Jeu De Données
At first the song is an appeal for the divinities to descend, an appeal for the coming of the ‘cutting blade’, the ‘cutting thing’. The importance of this vision is central (the officiant ‘glimpses’, ‘sees confusedly’, in his ‘dreams’). A wavering between the visible and invisible is suggested throughout the song.
PublicAu début, le chant est un appel à la descente des divinités, un appel à la venue de « l'arme tranchante », de la « chose coupante ». L'importance de la vision est ici centrale (l'officiant « entrevoit », « voit confusément », dans ses « rêves »). Tout au long du chant, est suggéré un flottement hésitant entre le visible et l'invisible. (French)
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Relations
- In Collection:
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- Songs from Thrice-Blooded Land
- Part A : Multimedia argument
- [A.3] Music of the rising sun
- [A.3.2] Music of the prophylactic rituals
- [A.3.2.1] The music and trance of the maro ritual.
- [A.3.2.1 P0_37] The second trance song accompanies acts of scarification.
- [A.3.2.1 P0_37 A-3] Content of the scarification song.
Items
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TORAJA_GK1-8.wav (French) | 2022-07-06 | Public |
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