3.2.3 P0_47 A-3] Melodi-Melodi Sederhana. (Indonesian)
      - [A.3.2.3 P0_48] The repertoire for fiddle (thirteen pieces) is characterized by its scales and an individual style., [A.3.2.3 P0_48] Le répertoire pour vièles (13 pièces) se distingue par ses échelles et par une stylistique propre. (French), [A.3.2.3 P0_48] Repertoar untuk alat dawai gesek (13 karya) yang dapat dibedakan melalui tangga nada-tangga nadanya dan melalui stilistik yang khas. (Indonesian)
        
        [A.3.2.3 P0_48 A-1] Some similarities with flute playing., [A.3.2.3 P0_48 A-1] Keserupaan dengan permainan suling. (Indonesian), [A.3.2.3 P0_48 A-1] Similitude avec le jeu des flûtes (French)
        
        [A.3.2.3 P0_48 A-2] Stylistic specificities of fiddle trios., [A.3.2.3 P0_48 A-2] Kekhususan stilistik trio alat dawai gesek. (Indonesian), [A.3.2.3 P0_48 A-2] Spécificités stylistiques des trios de vièles (French)
      - [A.3.2.3 P0_49] Drone, playing in alternation, intervals of a second and a tritone are features of all the melodies., [A.3.2.3 P0_49] Dengungan, permainan silih berganti dan interval sekon dan tritone yang memberikan ciri pada keseluruhan melodi. (Indonesian), [A.3.2.3 P0_49] Bourdon, jeu alterné et intervalle de seconde et triton caractérisent l'ensemble des mélodies. (French)
        
        [A.3.2.3 P0_49 A-1] Melodies with drone., [A.3.2.3 P0_49 A-1] Les mélodies sur bourdon (French), [A.3.2.3 P0_49 A-1] Melodi dengan Dengungan. (Indonesian)
        
        [A.3.2.3 P0_49 A-2] Playing in turn., [A.3.2.3 P0_49 A-2] Moda permainan silih-berganti. (Indonesian), [A.3.2.3 P0_49 A-2] Le mode de jeu alterné (French)
        
        [A.3.2.3 P0_49 A-3] Melodic and harmonic intervals used., [A.3.2.3 P0_49 A-3] Interval melodis dan harmonik yang digunakan. (Indonesian), [A.3.2.3 P0_49 A-3] Intervalles mélodiques et harmoniques utilisés (French)
      - [A.3.2.3 P0_50] The musical pieces form a hierarchy., [A.3.2.3 P0_50] Karya-karya musikal memiliki hierarki. (Indonesian), [A.3.2.3 P0_50] Les pièces musicales sont hiérarchisées (French)
        
        [A.3.2.3 P0_50 A-1] The ‘fundamental repertoire’., [A.3.2.3 P0_50 A-1] Le « répertoire fondamental » (French), [A.3.2.3 P0_50 A-1] “Repertoar Dasar”. (Indonesian)
        
        [A.3.2.3 P0_50 A-2] The compulsory pieces., [A.3.2.3 P0_50 A-2] Les pièces obligatoires (French), [A.3.2.3 P0_50 A-2] Karya-Karya Wajib. (Indonesian)
      - [A.3.2.3 P0_51] The musical pieces are organized in pairs., [A.3.2.3 P0_51] Les pièces musicales doivent s'accoupler. (French), [A.3.2.3 P0_51] Karya-karya musik diatur secara berpasangan. (Indonesian)
        
        [A.3.2.3 P0_51 A-1] The pairs of flutes., [A.3.2.3 P0_51 A-1] L'accouplement des pièces pour flûtes (French), [A.3.2.3 P0_51 A-1] Pasangan Suling. (Indonesian)
      - [A.3.2.3 P0_52] The suling bonde repertoire of the Mamasa region., [A.3.2.3 P0_52] Le répertoire suling bonde de la région de Mamasa (French), [A.3.2.3 P0_52] Repertoar suling suling bonde dari wilayah Mamasa. (Indonesian)
        
        [A.3.2.3 P0_52 A-1] Using drone., [A.3.2.3 P0_52 A-1] Lagu dengan dengungan. (Indonesian), [A.3.2.3 P0_52 A-1] Jeu sur bourdon (French)
        
        [A.3.2.3 P0_52 A-2] Timbre variations., [A.3.2.3 P0_52 A-2] Variasi Warna Suara. (Indonesian), [A.3.2.3 P0_52 A-2] Variations du timbre (French)
- [A.4] Musical analysis, [A.4] Analisis musik (Indonesian), [A.4] Analyse musicale (French) Sort By : Title Inventory number
  - [A.4.1] Organisation of the sounds, [A.4.1] Pengaturan suara (Indonesian), [A.4.1] Organisation des sons (French) Sort By : Title Inventory number
    - [A.4.1.1] Melodic profiles, [A.4.1.1] Bentuk Melodi-Melodi (Indonesian), [A.4.1.1] Profils mélodiques (French) Sort By : Title Inventory number
      - [A.4.1.1 P0_1] Melodic sobriety characterizes most of the musical repertoires., [A.4.1.1 P0_1] Le dépouillement mélodique caractérise la plupart des répertoires musicaux. (French), [A.4.1.1 P0_1] Kesederhanaan melodi adalah ciri khas sebagian repertoar musik. (Indonesian)
      - [A.4.1.1 P0_2] The soloists are distinguished by their superior ability and virtuosity., [A.4.1.1 P0_2] Para solis membedakan diri melalui keunggulan kemampuan mereka dan penguasaan teknik mereka yang luar biasa. (Indonesian), [A.4.1.1 P0_2] Les solistes se distinguent par leur compétence supérieure et par leur virtuosité. (French)
        
        [A.4.1.1 P0_2 A-1] The singers of the marakka lamentation., [A.4.1.1 P0_2 A-1] Les chanteuses de déploration marakka (French), [A.4.1.1 P0_2 A-1] Para penyanyi perempuan ratapan marakka. (Indonesian)
        
        [A.4.1.1 P0_2 A-2] Soloists in the simbong and nani choruses., [A.4.1.1 P0_2 A-2] Les solistes des chœurs simbong et nani (French), [A.4.1.1 P0_2 A-2] Para solis kor simbong dan nani. (Indonesian)
        
        [A.4.1.1 P0_2 A-3] The solo flautists., [A.4.1.1 P0_2 A-3] Les solistes flûtistes (French), [A.4.1.1 P0_2 A-3] Solis-solis pemain suling. (Indonesian)
      - [A.4.1.1 P0_3] The apocope is a recurrent stylistic feature., [A.4.1.1 P0_3] Apokop merupakan ciri khas. (Indonesian), [A.4.1.1 P0_3] L'apocope est un trait stylistique récurrent. (French)
        
        [A.4.1.1 P0_3 A-1] In the badong., [A.4.1.1 P0_3 A-1] Dans le badong (French), [A.4.1.1 P0_3 A-1] Dalam Badong. (Indonesian)
        
        [A.4.1.1 P0_3 A-2] In the dondi’., [A.4.1.1 P0_3 A-2] Dans le dondi' (French), [A.4.1.1 P0_3 A-2] Dalam Dondi’. (Indonesian)
        
        [A.4.1.1 P0_3 A-3] In the retteng., [A.4.1.1 P0_3 A-3] Dalam Retteng. (Indonesian), [A.4.1.1 P0_3 A-3] Dans le retteng (French)
        
        [A.4.1.1 P0_3 A-4] In the simbong., [A.4.1.1 P0_3 A-4] Dans le simbong (French), [A.4.1.1 P0_3 A-4] Dalam Simbong. (Indonesian)
      - [A.4.1.1 P1_1] The semitone is used expressively., [A.4.1.1 P1_1] Le demi-ton est utilisé à des fins expressives. (French), [A.4.1.1 P1_1] Kromatisisme dipakai untuk tujuan ekspresif. (Indonesian)
        
        [A.4.1.1 P1_1 A-1] An identical melody is played a semitone above., [A.4.1.1 P1_1 A-1] Un demi-ton élève une même mélodie (French), [A.4.1.1 P1_1 A-1] Kromatisisme menaikkan melodi yang sama. (Indonesian)
        
        [A.4.1.1 P1_1 A-2] A melodic semitone operates at the level of the musical phrase., [A.4.1.1 P1_1 A-2] Kromatisisme bekerja pada tingkat frasa musik. (Indonesian), [A.4.1.1 P1_1 A-2] Un demi-ton mélodique opère au niveau de la phrase musicale (French)
        
        [A.4.1.2 P1_1 A-1] Transcription code., [A.4.1.2 P1_1 A-1] Kode transkripsi. (Indonesian), [A.4.1.2 P1_1 A-1] Code de transcription (French)
    - [A.4.1.2] Toraja scales., [A.4.1.2] Échelles toraja (French), [A.4.1.2] Tangga Nada Toraja (Indonesian) Sort By : Title Inventory number
      - [A.4.1.2 P0_4] The melodic formulas, sometimes built on one tone, most often extend over a three-tone scale., [A.4.1.2 P0_4] Les formules mélodiques, parfois construites sur un ton, se déploient le plus souvent selon une échelle à trois sons. (French), [A.4.1.2 P0_4] Frasa melodi, yang kadang-kadang dibangun di atas sebuah nada, paling sering dikembangkan menurut tangga nada tiga suara. (Indonesian)
      - [A.4.1.2 P0_5] The three-tone matrix scale may be enhanced by adding a tone or rising semitone., [A.4.1.2 P0_5] Tangga nada dengan tiga bunyi dapat diperkaya dengan penambahan satu nada atau setengah nada naik. (Indonesian), [A.4.1.2 P0_5] L'échelle matrice à trois sons peut être enrichie par l'ajout d'un ton ou d'un demi-ton ascendant. (French)
      - [A.4.1.2 P0_6] The matrix scale would appear to arise from the harmonic series., [A.4.1.2 P0_6] L'échelle matrice résulterait de la série harmonique. (French), [A.4.1.2 P0_6] Tangga nada disebabkan oleh rangkaian harmoni. (Indonesian)
      - [A.4.1.2 P0_7] The marakka repertoire has a special scale of its own., [A.4.1.2 P0_7] Le répertoire de déploration marakka se distingue par son échelle particulière. (French), [A.4.1.2 P0_7] Repertoar ratapan marakka membedakan diri melalui tangga nadanya yang khas (Indonesian)
    - [A.4.1.3] Harmonic plan., [A.4.1.3] Rancangan Harmoni (Indonesian), [A.4.1.3] Plan harmonique (French) Sort By : Title Inventory number
      - [A.4.1.3 P0_10] Ornamenting the unison is a practice common to many repertoires, and especially in the badong and simbong., [A.4.1.3 P0_10] Orner l'unisson est une pratique propre à tous les répertoires. (French), [A.4.1.3 P0_10] Memperindah suara tunggal merupakan praktik yang khas pada setiap repertoar. (Indonesian)
        
        [A.4.1.3 P0_10 A-1] The vernacular expressions., [A.4.1.3 P0_10 A-1] Ekspresi-ekspresi setempat. (Indonesian), [A.4.1.3 P0_10 A-1] Les expressions vernaculaires (French)
      - [A.4.1.3 P0_11] Parallelism, drone and heterophony are various types of Toraja plurivocality., [A.4.1.3 P0_11] Paralelisme dan heterofoni (suara yang tunggal tetapi sedikit berbeda) merupakan dua jenis plurivokalitas Toraja. (Indonesian), [A.4.1.3 P0_11] Parallélisme, hétérophonie et bourdon sont les trois types de plurivocalité toraja. (French)
        
        [A.4.1.3 P0_11 A-1] In unison., [A.4.1.3 P0_11 A-1] À l'unisson (French), [A.4.1.3 P0_11 A-1] Dalam kor suara tunggal. (Indonesian)
        
        [A.4.1.3 P0_11 A-2] At an interval of a second., [A.4.1.3 P0_11 A-2] Dalam interval sekon. (Indonesian), [A.4.1.3 P0_11 A-2] À un intervalle de seconde (French)
        
        [A.4.1.3 P0_11 A-3] In thirds., [A.4.1.3 P0_11 A-3] À la tierce (French), [A.4.1.3 P0_11 A-3] Pada interval terts. (Indonesian)
        
        [A.4.1.3 P0_11 A-4] In fourths., [A.4.1.3 P0_11 A-4] À la quarte (French), [A.4.1.3 P0_11 A-4] Pada kuart. (Indonesian)
        
        [A.4.1.3 P0_11 A-5] In fifths., [A.4.1.3 P0_11 A-5] À la quinte (French), [A.4.1.3 P0_11 A-5] Pada kuint. (Indonesian)
      - [A.4.1.3 P0_8] The drone is characteristic of the repertoires of the rituals of the East., [A.4.1.3 P0_8] Dengungan merupakan kekhasan repertoar-repertoar ritus matahari terbit. (Indonesian), [A.4.1.3 P0_8] Le bourdon est le propre des répertoires du Levant. (French)
        
        [A.4.1.3 P0_8 A-1] Drone –continuous and discontinuous., [A.4.1.3 P0_8 A-1] Bourdon continu et discontinu (French), [A.4.1.3 P0_8 A-1] Dengungan yang terus-menerus dan dengungan yang terputus-putus. (Indonesian)
      - [A.4.1.3 P0_9] The harmonic second is the interval favored., [A.4.1.3 P0_9] La seconde harmonique est l'intervalle privilégié. (French), [A.4.1.3 P0_9] Sekon harmoni merupakan interval yang paling menonjol. (Indonesian)
        
        [A.4.1.3 P0_9 A-1] Size of the harmonic second varies depending on the group., [A.4.1.3 P0_9 A-1] Taille de la seconde harmonique variée selon les groupes (French), [A.4.1.3 P0_9 A-1] Ukuran sekon harmoni berubah-ubah menurut kelompok-kelompok. (Indonesian)
        
        [A.4.1.3 P0_9 A-2] Widening of the harmonic interval within a single piece., [A.4.1.3 P0_9 A-2] Élargissement de l'intervalle harmonique au sein d'une même pièce (French), [A.4.1.3 P0_9 A-2] Perluasan interval harmoni di dalam karya musik yang sama. (Indonesian)
        
        [A.4.1.3 P0_9 A-3] Influence of the vowel pronounced on the interval of a second, [A.4.1.3 P0_9 A-3] Influence de la voyelle énoncée sur l'intervalle de seconde (French), [A.4.1.3 P0_9 A-3] Pengaruh huruf hidup yang dituturkan pada interval sekon. (Indonesian)
        
        [A.4.1.3 P0_9 A-4] Global instability of the harmonic interval between pieces., [A.4.1.3 P0_9 A-4] Instabilité globale de l'intervalle harmonique entre les pièces (French), [A.4.1.3 P0_9 A-4] Ketidakstabilan interval harmoni antara karya-karya musik. (Indonesian)
    - [A.4.1.4] Vowel change play., [A.4.1.4] Les jeux de changement vocalique (French), [A.4.1.4] Permainan perubahan vokal (Indonesian) Sort By : Title Inventory number
      - [A.4.1.4 P0_12] The choral quality of Toraja voices is distinguished by its homogeneity., [A.4.1.4 P0_12] La qualité chorale des voix toraja se distingue par son homogénéité. (French), [A.4.1.4 P0_12] Kualitas kor Toraja dapat ditandai dari homogenitasnya. (Indonesian)
      - [A.4.1.4 P1_2] Certain repertoires use vowel-changing techniques., [A.4.1.4 P1_2] Beberapa repertoar tertentu menampilkan permainan perubahan vokal. (Indonesian), [A.4.1.4 P1_2] Certains répertoires présentent des jeux de changement vocalique. (French)
        
        [A.4.1.4 P1_2 A-1] Meaning of the word basse., [A.4.1.4 P1_2 A-1] Arti kata basse (Indonesian), [A.4.1.4 P1_2 A-1] Sens du mot basse (French)
        
        [A.4.1.4 P1_2 A-2] In the simbong., [A.4.1.4 P1_2 A-2] Dalam simbong. (Indonesian), [A.4.1.4 P1_2 A-2] Dans le simbong (French)
        
        [A.4.1.4 P1_2 A-3] In the badong., [A.4.1.4 P1_2 A-3] Dans le badong (French), [A.4.1.4 P1_2 A-3] Dalam badong. (Indonesian)
        
        [A.4.1.4 P1_2 A-4] Acoustic approach., [A.4.1.4 P1_2 A-4] Pendekatan akustik. (Indonesian), [A.4.1.4 P1_2 A-4] Approche acoustique (French)
        
        [A.4.1.4 P1_2 A-5] Phonetic approach., [A.4.1.4 P1_2 A-5] Approche phonétique (French), [A.4.1.4 P1_2 A-5] Pendekatan fonetik. (Indonesian)
  - [A.4.2] ORGANIZATION OF MUSICIANS, [A.4.2] Pengaturan para pemusik (Indonesian), [A.4.2] organisation des musiciens (French) Sort By : Title Inventory number
    - [A.4.2.1] Hierarchic organizations., [A.4.2.1] Pengaturan-Pengaturan Hierarkis (Indonesian), [A.4.2.1] Organisations hiérarchiques (French) Sort By : Title Inventory number
      - [A.4.2.1 P1_3] Numerous ensembles are organized in two named groups., [A.4.2.1 P1_3] Sejumlah besar ensambel diselenggarakan dalam dua kelompok yang ditunjuk. (Indonesian), [A.4.2.1 P1_3] De nombreux ensembles s'organisent en deux groupes nommés. (French)
        
        [A.4.2.1 P1_3 A-1] The badong., [A.4.2.1 P1_3 A-1] La ronde badong (French), [A.4.2.1 P1_3 A-1] Kor Badong yang ditarikan dalam lingkaran. (Indonesian)
        
        [A.4.2.1 P1_3 A-2] The simbong., [A.4.2.1 P1_3 A-2] Le chœur simbong (French), [A.4.2.1 P1_3 A-2] Kor Simbong. (Indonesian)
        
        [A.4.2.1 P1_3 A-3] The instruments of the pakorong ritual., [A.4.2.1 P1_3 A-3] Alat-alat musik ritus Pakorong. (Indonesian), [A.4.2.1 P1_3 A-3] Les instruments du rituel pakorong (French)
        
        [A.4.2.1 P1_3 A-4] The drums., [A.4.2.1 P1_3 A-4] Gendang. (Indonesian), [A.4.2.1 P1_3 A-4] Les tambours (French)
      - [A.4.2.1 P1_4] The soloist is assisted by one or more assistants., [A.4.2.1 P1_4] Le soliste est assisté par un à plusieurs assistants. (French), [A.4.2.1 P1_4] Solis dibantu oleh satu atau beberapa asisten. (Indonesian)
        
        [A.4.2.1 P1_4 A-1] In the round-dance badong., [A.4.2.1 P1_4 A-1] Dalam kor Badong yang ditarikan dalam lingkaran. (Indonesian), [A.4.2.1 P1_4 A-1] Dans la ronde badong (French)
        
        [A.4.2.1 P1_4 A-2] In the simbong, nani, io-io choruses., [A.4.2.1 P1_4 A-2] Dans les chœurs simbong, nani, io-io (French), [A.4.2.1 P1_4 A-2] Dalam kor Simbong, Nani, Io-Io. (Indonesian)
        
        [A.4.2.1 P1_4 A-3] Instruments of the pakorong ritual, [A.4.2.1 P1_4 A-3] Instruments de musique du rituel pakorong (French), [A.4.2.1 P1_4 A-3] Alat-alat musik Pakorong. (Indonesian)
        
        [A.4.2.1 P1_4 A-4] Healing flutes of Mamasa., [A.4.2.1 P1_4 A-4] Flûtes de guérison de Mamasa (French), [A.4.2.1 P1_4 A-4] Suling-suling penyembuhan dari Mamasa. (Indonesian)
      - [A.4.2.1 P1_5] In a hierarchical grouping the musicians are interdependent., [A.4.2.1 P1_5] Dans un groupement hiérarchique, les musiciens sont interdépendants. (French), [A.4.2.1 P1_5] Dalam pengelompokan hierarkis, para pemusik saling tergantung satu sama lain. (Indonesian)
        
        [A.4.2.1 P1_5 A-1] In the badong., [A.4.2.1 P1_5 A-1] Dalam badong. (Indonesian), [A.4.2.1 P1_5 A-1] Dans le badong (French)
        
        [A.4.2.1 P1_5 A-2] In the pakorong flute repertoire., [A.4.2.1 P1_5 A-2] Dalam repertoar untuk suling dalam ritus pakorong. (Indonesian), [A.4.2.1 P1_5 A-2] Dans le répertoire pour flûtes du rituel pakorong (French)
      - [A.4.2.1 P2_1] The grouping is hierarchised, [A.4.2.1 P2_1] Dalam sebuah pengelompokan hierarkis, peran-peran saling terikat (Indonesian), [A.4.2.1 P2_1] Dans un groupement hiérarchique, les rôles sont subordonnés les uns aux autres. (French)
        
        [A.4.2.1 P2_1 A-1] Organization of the groupings., [A.4.2.1 P2_1 A-1] Organisasi pengelompokan-pengelompokan. (Indonesian), [A.4.2.1 P2_1 A-1] Organisation des groupements (French)
    - [A.4.2.2] Non-hierarchical organizations., [A.4.2.2] Pengaturan-pengaturan yang tidak hierarkis. (Indonesian), [A.4.2.2] Organisations non hiérarchiques (French) Sort By : Title Inventory number
      - [A.4.2.2 P1_6] Certain formations do not subordinate voices to one another., [A.4.2.2 P1_6] Certaines formations ne subordonnent pas les voix les unes aux autres. (French), [A.4.2.2 P1_6] Beberapa komposisi tertentu tidak saling menempatkan suara di bawah yang lain. (Indonesian)
        
        [A.4.2.2 P1_6 A-1] Badong in unison., [A.4.2.2 P1_6 A-1] Kor badong dalam suara terpadu yang ditarikan dalam lingkaran. (Indonesian), [A.4.2.2 P1_6 A-1] Ronde badong à l'unisson (French)
        
        [A.4.2.2 P1_6 A-2] Dondi’ chorus., [A.4.2.2 P1_6 A-2] Chœur dondi' (French), [A.4.2.2 P1_6 A-2] Kor dondi.’ (Indonesian)
        
        [A.4.2.2 P1_6 A-3] Nondo maro men’s chorus., [A.4.2.2 P1_6 A-3] Chœur nondo maro des hommes (French), [A.4.2.2 P1_6 A-3] Kor nondo maro. (Indonesian)
        
        [A.4.2.2 P1_6 A-4] Serang mundan chorus., [A.4.2.2 P1_6 A-4] Kor serang mundan. (Indonesian), [A.4.2.2 P1_6 A-4] Chœur serang mundan (French)
    - [A.4.2.3] Polymusics., [A.4.2.3] Polimusik (Indonesian), [A.4.2.3] Polymusiques (French) Sort By : Title Inventory number
      - [A.4.2.3 P0_13] This polymusic is a sign of social prestige for the family organizing the celebration., [A.4.2.3 P0_13] Pour la famille qui organise la fête, cette polymusique est signe de prestige social. (French), [A.4.2.3 P0_13] Bagi keluarga yang mengadakan pesta, polimusik ini merupakan tanda gengsi sosial. (Indonesian)
      - [A.4.2.3 P0_14] This polymusic demonstrates the exchange between the families., [A.4.2.3 P0_14] Cette polymusique manifeste l'échange entre les familles. (French), [A.4.2.3 P0_14] Polimusik ini menunjukkan hubungan timbal-balik di antara keluarga-keluarga. (Indonesian)
      - [A.4.2.3 P0_15] From the singers’point of view this polymusic embodies a territorial principle., [A.4.2.3 P0_15] Dari sudut para penyanyi, polimusik ini menunjukkan prinsip penerapan suatu ukuran dalam rangka kolektivitas daerah. (Indonesian), [A.4.2.3 P0_15] Du point de vue des chanteurs, cette polymusique manifeste un principe de territorialisation. (French)
      - [A.4.2.3 P0_16] From a religious point of view, these polymusics may be considered as sound offerings., [A.4.2.3 P0_16] Du point de vue religieux, ces polymusiques peuvent être considérées comme des offrandes sonores. (French), [A.4.2.3 P0_16] Dari segi agama, polimusik-polimusik ini dapat dianggap sebagai sajen-sajen suara. (Indonesian)
        
        [A.4.2.3 P0_16 A-1] The animal offerings., [A.4.2.3 P0_16 A-1] Les offrandes animales (French), [A.4.2.3 P0_16 A-1] Sajen-sajen binatang. (Indonesian)
        
        [A.4.2.3 P0_16 A-2] Circulation of the offerings., [A.4.2.3 P0_16 A-2] Circulation des offrandes (French), [A.4.2.3 P0_16 A-2] Perputaran sajen-sajen. (Indonesian)
      - [A.4.2.3 P1_7] In the major celebrations, the groups of singers sing side-by-side and separately., [A.4.2.3 P1_7] Dalam pesta-pesta besar, kelompok-kelompok penyanyi menyanyi berdampingan dan secara terpisah. (Indonesian), [A.4.2.3 P1_7] Dans les grandes fêtes, les groupes de chanteurs chantent côte à côte et séparément. (French)
        
        [A.4.2.3 P1_7 A-1] Badong circles are juxtaposed., [A.4.2.3 P1_7 A-1] Rondes badong juxtaposées (French), [A.4.2.3 P1_7 A-1] Lagu-lagu badong yang berdampingan dan ditarikan dalam lingkaran. (Indonesian)
        
        [A.4.2.3 P1_7 A-2] Juxtaposed dondi’ choruses., [A.4.2.3 P1_7 A-2] Nyanyian dondi’ yang berdampingan. (Indonesian), [A.4.2.3 P1_7 A-2] Chœurs dondi' juxtaposés (French)
        
        [A.4.2.3 P1_7 A-3] Pieces of music juxtaposed for welcoming the guests., [A.4.2.3 P1_7 A-3] Musik-musik yang berdampingan pada saat penyambutan para undangan. (Indonesian), [A.4.2.3 P1_7 A-3] Musiques juxtaposées lors de l'accueil des invités (French)
        
        [A.4.2.3 P1_7 A-4] Simbong and nani dances juxtaposed., [A.4.2.3 P1_7 A-4] Danses simbong et nani juxtaposées (French), [A.4.2.3 P1_7 A-4] Tarian-tarian simbong dan nani berdampingan. (Indonesian)
        
        [A.4.2.3 P1_7 A-5] Maro songs and drums., [A.4.2.3 P1_7 A-5] Chants et tambours du rituel maro (French), [A.4.2.3 P1_7 A-5] Nyanyian-nyanyian dan gendang-gendang ritus maro. (Indonesian)
- [A.5] Interpretation, [A.5] Interpretasi (Indonesian), [A.5] Interprétation (French) Sort By : Title Inventory number
  - [A.5.1] The pairing of the musics, [A.5.1] pasangan musik (Indonesian), [A.5.1] l'appariement des musiques (French) Sort By : Title Inventory number
    - [A.5.1.1] The dancing choruses, [A.5.1.1] Grands chœurs dansés (French), [A.5.1.1] Kor Agung yang Dibawakan dalam Bentuk Tari (Indonesian) Sort By : Title Inventory number
      - [A.5.1.1 P1_1] Two choral repertoires are performed at the highest-ranking rituals., [A.5.1.1 P1_1] Deux chœurs sont dansés lors de rituels du plus haut degré. (French), [A.5.1.1 P1_1] Dua kor yang dibawakan dalam dua kegiatan ritual tertinggi. (Indonesian)
        
        [A.5.1.1 P1_1 A-1] Context of the badong., [A.5.1.1 P1_1 A-1] Konteks badong. (Indonesian), [A.5.1.1 P1_1 A-1] Contexte du badong (French)
        
        [A.5.1.1 P1_1 A-2] Context of the simbong., [A.5.1.1 P1_1 A-2] Konteks simbong. (Indonesian), [A.5.1.1 P1_1 A-2] Contexte du simbong (French)
      - [A.5.1.1 P1_2] The two choruses badong and simbong are organized extremely hierarchically., [A.5.1.1 P1_2] Kedua kelompok kor badong dan simbong terdiri dari kelompok-kelompok yang sangat hierarkis. (Indonesian), [A.5.1.1 P1_2] Les deux grands chœurs badong et simbong présentent des groupes hiérarchisés. (French)
        
        [A.5.1.1 P1_2 A-1] Simbong chorus., [A.5.1.1 P1_2 A-1] Choeur simbong (French), [A.5.1.1 P1_2 A-1] Kor simbong. (Indonesian)
        
        [A.5.1.1 P1_2 A-2] Badong chorus., [A.5.1.1 P1_2 A-2] Kor badong. (Indonesian), [A.5.1.1 P1_2 A-2] Choeur badong (French)
        
        [A.5.1.1 P1_2 A-3] Semi-professionals., [A.5.1.1 P1_2 A-3] Para seniman semi-profesional (Indonesian), [A.5.1.1 P1_2 A-3] Des semi-professionnels (French)
      - [A.5.1.1 P1_3] The relation between the song and the words is identical for each chorus., [A.5.1.1 P1_3] Hubungan antara nyanyian dan kata-kata tampak identik dalam kedua kor agung itu. (Indonesian), [A.5.1.1 P1_3] Le rapport du chant aux paroles est identique dans les deux grands chœurs. (French)
        
        [A.5.1.1 P1_3 A-1] The words of the badong., [A.5.1.1 P1_3 A-1] Kata-kata badong. (Indonesian), [A.5.1.1 P1_3 A-1] Les mots du badong (French)
        
        [A.5.1.1 P1_3 A-2] The words of the simbong., [A.5.1.1 P1_3 A-2] Kata-kata simbong. (Indonesian), [A.5.1.1 P1_3 A-2] Les mots du simbong (French)
      - [A.5.1.1 P1_4] Badong and simbong share similar acoustics., [A.5.1.1 P1_4] Badong et simbong présentent une spécificité acoustique identique. (French), [A.5.1.1 P1_4] Badong dan simbong memiliki kekhasan akustik yang sama. (Indonesian)
        
        [A.5.1.1 P1_4 A-1] In the simbong., [A.5.1.1 P1_4 A-1] Dalam Simbong. (Indonesian), [A.5.1.1 P1_4 A-1] Dans le simbong (French)
        
        [A.5.1.1 P1_4 A-2] In the badong., [A.5.1.1 P1_4 A-2] Dalam Badong. (Indonesian), [A.5.1.1 P1_4 A-2] Dans le badong (French)
        
        [A.5.1.1 P1_4 A-3] Musical analysis., [A.5.1.1 P1_4 A-3] Analyse musicale (French), [A.5.1.1 P1_4 A-3] Analisis musik. (Indonesian)
      - [A.5.1.1 P1_5] The same type of vocal technique is used in both choruses., [A.5.1.1 P1_5] Un même type de technique vocale est utilisé dans les deux chœurs. (French), [A.5.1.1 P1_5] Suatu tipe teknik vokal yang serupa digunakan dalam kedua bentuk kor tersebut. (Indonesian)
        
        [A.5.1.1 P1_5 A-1] A same ornemental technique., [A.5.1.1 P1_5 A-1] Une même pratique ornementale (French), [A.5.1.1 P1_5 A-1] Hiasan-Hiasan vokal yang sama. (Indonesian)
        
        [A.5.1.1 P1_5 A-2] The badong leader., [A.5.1.1 P1_5 A-2] Le meneur de badong (French), [A.5.1.1 P1_5 A-2] Kepala Badong (pa'tindok). (Indonesian)
        
        [A.5.1.1 P1_5 A-3] The simbong leader., [A.5.1.1 P1_5 A-3] Kepala Simbong (Indo’ simbong). (Indonesian), [A.5.1.1 P1_5 A-3] Le meneur de simbong (French)
      - [A.5.1.1 P1_6] A mode of polymusical performing is common to both choral forms., [A.5.1.1 P1_6] Un mode de jeu polymusical est commun aux deux grandes formes chorales. (French), [A.5.1.1 P1_6] Sebuah gaya permainan polimusikal bersifat umum pada kedua bentuk kor. (Indonesian)
        
        [A.5.1.1 P1_6 A-1] Polymusics., [A.5.1.1 P1_6 A-1] Polymusik. (Indonesian), [A.5.1.1 P1_6 A-1] Polymusiques (French)
        
        [A.5.1.1 P1_6 A-2] Setting Sun., [A.5.1.1 P1_6 A-2] Couchant (French), [A.5.1.1 P1_6 A-2] "Di sisi matahari terbenam". (Indonesian)
        
        [A.5.1.1 P1_6 A-3] Rising Sun., [A.5.1.1 P1_6 A-3] "Di sisi matahari terbit". (Indonesian), [A.5.1.1 P1_6 A-3] Levant (French)
      - [A.5.1.1 P1_7] Badong and simbong have different choreographies., [A.5.1.1 P1_7] Badong dan simbong berbeda secara koreografis. (Indonesian), [A.5.1.1 P1_7] Badong et simbong diffèrent dans leur chorégraphie. (French)
        
        [A.5.1.1 P1_7 A-1] Badong circular dance formation., [A.5.1.1 P1_7 A-1] Tarian badong. (Indonesian), [A.5.1.1 P1_7 A-1] Ronde badong (French)
        
        [A.5.1.1 P1_7 A-2] Simbong arc or semicircular dance formation., [A.5.1.1 P1_7 A-2] Arc de cercle simbong (French), [A.5.1.1 P1_7 A-2] Bentuk busur dari simbong. (Indonesian)
      - [A.5.1.1 P1_8] Badong and simbong differ in their choral arrangements., [A.5.1.1 P1_8] Badong dan simbong berbeda dalam organisasi kor mereka. (Indonesian), [A.5.1.1 P1_8] Badong et simbong diffèrent dans leur organisation chorale. (French)
        
        [A.5.1.1 P1_8 A-1] Organisation of the badong., [A.5.1.1 P1_8 A-1] Organisation du badong (French), [A.5.1.1 P1_8 A-1] Organisasi kor badong. (Indonesian)
        
        [A.5.1.1 P1_8 A-2] Organisation of the simbong., [A.5.1.1 P1_8 A-2] Organisation du simbong (French), [A.5.1.1 P1_8 A-2] Organisasi kor simbong. (Indonesian)
      - [A.5.1.1 P2_1] Equivalences between badong and simbong choruses., [A.5.1.1 P2_1] Keserupaan kor badong dan simbong. (Indonesian), [A.5.1.1 P2_1] Homologies des chœurs badong et simbong. (French)
        
        [A.5.1.1 P2_1 A-1] Prosodic equivalences, [A.5.1.1 P2_1 A-1] Homologie prosodique (French), [A.5.1.1 P2_1 A-1] Keserupaan prosodi. (Indonesian)
        
        [A.5.1.1 P2_1 A-2] Acoustic equivalences., [A.5.1.1 P2_1 A-2] Homologies acoustiques (French), [A.5.1.1 P2_1 A-2] Keserupaan akustik. (Indonesian)
        
        [A.5.1.1 P2_1 A-3] Equivalences of grouping., [A.5.1.1 P2_1 A-3] Keserupaan pengelompokan. (Indonesian), [A.5.1.1 P2_1 A-3] Homologie de groupement (French)
        
        [A.5.1.1 P2_1 A-4] Same polymusical play., [A.5.1.1 P2_1 A-4] Permainan polimusikal yang sama. (Indonesian), [A.5.1.1 P2_1 A-4] Même jeu polymusical (French)
        
        [A.5.1.1 P2_1 A-5] Equivalences of context., [A.5.1.1 P2_1 A-5] Homologies de contexte (French), [A.5.1.1 P2_1 A-5] Keserupaan konteks. (Indonesian)
        
        [A.5.1.1 P2_1 A-6] Literary equivalences., [A.5.1.1 P2_1 A-6] Keserupaan literer. (Indonesian), [A.5.1.1 P2_1 A-6] Homologies littéraires (French)
        
        [A.5.1.1 P2_1 A-7] Equivalences of vocal technique., [A.5.1.1 P2_1 A-7] Keserupaan teknik vokal. (Indonesian), [A.5.1.1 P2_1 A-7] Homologies de technique vocale (French)
      - [A.5.1.1 P2_2] Contrasts between the badong and simbong choruses., [A.5.1.1 P2_2] Oposisi kor badong dan simbong. (Indonesian), [A.5.1.1 P2_2] Opposition des chœurs badong et simbong. (French)
        
        [A.5.1.1 P2_2 A-1] Different choreographies., [A.5.1.1 P2_2 A-1] Koreografi yang berbeda-beda. (Indonesian), [A.5.1.1 P2_2 A-1] Une organisation chorale différente (French)
        
        [A.5.1.1 P2_2 A-2] A different choral organisation., [A.5.1.1 P2_2 A-2] Une chorégraphie différente (French), [A.5.1.1 P2_2 A-2] Sebuah organisasi kor yang berbeda. (Indonesian)
        
        [A.5.1.1 P2_2 A-3] A different musical relationship to the ritual., [A.5.1.1 P2_2 A-3] Suatu hubungan yang berbeda dari musik terhadap ritus. (Indonesian), [A.5.1.1 P2_2 A-3] Un rapport différent de la musique au rituel (French)
        
        [A.5.1.1 P2_2 A-4] A different treatment of the words., [A.5.1.1 P2_2 A-4] Un traitement des paroles différent (French), [A.5.1.1 P2_2 A-4] Suatu perlakuan yang berbeda terhadap kata-kata. (Indonesian)
        
        [A.5.1.1 P2_2 A-5] A different treatment of time., [A.5.1.1 P2_2 A-5] Suatu temporalitas yang berbeda. (Indonesian), [A.5.1.1 P2_2 A-5] Une temporalité différente (French)
        
        [A.5.1.1 P2_2 A-6] Two types of polyvocality., [A.5.1.1 P2_2 A-6] Dua Jenis Polivokalitas. (Indonesian), [A.5.1.1 P2_2 A-6] Deux types de polyvocalité (French)
      - [A.5.1.1 P3_1] In the dancing choruses, the bali link designates a coupled relationship., [A.5.1.1 P3_1] Dalam kor besar yang ditarikan, hubungan bali berarti hubungan pasangan lawan jenis. (Indonesian), [A.5.1.1 P3_1] Les deux grands chœurs dansés forment un couple (bali). (French)
        
        [A.5.1.1 P3_1 A-1] Differences., [A.5.1.1 P3_1 A-1] Perbedaan. (Indonesian), [A.5.1.1 P3_1 A-1] Différences (French)
        
        [A.5.1.1 P3_1 A-2] Equivalencies., [A.5.1.1 P3_1 A-2] Homologies (French), [A.5.1.1 P3_1 A-2] Homologi. (Indonesian)
    - [A.5.1.2] Solo declamations., [A.5.1.2] Deklamasi Solis. (Indonesian), [A.5.1.2] Déclamations solistes (French) Sort By : Title Inventory number
      - [A.5.1.2 P1_11] Same acoustic specificities in declamations of the setting sun and rising sun rituals., [A.5.1.2 P1_11] Keunikan akustik yang sama dari deklamasi di sisi matahari terbit/terbenam. (Indonesian), [A.5.1.2 P1_11] Mêmes spécificités acoustiques des déclamations au Levant et au Couchant. (French)
        
        [A.5.1.2 P1_11 A-1] Apocope in a setting sun song., [A.5.1.2 P1_11 A-1] Apokop pada ritus di sisi "matahari terbenam”. (Indonesian), [A.5.1.2 P1_11 A-1] Apocope au Couchant (French)
        
        [A.5.1.2 P1_11 A-2] Harmonic emaciation in a setting sun song., [A.5.1.2 P1_11 A-2] Décharnement harmonique au Couchant (French), [A.5.1.2 P1_11 A-2] Pemiskinan harmonik pada ritus "di sisi matahari terbenam”. (Indonesian)
        
        [A.5.1.2 P1_11 A-3] Apocope and vocalic emaciation in a rising sun song., [A.5.1.2 P1_11 A-3] Apokop dan pemiskinan vokalis “di sisi matahari terbit”. (Indonesian), [A.5.1.2 P1_11 A-3] Apocope et décharnement vocalique au Levant (French)
        
        [A.5.1.2 P1_11 A-4] Recto tono in a setting sun song., [A.5.1.2 P1_11 A-4] Kemonotonan pada ritus"di sisi matahari terbenam”. (Indonesian), [A.5.1.2 P1_11 A-4] Recto tono au Couchant (French)
        
        [A.5.1.2 P1_11 A-5] Recto tono in a rising sun song., [A.5.1.2 P1_11 A-5] Recto tono au Levant (French), [A.5.1.2 P1_11 A-5] Kemonotonan pada ritus “di sisi matahari terbit”. (Indonesian)
      - [A.5.1.2 P1_12] The solo declamations are made by several soloists in turn., [A.5.1.2 P1_12] Deklamasi solis menampilkan beberapa solis yang menyanyi silih berganti. (Indonesian), [A.5.1.2 P1_12] Les déclamations solistes font alterner plusieurs solistes. (French)
        
        [A.5.1.2 P1_12 A-1] Back-and-forth stanzas in the retteng deata., [A.5.1.2 P1_12 A-1] Le renvoi de strophes dans le retteng deata (rites de vie) (French), [A.5.1.2 P1_12 A-1] Pembalasan bait dalam retteng deata. (Indonesian)
        
        [A.5.1.2 P1_12 A-2] Back-and-forth stanzas in the retteng to mate., [A.5.1.2 P1_12 A-2] Pembalasan bait dalam retteng to mate. (Indonesian), [A.5.1.2 P1_12 A-2] Le renvoi de strophes dans le retteng to mate (rites de mort) (French)
      - [A.5.1.2 P1_13] The declamations develop a similar literary content., [A.5.1.2 P1_13] Les déclamations développent un contenu littéraire de même nature. (French), [A.5.1.2 P1_13] Deklamasi mengembangkan suatu muatan susastra yang serupa. (Indonesian)
        
        [A.5.1.2 P1_13 A-1] Contents of the funeral retteng., [A.5.1.2 P1_13 A-1] Contenu du retteng funéraire (French), [A.5.1.2 P1_13 A-1] Muatan retteng pemakaman. (Indonesian)
        
        [A.5.1.2 P1_13 A-2] Contents of the retteng deata., [A.5.1.2 P1_13 A-2] Muatan retteng deata. (Indonesian), [A.5.1.2 P1_13 A-2] Contenu du retteng deata (French)
      - [A.5.1.2 P1_9] The solo declamations are pronounced at great celebrations., [A.5.1.2 P1_9] Deklamasi solis dilantunkan dalam pesta-pesta yang sangat besar. (Indonesian), [A.5.1.2 P1_9] Les déclamations solistes sont énoncées lors des grands rituels. (French)
        
        [A.5.1.2 P1_9 A-1] Context of the retteng to mate., [A.5.1.2 P1_9 A-1] Konteks retteng to mate. (Indonesian), [A.5.1.2 P1_9 A-1] Contexte du retteng to mate (French)
        
        [A.5.1.2 P1_9 A-2] Context of the retteng deata., [A.5.1.2 P1_9 A-2] Contexte du retteng deata (French), [A.5.1.2 P1_9 A-2] Konteks retteng deata. (Indonesian)
      - [A.5.1.2 P2_3] The solo declamations in the rising and setting sun rituals are formally equivalent., [A.5.1.2 P2_3] Deklamasi solis, dari ritus "di sisi matahari terbenam" ke "sisi matahari terbit". (Indonesian), [A.5.1.2 P2_3] Homologies des déclamations solistes au Couchant et au Levant. (French)
        
        [A.5.1.1 P2_3 A-1] Same literary content., [A.5.1.1 P2_3 A-1] Oposisi melalui konteks. (Indonesian), [A.5.1.1 P2_3 A-1] Contenu littéraire de même nature (French)
        
        [A.5.1.1 P2_3 A-2] Relation to choruses., [A.5.1.1 P2_3 A-2] Relation aux grands choeurs (French), [A.5.1.1 P2_3 A-2] Hubungan antara kor. (Indonesian)
        
        [A.5.1.1 P2_3 A-3] Contrast in context., [A.5.1.1 P2_3 A-3] Opposition par contexte (French), [A.5.1.1 P2_3 A-3] Oposisi melalui konteks. (Indonesian)
        
        [A.5.1.1 P2_3 A-4] Identity of nature., [A.5.1.1 P2_3 A-4] Identitas alamiah. (Indonesian), [A.5.1.1 P2_3 A-4] Identité de nature (French)
      - [A.5.1.2 P3_2] The bali linking the solo declamations designates a paired relationship., [A.5.1.2 P3_2] Hubungan bali dalam hal ini dapat diartikan sebagai sebuah hubungan pasangan sejenis. (Indonesian), [A.5.1.2 P3_2] Les déclamations solistes forment une paire (bali). (French)
        
        [A.5.1.1 P3_2 A-1] Equivalencies of each declamation., [A.5.1.1 P3_2 A-1] Homologi dari dua deklamasi. (Indonesian), [A.5.1.1 P3_2 A-1] Homologies des deux déclamations (French)
    - [A.5.1.3] Mixed non-dancing choruses., [A.5.1.3] Choeurs mixtes non dansés (French), [A.5.1.3] Kor yang dibawakan oleh lelaki dan perempuan dan tidak berbentuk tarian. (Indonesian) Sort By : Title Inventory number
      - [A.5.1.3 P1_14] The dondi’ and serang mundan choruses are mixed-sex and open to all., [A.5.1.3 P1_14] Kor dondi’ dan serang mundan dibawakan oleh lelaki dan perempuan, serta terbuka bagi setiap orang. (Indonesian), [A.5.1.3 P1_14] Les chœurs dondi' et serang mundan sont mixtes et ouverts à tous. (French)
        
        [A.5.1.3 P1_14 A-1] Non-hierarchical organisations., [A.5.1.3 P1_14 A-1] Organisations non hiérarchiques (French), [A.5.1.3 P1_14 A-1] Bentuk tanpa hierarkis. (Indonesian)
        
        [A.5.1.3 P1_14 A-2] Dondi’ mixed chorus., [A.5.1.3 P1_14 A-2] Dondi', chœur mixte (French), [A.5.1.3 P1_14 A-2] Dondi’, kor yang terdiri dari baik lelaki maupun perempuan. (Indonesian)
        
        [A.5.1.3 P1_14 A-3] Serang mundan mixed chorus., [A.5.1.3 P1_14 A-3] Serang mundan, choeur mixte (French), [A.5.1.3 P1_14 A-3] Serang mundan, kor yang terdiri dari baik lelaki maupun perempuan. (Indonesian)
      - [A.5.1.3 P1_15] The mixed choruses treat the words in the same way., [A.5.1.3 P1_15] Les chœurs mixtes présentent un même traitement des paroles. (French), [A.5.1.3 P1_15] Kor-kor yang dibawakan oleh campuran lelaki dan perempuan memiliki pendekatan bahasa yang serupa. (Indonesian)
        
        [A.5.1.3 P1_15 A-1] Pronouncing words in the dondi’., [A.5.1.3 P1_15 A-1] Énonciation des paroles dans le dondi' (French), [A.5.1.3 P1_15 A-1] Pengungkapan kata-kata dalam dondi’. (Indonesian)
        
        [A.5.1.3 P1_15 A-2] Pronouncing words in the serang mundan., [A.5.1.3 P1_15 A-2] Énonciation des paroles dans le serang mundan (French), [A.5.1.3 P1_15 A-2] Pengungkapan kata-kata dalam serang mundan. (Indonesian)
      - [A.5.1.3 P1_16] A single melodico-rhythmic structure unites the dondi’ and serang mundan., [A.5.1.3 P1_16] Une même structure mélodico-rythmique unit les chœurs dondi' et serang mundan. (French), [A.5.1.3 P1_16] Sebuah struktur melodiko-ritmis yang sama mempertemukan kor dondi’ dan serang mundan. (Indonesian)
        
        [A.5.1.3 P1_16 A-1] Melodic structure of the dondi’., [A.5.1.3 P1_16 A-1] Struktur melodis dondi’. (Indonesian), [A.5.1.3 P1_16 A-1] Structure mélodique du dondi' (French)
        
        [A.5.1.3 P1_16 A-2] Melodic structure of the serang mundan., [A.5.1.3 P1_16 A-2] Structure mélodique du serang mundan (French), [A.5.1.3 P1_16 A-2] Struktur melodis serang mundan. (Indonesian)
      - [A.5.1.3 P1_17] The mixed choruses are not danced., [A.5.1.3 P1_17] Les chœurs mixtes ne sont pas dansés. (French), [A.5.1.3 P1_17] Kor campuran lelaki dan perempuan tidak dibawakan dalam bentuk tarian dan paling sering dalam posisi duduk. (Indonesian)
        
        [A.5.1.3 P1_17 A-1] Dondi’ sung sitting., [A.5.1.3 P1_17 A-1] Dondi' chanté assis (French), [A.5.1.3 P1_17 A-1] Dondi’ dinyanyikan sambil duduk. (Indonesian)
        
        [A.5.1.3 P1_17 A-2] Serang mundan sung sitting and standing., [A.5.1.3 P1_17 A-2] Serang mundan dinyanyikan sambil duduk dan berdiri. (Indonesian), [A.5.1.3 P1_17 A-2] Position du serang mundan (French)
      - [A.5.1.3 P1_18] The words sung, in both cases, have an aphoristic form., [A.5.1.3 P1_18] Les paroles chantées, dans les deux cas, présentent une forme aphoristique. (French), [A.5.1.3 P1_18] Syair-syair yang dinyanyikan, dalam kedua hal, berbentuk kata-kata mutiara (aforisme). (Indonesian)
        
        [A.5.1.3 P1_18 A-1] The words of the dondi’., [A.5.1.3 P1_18 A-1] Syair-syair dondi’. (Indonesian), [A.5.1.3 P1_18 A-1] Les paroles du dondi' (French)
        
        [A.5.1.3 P1_18 A-2] The words of the serang mundan., [A.5.1.3 P1_18 A-2] Les paroles du serang mundan (French), [A.5.1.3 P1_18 A-2] Syair-syair serang mundan. (Indonesian)
      - [A.5.1.3 P2_4] Equivalencies of the non-dancing mixed choruses., [A.5.1.3 P2_4] Homologies des chœurs mixtes non dansés. (French), [A.5.1.3 P2_4] Keserupaan dari kor-kor campuran yang tidak dibawakan dalam bentuk tari. (Indonesian)
        
        [A.5.1.3 P2_4 A-1] Minor forms., [A.5.1.3 P2_4 A-1] Bentuk kecil. (Indonesian), [A.5.1.3 P2_4 A-1] Des formes mineures (French)
        
        [A.5.1.3 P2_4 A-2] Same gesture., [A.5.1.3 P2_4 A-2] Même gestuelle (French), [A.5.1.3 P2_4 A-2] Gerakan yang sama (Indonesian)
        
        [A.5.1.3 P2_4 A-3] Composition of the group., [A.5.1.3 P2_4 A-3] Composition du groupe (French), [A.5.1.3 P2_4 A-3] Komposisi kelompok. (Indonesian)
        
        [A.5.1.3 P2_4 A-4] Same treatment of the words., [A.5.1.3 P2_4 A-4] Perlakuan yang serupa terhadap syair-syair. (Indonesian), [A.5.1.3 P2_4 A-4] Même traitement des paroles (French)
        
        [A.5.1.3 P2_4 A-5] Same melodic structure., [A.5.1.3 P2_4 A-5] Struktur melodis yang sama. (Indonesian), [A.5.1.3 P2_4 A-5] Même structure mélodique (French)
        
        [A.5.1.3 P2_4 A-6] Same aphoristic structure., [A.5.1.3 P2_4 A-6] Struktur kata-kata mutiara (aforisme) yang sama. (Indonesian), [A.5.1.3 P2_4 A-6] Même structure aphoristique (French)
      - [A.5.1.3 P3_3] The bali link joining the mixed choruses designates a paired relationship., [A.5.1.3 P3_3] Hubungan bali menghubungkan kor-kor yang terdiri dari kaum lelaki dan perempuan yang mengacu pada suatu hubungan pasangan sejenis. (Indonesian), [A.5.1.3 P3_3] Les petits chœurs mixtes forment une paire (bali). (French)
        
        [A.5.1.3 P3_3 A-1] Same prosodic form., [A.5.1.3 P3_3 A-1] Même prosodie des poèmes courts (French), [A.5.1.3 P3_3 A-1] Keserupaan prosodi dalam syair-syair. (Indonesian)
        
        [A.5.1.3 P3_3 A-2] Equivalencies of the two choruses., [A.5.1.3 P3_3 A-2] Homologie des deux chœurs (French), [A.5.1.3 P3_3 A-2] Pasangan kor. (Indonesian)
        
        [A.5.1.3 P3_3 A-3] Same aphoristic form., [A.5.1.3 P3_3 A-3] Syair-syair pendek dan struktur aforism. (Indonesian), [A.5.1.3 P3_3 A-3] Les poèmes courts et leur mode aphoristique (French)
    - [A.5.1.4] Flutes of healing., [A.5.1.4] Suling untuk penyembuhan. (Indonesian), [A.5.1.4] Flûtes de guérison (French) Sort By : Title Inventory number
      - [A.5.1.4 P1_19] The pakorong ritual ’s musical pieces must answer each other in pairs., [A.5.1.4 P1_19] Karya musik ritual ma’pakorong yang harus saling menjawab secara berpasangan. (Indonesian), [A.5.1.4 P1_19] Les pièces musicales du rituel pakorong doivent se répondre. (French)
        
        [A.5.1.4 P1_19 A-1] The pairs of flutes., [A.5.1.4 P1_19 A-1] L'accouplement des flûtes (French), [A.5.1.4 P1_19 A-1] Pasangan-pasangan suling. (Indonesian)
  - [A.5.2] The pairing of the poems, [A.5.2] Pasangan Syair yang Dinyanyikan (Indonesian), [A.5.2] l'appariement des poèmes chantés (French) Sort By : Title Inventory number
    - [A.5.2.1] Narrative poems., [A.5.2.1] Puisi Naratif (Indonesian), [A.5.2.1] Poèmes narratifs (French) Sort By : Title Inventory number
      - [A.5.2.1 P1_20] The preambles to the great songs are narratives., [A.5.2.1 P1_20] Les préambules des grands chants sont des narrations. (French), [A.5.2.1 P1_20] Pengantar dari sebuah nyanyian agung tampil dalam bentuk narasi. (Indonesian)
        
        [A.5.2.1 P1_20 A-1] Ossoran badong., [A.5.2.1 P1_20 A-1] Ossoran badong (French), [A.5.2.1 P1_20 A-1] Ossoran Badong. (Indonesian)
        
        [A.5.2.1 P1_20 A-2] Samparan simbong., [A.5.2.1 P1_20 A-2] Samparan Simbong. (Indonesian), [A.5.2.1 P1_20 A-2] Samparan simbong (French)
      - [A.5.2.1 P1_21] The preambles to badong and simbong are eulogies., [A.5.2.1 P1_21] Les préambules des grands chœurs dansés se font sur le mode de l'éloge. (French), [A.5.2.1 P1_21] Pengantar nyanyian agung berlangsung dalam bentuk madah pujian. (Indonesian)
        
        [A.5.2.1 P1_21 A-1] The eulogy in the badong., [A.5.2.1 P1_21 A-1] Pujian dalam badong. (Indonesian), [A.5.2.1 P1_21 A-1] L'éloge dans le badong (French)
        
        [A.5.2.1 P1_21 A-2] The eulogy in the simbong., [A.5.2.1 P1_21 A-2] Pujian dalam simbong. (Indonesian), [A.5.2.1 P1_21 A-2] L'éloge dans le simbong (French)
      - [A.5.2.1 P1_22] The preambles to badong and simbong use the same stanza-form., [A.5.2.1 P1_22] Pengantar dalam nyanyian agung memiliki suatu bentuk bait yang serupa. (Indonesian), [A.5.2.1 P1_22] Les préambules des grands chœurs dansés ont une même forme strophique. (French)
        
        [A.5.2.1 P1_22 A-1] Prosody of the badong., [A.5.2.1 P1_22 A-1] Prosodie du badong (French), [A.5.2.1 P1_22 A-1] Prosodi badong. (Indonesian)
        
        [A.5.2.1 P1_22 A-2] Prosody of the simbong., [A.5.2.1 P1_22 A-2] Prosodi simbong. (Indonesian), [A.5.2.1 P1_22 A-2] Prosodie du simbong (French)
      - [A.5.2.1 P1_23] The preambles to the songs are performed in a chanted manner., [A.5.2.1 P1_23] Pengantar nyanyian berlangsung dalam bentuk cerita yang dimantrakan. (Indonesian), [A.5.2.1 P1_23] Les préambules des grands chœurs dansés sont chantés sur le mode récitatif-psalmodié. (French)
        
        [A.5.2.1 P1_23 A-1] Manner of performance of the ossoran., [A.5.2.1 P1_23 A-1] Mode d'exécution de l'ossoran badong (French), [A.5.2.1 P1_23 A-1] Cara pelaksanaan ossoran. (Indonesian)
        
        [A.5.2.1 P1_23 A-2] Manner of performance of the samparan simbong., [A.5.2.1 P1_23 A-2] Cara penampilan Samparan Simbong. (Indonesian), [A.5.2.1 P1_23 A-2] Mode de performance du samparan simbong (French)
      - [A.5.2.1 P1_24] The preambles to badong and simbong consist of passages selected from the complete, much longer hagiography., [A.5.2.1 P1_24] Pengantar nyanyian agung merupakan gudang wacana. (Indonesian), [A.5.2.1 P1_24] Les préambules des grands chœurs dansés constituent des stocks de paroles à chanter. (French)
        
        [A.5.2.1 P1_24 A-1] The ossoran badong matrix., [A.5.2.1 P1_24 A-1] Ossoran Badong. (Indonesian), [A.5.2.1 P1_24 A-1] La matrice narrative ossoran badong (French)
        
        [A.5.2.1 P1_24 A-2] The samparan simbong matrix., [A.5.2.1 P1_24 A-2] Samparan Simbong. (Indonesian), [A.5.2.1 P1_24 A-2] La matrice narrative samparan simbong (French)
      - [A.5.2.1 P1_25] Simbong and badong, when sung, are founded on the same prosody., [A.5.2.1 P1_25] Simbong dan badong, pada saat dinyanyikan, berlangsung dalam prosodi yang sama. (Indonesian), [A.5.2.1 P1_25] Simbong et badong, quand ils sont chantés, sont fondés sur une même prosodie. (French)
        
        [A.5.2.1 P1_25 A-1] Meter of the badong., [A.5.2.1 P1_25 A-1] Métrique du badong (French), [A.5.2.1 P1_25 A-1] Metrik badong. (Indonesian)
        
        [A.5.2.1 P1_25 A-2] Meter of the simbong., [A.5.2.1 P1_25 A-2] Metrik simbong. (Indonesian), [A.5.2.1 P1_25 A-2] Métrique du simbong (French)
      - [A.5.2.1 P1_26] Differences between two narrative poems., [A.5.2.1 P1_26] Différence entre les deux poèmes narratifs. (French), [A.5.2.1 P1_26] Perbedaan dari kedua puisi naratif. (Indonesian)
        
        [A.5.2.1 P1_26 A-1] Narrative of the badong., [A.5.2.1 P1_26 A-1] Kisah badong. (Indonesian), [A.5.2.1 P1_26 A-1] Récit du badong (French)
        
        [A.5.2.1 P1_26 A-2] Narrative of the simbong., [A.5.2.1 P1_26 A-2] Récit du simbong (French), [A.5.2.1 P1_26 A-2] Kisah simbong. (Indonesian)
      - [A.5.2.1 P2_5] Equivalencies of the narrative poems., [A.5.2.1 P2_5] Homologies des poèmes narratifs. (French), [A.5.2.1 P2_5] Keserupaan puisi naratif. (Indonesian)
        
        [A.5.2.1 P2_5 A-1] Equivalences of segmentation., [A.5.2.1 P2_5 A-1] Homologies de segmentations (French), [A.5.2.1 P2_5 A-1] Keserupaan dari segi bentuk. (Indonesian)
        
        [A.5.2.1 P2_5 A-2] Equivalences of fonction., [A.5.2.1 P2_5 A-2] Homologie de fonction (French), [A.5.2.1 P2_5 A-2] Keserupaan dalam pelaksanaan. (Indonesian)
        
        [A.5.2.1 P2_5 A-3] Prosodic equivalences., [A.5.2.1 P2_5 A-3] Keserupaan prosodi. (Indonesian), [A.5.2.1 P2_5 A-3] Homologie prosodique (French)
        
        [A.5.2.1 P2_5 A-4] Equivalences in topics., [A.5.2.1 P2_5 A-4] Keserupaan tematik. (Indonesian), [A.5.2.1 P2_5 A-4] Homologie thématique (French)
        
        [A.5.2.1 P2_5 A-5] Formal equivalences., [A.5.2.1 P2_5 A-5] Homologies formelles (French), [A.5.2.1 P2_5 A-5] Keserupaan bentuk. (Indonesian)
        
        [A.5.2.1 P2_5 A-6] Equivalences of performance., [A.5.2.1 P2_5 A-6] Keserupaan pentas. (Indonesian), [A.5.2.1 P2_5 A-6] Homologie d'exécution (French)
      - [A.5.2.1 P3_4] The bali linking the two great narratives designates a couple relationship., [A.5.2.1 P3_4] Les deux grands poèmes narratifs forment un couple. (French), [A.5.2.1 P3_4] Hubungan bali berarti suatu relasi pasangan lawan. (Indonesian)
        
        [A.5.2.1 P3_4 A-1] Equivalencies., [A.5.2.1 P3_4 A-1] Keserupaan. (Indonesian), [A.5.2.1 P3_4 A-1] Homologies (French)
        
        [A.5.2.1 P3_4 A-2] Differences., [A.5.2.1 P3_4 A-2] Différence (French), [A.5.2.1 P3_4 A-2] Perbedaan. (Indonesian)
    - [A.5.2.2] Short poems., [A.5.2.2] Puisi-Puisi Pendek. (Indonesian), [A.5.2.2] Poèmes courts (French) Sort By : Title Inventory number
      - [A.5.2.2 P1_27] The short poems have a specific prosody., [A.5.2.2 P1_27] Les poèmes courts présentent une prosodie spécifique. (French), [A.5.2.2 P1_27] Puisi-puisi pendek memiliki suatu prosodi yang khas. (Indonesian)
        
        [A.5.2.2 P1_27 A-1] Prosody of the dondi’., [A.5.2.2 P1_27 A-1] Prosodi dondi’. (Indonesian), [A.5.2.2 P1_27 A-1] Prosodie du dondi' (French)
        
        [A.5.2.2 P1_27 A-2] Prosody of the serang mundan., [A.5.2.2 P1_27 A-2] Prosodi serang mundan. (Indonesian), [A.5.2.2 P1_27 A-2] Prosodie du serang mundan (French)
      - [A.5.2.2 P1_28] The short poems have less value in the hierarchy than do the narratives., [A.5.2.2 P1_28] Puisi pendek secara hierarkis kurang dihargai dibandingkan dengan narasi besar. (Indonesian), [A.5.2.2 P1_28] Les poèmes courts sont hiérarchiquement moins valorisés que les grandes narrations. (French)
        
        [A.5.2.2 P1_28 A-1] Dondi’ at the celebration., [A.5.2.2 P1_28 A-1] Dondi' pendant le rituel (French), [A.5.2.2 P1_28 A-1] Dondi’ dalam pesta. (Indonesian)
        
        [A.5.2.2 P1_28 A-2] Serang mundan at the celebration., [A.5.2.2 P1_28 A-2] Serang mundan dalam pesta. (Indonesian), [A.5.2.2 P1_28 A-2] Serang mundan pendant le rituel (French)
      - [A.5.2.2 P2_6] The short poems are arranged aphoristically., [A.5.2.2 P2_6] Les poèmes courts se déploient sur un mode aphoristique. (French), [A.5.2.2 P2_6] Puisi-puisi pendek tampil berupa kata-kata mutiara (aforisme). (Indonesian)
        
        [A.5.2.2 P2_6 A-1] The aphoristic manner., [A.5.2.2 P2_6 A-1] Mode aphoristique (French), [A.5.2.2 P2_6 A-1] Gaya Kata-Kata Mutiara (aforisme). (Indonesian)
      - [A.5.2.2 P3_5] The bali linking the short poems designates a paired relationship., [A.5.2.2 P3_5] Hubungan bali berarti suatu relasi pasangan sejenis. (Indonesian), [A.5.2.2 P3_5] Les poèmes courts des petites chœurs forment une paire. (French)
        
        [A.5.2.2 P3_5 A-1] Equivalencies., [A.5.2.2 P3_5 A-1] Keserupaan-Keserupaan. (Indonesian), [A.5.2.2 P3_5 A-1] Homologies (French)
  - [A.5.3] THE PAIRING OF THE RITUALS, [A.5.3] l'appariement des rituels (French), [A.5.3] Pasangan Ritual (Indonesian) Sort By : Title Inventory number
    - [A.5.3.1] Equivalences between the highest rituals., [A.5.3.1] Homologies entre grands rituels (French), [A.5.3.1] Keserupaan Antara Ritus-Ritus Besar. (Indonesian) Sort By : Title Inventory number
      - [A.5.3.1 P1_29] Equivalences between ritual places and times., [A.5.3.1 P1_29] Keserupaan antara waktu dan tempat ritus. (Indonesian), [A.5.3.1 P1_29] Homologies entre lieux et temps rituels. (French)
        
        [A.5.3.1 P1_29 A-1] The courtyards., [A.5.3.1 P1_29 A-1] Halaman-Halaman. (Indonesian), [A.5.3.1 P1_29 A-1] Les cours (French)
        
        [A.5.3.1 P1_29 A-2] The sacrificial fields., [A.5.3.1 P1_29 A-2] Arena penyembelihan. (Indonesian), [A.5.3.1 P1_29 A-2] Les champs sacrificiels (French)
        
        [A.5.3.1 P1_29 A-3] The platforms., [A.5.3.1 P1_29 A-3] Panggung. (Indonesian), [A.5.3.1 P1_29 A-3] Les plates-formes (French)
        
        [A.5.3.1 P1_29 A-4] The towers of residence –towers of seclusion., [A.5.3.1 P1_29 A-4] Les tours de résidence, tours de réclusion (French), [A.5.3.1 P1_29 A-4] Menara-menara tempat tinggal, yang juga adalah menara-menara pemingitan. (Indonesian)
        
        [A.5.3.1 P1_29 A-5] Places of setting sun rituals., [A.5.3.1 P1_29 A-5] Arena-arena dalam ritus kematian (Indonesian), [A.5.3.1 P1_29 A-5] Lieux au Couchant (French)
        
        [A.5.3.1 P1_29 A-6] Places of the rising sun rituals., [A.5.3.1 P1_29 A-6] Lieux au Levant (French), [A.5.3.1 P1_29 A-6] Arena-arena dalam ritus kehidupan (Indonesian)
      - [A.5.3.1 P1_30] Equivalencies in symbols and artifacts., [A.5.3.1 P1_30] Keserupaan dalam berbagai simbol dan artefak. (Indonesian), [A.5.3.1 P1_30] Homologies dans les symboles et artefacts. (French)
        
        [A.5.3.1 P1_30 A-1] Artifacts in rising sun rituals., [A.5.3.1 P1_30 A-1] Artefak pada ritus "di sisi matahari terbit". (Indonesian), [A.5.3.1 P1_30 A-1] Artefacts au Levant (French)
        
        [A.5.3.1 P1_30 A-2] Trident mast., [A.5.3.1 P1_30 A-2] Bendera Bercabang Tiga. (Indonesian), [A.5.3.1 P1_30 A-2] Mât trident (French)
        
        [A.5.3.1 P1_30 A-3] Offering stake., [A.5.3.1 P1_30 A-3] Poteau d'offrandes (French), [A.5.3.1 P1_30 A-3] Tiang tempat persembahan. (Indonesian)
        
        [A.5.3.1 P1_30 A-4] Effigy., [A.5.3.1 P1_30 A-4] Patung. (Indonesian), [A.5.3.1 P1_30 A-4] Effigie (French)
        
        [A.5.3.1 P1_30 A-5] Ornaments., [A.5.3.1 P1_30 A-5] Ornements (French), [A.5.3.1 P1_30 A-5] Hiasan-Hiasan. (Indonesian)
        
        [A.5.3.1 P1_30 A-6] Tree., [A.5.3.1 P1_30 A-6] Pohon. (Indonesian), [A.5.3.1 P1_30 A-6] Arbre (French)
        
        [A.5.3.1 P1_30 A-7] Stone., [A.5.3.1 P1_30 A-7] Pierre (French), [A.5.3.1 P1_30 A-7] Batu. (Indonesian)
        
        [A.5.3.1 P1_30 A-8] Buffalo and hornbill., [A.5.3.1 P1_30 A-8] Kerbau dan enggang. (Indonesian), [A.5.3.1 P1_30 A-8] Buffle et calao (French)
        
        [A.5.3.1 P1_30 A-9] Artifacts in the setting sun rituals., [A.5.3.1 P1_30 A-9] Artefak pada ritus "di sisi matahari terbenam". (Indonesian), [A.5.3.1 P1_30 A-9] Artefacts au Couchant (French)
      - [A.5.3.1 P1_31] Equivalencies between officiants., [A.5.3.1 P1_31] Homologies entre officiants. (French), [A.5.3.1 P1_31] Keserupaan antara para pemangku adat. (Indonesian)
        
        [A.5.3.1 P1_31 A-1] The officiants of the setting and the rising sun., [A.5.3.1 P1_31 A-1] Pemangku adat di sisi matahari terbit dan sisi matahari terbenam. (Indonesian), [A.5.3.1 P1_31 A-1] Les officiants au Couchant et au Levant (French)
        
        [A.5.3.1 P1_31 A-2] Guardian of the rising sun rituals., [A.5.3.1 P1_31 A-2] Penjaga ritus "di sisi matahari terbit". (Indonesian), [A.5.3.1 P1_31 A-2] Gardien des rites du Levant (French)
        
        [A.5.3.1 P1_31 A-3] Guardian of the setting sun rituals., [A.5.3.1 P1_31 A-3] Penjaga ritus "di sisi matahari terbenam". (Indonesian), [A.5.3.1 P1_31 A-3] Gardien des rites du Couchant (French)
      - [A.5.3.1 P1_32] Dramaturgic equivalencies., [A.5.3.1 P1_32] Homologies dramaturgiques. (French), [A.5.3.1 P1_32] Keserupaan dramaturgis. (Indonesian)
        
        [A.5.3.1 P1_32 A-1] Procession., [A.5.3.1 P1_32 A-1] Procession (French), [A.5.3.1 P1_32 A-1] Prosesi. (Indonesian)
        
        [A.5.3.1 P1_32 A-2] Men wearing horned headdresses., [A.5.3.1 P1_32 A-2] Para lelaki dengan tudung bertanduk. (Indonesian), [A.5.3.1 P1_32 A-2] Hommes coiffés de cornes (French)
        
        [A.5.3.1 P1_32 A-3] Palanquins., [A.5.3.1 P1_32 A-3] Palanquins (French), [A.5.3.1 P1_32 A-3] Tandu-Tandu. (Indonesian)
        
        [A.5.3.1 P1_32 A-4] Circumambulation., [A.5.3.1 P1_32 A-4] Circumambulation (French), [A.5.3.1 P1_32 A-4] Perjalanan Keliling. (Indonesian)
        
        [A.5.3.1 P1_32 A-5] Dramaturgy in the setting sun rituals., [A.5.3.1 P1_32 A-5] Dramaturgie au Couchant (French), [A.5.3.1 P1_32 A-5] Dramaturgi dalam ritus "di sisi matahari terbenam". (Indonesian)
      - [A.5.3.1 P1_33] Choreographic equivalencies., [A.5.3.1 P1_33] Keserupaan Koreografis. (Indonesian), [A.5.3.1 P1_33] Choreographic equivalencies. (French)
        
        [A.5.3.1 P1_33 A-1] Manganda’ dance., [A.5.3.1 P1_33 A-1] Tarian manganda’. (Indonesian), [A.5.3.1 P1_33 A-1] Danse manganda' (French)
        
        [A.5.3.1 P1_33 A-2] Randing dance, [A.5.3.1 P1_33 A-2] Tarian randing. (Indonesian), [A.5.3.1 P1_33 A-2] Danses randing (French)
        
        [A.5.3.1 P1_33 A-3] Equivalencies of the two dances, of the rising and setting sun rituals, [A.5.3.1 P1_33 A-3] Homologies de deux danses au Couchant et au Levant (French), [A.5.3.1 P1_33 A-3] Keserupaan dua tarian, "di sisi matahari terbit" dan " sisi matahari terbenam" (Indonesian)
      - [A.5.3.1 P1_34] Equivalencies of acts of language., [A.5.3.1 P1_34] Homologies des actes de langage. (French), [A.5.3.1 P1_34] Keserupaan Tindakan Bahasa. (Indonesian)
        
        [A.5.3.1 P1_34 A-1] Declamations in setting sun rituals., [A.5.3.1 P1_34 A-1] Deklamasi pada ritus "di sisi matahari terbenam". (Indonesian), [A.5.3.1 P1_34 A-1] Déclamations au Couchant (French)
        
        [A.5.3.1 P1_34 A-2] Declamations in rising sun rituals., [A.5.3.1 P1_34 A-2] Déclamations au Levant (French), [A.5.3.1 P1_34 A-2] Deklamasi pada ritus "di sisi matahari terbit". (Indonesian)
      - [A.5.3.1 P2_7] Equivalencies of the two great rituals, [A.5.3.1 P2_7] Homologies des deux grands rituels. (French), [A.5.3.1 P2_7] Keserupaan kedua ritus terbesar (Indonesian)
        
        [A.5.3.1 P2_7 A-1] Equivalencies between officiants, [A.5.3.1 P2_7 A-1] Keserupaan pemangku adat (Indonesian), [A.5.3.1 P2_7 A-1] Homologies entre officiants (French)
        
        [A.5.3.1 P2_7 A-2] Equivalencies of time and place, [A.5.3.1 P2_7 A-2] Keserupaan tempat dan waktu (Indonesian), [A.5.3.1 P2_7 A-2] Homologies de temps et de lieux (French)
        
        [A.5.3.1 P2_7 A-3] Equivalencies between objects, [A.5.3.1 P2_7 A-3] Homologies dans les objets (French), [A.5.3.1 P2_7 A-3] Keserupaan barang (Indonesian)
        
        [A.5.3.1 P2_7 A-4] Equivalencies in the dramaturgy, [A.5.3.1 P2_7 A-4] Homologies dramaturgiques (French), [A.5.3.1 P2_7 A-4] Keserupaan dramaturgi (Indonesian)
        
        [A.5.3.1 P2_7 A-5] Equivalencies in the dances, [A.5.3.1 P2_7 A-5] Keserupaan tarian (Indonesian), [A.5.3.1 P2_7 A-5] Homologies chorégraphiques (French)
        
        [A.5.3.1 P2_7 A-6] Equivalencies in the speeches, [A.5.3.1 P2_7 A-6] Keserupaan perkataan (Indonesian), [A.5.3.1 P2_7 A-6] Homologies des actes de langage (French)
      - [A.5.3.1 P3_6] Equivalencies of the songs., [A.5.3.1 P3_6] Keserupaan Pada Nyanyian. (Indonesian), [A.5.3.1 P3_6] Homologies des chants. (French)
        
        [A.5.3.1 P3_6 A-1] Equivalencies of the small choruses., [A.5.3.1 P3_6 A-1] Homologies des petits chœurs (French), [A.5.3.1 P3_6 A-1] Keserupaan nyanyian kecil. (Indonesian)
        
        [A.5.3.1 P3_6 A-2] Equivalencies of the great choruses., [A.5.3.1 P3_6 A-2] Homologies des grands chœurs (French), [A.5.3.1 P3_6 A-2] Keserupaan nyanyian agung. (Indonesian)
        
        [A.5.3.1 P3_6 A-3] Equivalencies of the soloist declamations., [A.5.3.1 P3_6 A-3] Keserupaan deklamasi solis. (Indonesian), [A.5.3.1 P3_6 A-3] Homologies des déclamations solistes (French)
      - [A.5.3.1 P3_7] Differences between the two rituals., [A.5.3.1 P3_7] Perbedaan antara Kedua Ritus. (Indonesian), [A.5.3.1 P3_7] Différences entre les deux rituels. (French)
        
        [A.5.3.1 P3_7 A-1] Opposition between badong and simbong, [A.5.3.1 P3_7 A-1] Perbedaan antara badong dan simbong (Indonesian), [A.5.3.1 P3_7 A-1] Opposition des chœurs badong et simbong (French)
        
        [A.5.3.1 P3_7 A-2] The rapasan is only a beginning., [A.5.3.1 P3_7 A-2] Rapasan hanya merupakan sebuah awal. (Indonesian), [A.5.3.1 P3_7 A-2] Le rapasan n'est qu'un début (French)
        
        [A.5.3.1 P3_7 A-3] The bua’ kasalle is a fulfillment., [A.5.3.1 P3_7 A-3] Le bua' kasalle est un achèvement (French), [A.5.3.1 P3_7 A-3] Bua’ kasalle merupakan akhir. (Indonesian)
      - [A.5.3.1 P4_1] The two highest rituals, of the setting sun and the rising sun, form a couple., [A.5.3.1 P4_1] Les deux grands rituels, rapasan et bua' kasalle, forment un couple. (French), [A.5.3.1 P4_1] Kedua ritus agung pada "sisi matahari terbit dan terbenam" dianggap berpasangan. (Indonesian)
        
        [A.5.3.1 P4_1 A-1] Equivalencies of the two great rituals., [A.5.3.1 P4_1 A-1] Homologies des deux grands rituels (French), [A.5.3.1 P4_1 A-1] Keserupaan dua ritus besar. (Indonesian)
        
        [A.5.3.1 P4_1 A-2] Equivalencies of songs., [A.5.3.1 P4_1 A-2] Homologies des chants (French), [A.5.3.1 P4_1 A-2] Keserupaan nyanyian. (Indonesian)
        
        [A.5.3.1 P4_1 A-3] Differences between the two great rituals., [A.5.3.1 P4_1 A-3] Perbedaan-perbedaan antara dua ritus terbesar. (Indonesian), [A.5.3.1 P4_1 A-3] Différences entre les deux grands rituels (French)
  - [A.5.4] Meaning of the equivalencies, [A.5.4] Makna Keserupaan (Indonesian), [A.5.4] signification des homologies (French) Sort By : Title Inventory number
    - [A.5.4.1] The bali link meaning ‘couple’., [A.5.4.1] Hubungan “bali” dalam arti pasangan lawan jenis (Indonesian), [A.5.4.1] Le lien bali au sens de couple (French) Sort By : Title Inventory number
      - [A.5.4.1 P4_2] On the musical level, bali means ‘couple’., [A.5.4.1 P4_2] Au plan musical, le lien bali peut signifier une relation de couple. (French), [A.5.4.1 P4_2] Pada tingkat dunia musik, konsep bali bermakna “pasangan lawan jenis”. (Indonesian)
        
        [A.5.4.1 P4_2 A-1] Link between certain instrumental pieces., [A.5.4.1 P4_2 A-1] Hubungan kor yang dibawakan dalam bentuk tari. (Indonesian), [A.5.4.1 P4_2 A-1] Lien entre certaines pièces instrumentales (French)
        
        [A.5.4.1 P4_2 A-2] Link between the two danced choruses., [A.5.4.1 P4_2 A-2] Hubungan antara dua kor dalam bentuk tari (Indonesian), [A.5.4.1 P4_2 A-2] Lien entre deux chœurs dansés (French)
        
        [A.5.4.1 P4_2 A-3] Link between the narrative poems., [A.5.4.1 P4_2 A-3] Lien entre deux poèmes narratifs (French), [A.5.4.1 P4_2 A-3] Hubungan antara puisi naratif. (Indonesian)
      - [A.5.4.1 P5_1] On a ritual level, equivalencies join two seemingly separate rituals., [A.5.4.1 P5_1] Pada tingkat ritual, keserupaan menghubungkan dua ritus yang tampak berbeda. (Indonesian), [A.5.4.1 P5_1] Deux rituels opposés sont accouplés par une série d'homologies musicales et dramaturgiques. (French)
        
        [A.5.4.1 P5_1 A-1] Link between the two highest rituals., [A.5.4.1 P5_1 A-1] Hubungan antara dua ritus terbesar. (Indonesian), [A.5.4.1 P5_1 A-1] Lien entre les deux grands rituels (French)
    - [A.5.4.2] The bali link meaning ‘pairing’., [A.5.4.2] Le lien bali au sens de paire (French), [A.5.4.2] Hubungan bali dalam arti pasangan sejenis. (Indonesian) Sort By : Title Inventory number
      - [A.5.4.2 P4_3] On the musical level, bali means ‘pair’, linking together almost identical repertoires., [A.5.4.2 P4_3] Pada tingkat musikal, konsep bali menghubungkan repertoar yang hampir identik. (Indonesian), [A.5.4.2 P4_3] Au plan musical, bali peut désigner une relation de paire. (French)
        
        [A.5.4.2 P4_3 A-1] Bali link for mixed non-dancing choruses., [A.5.4.2 P4_3 A-1] Lien bali des chœurs mixtes non dansés (French), [A.5.4.2 P4_3 A-1] Hubungan bali dalam kor campuran yang tidak dibawakan dalam bentuk tarian. (Indonesian)
        
        [A.5.4.2 P4_3 A-2] Bali link for the declamations within the great choruses., [A.5.4.2 P4_3 A-2] Hubungan deklamasi dalam kor terbesar. (Indonesian), [A.5.4.2 P4_3 A-2] Lien des déclamations au sein des grands chœurs (French)