Melisma, Akumulasi, dan Penyamaran dalam Dondi’. Dondi’ dalam dua bagian pada kuint, 1991.  (Indonesian)

Keywords

Alternative title	TORAJA_18DONDIPOLYPH.mp4 (French)
Creator	Rappoport, Dana
Depositor	Prouteau Pierre
Date created	1991
Lieu(x) de création	Tana Toraja Regency
Publishing structure	Éditions de la Maison des sciences de l'homme
Contributor	Etienne Charrié : contributor
Metadata author	Rappoport, Dana
Data type	Textes Images animées Sons
Content language	Toraja-sa'dan (language, family : Austronesian )
Agents (actors, groups) evocated by the document	Toraja
License	Attribution - Non Commercial - No Derivs (CC BY-NC-ND 3.0 FR)

In Collection:

Songs from Thrice-Blooded Land
Part A : Multimedia argument
[A.2] Music of the setting sun
[A.2.2] Music of the most sophisticated ritual
[A.2.2.3] The dondi’ vigil chorus.
[A.2.2.3 P0_40] From the syllabic to the melismatic in the dondi’ funeral repertoire.
[A.2.2.3 P0_40 A-3] The apogee of the melisma.

Songs from Thrice-Blooded Land
Part A : Multimedia argument
[A.2] Music of the setting sun
[A.2.2] Music of the most sophisticated ritual
[A.2.2.3] The dondi’ vigil chorus.
[A.2.2.3 P0_40] From the syllabic to the melismatic in the dondi’ funeral repertoire.

Songs from Thrice-Blooded Land
Part A : Multimedia argument
[A.4] Musical analysis
[A.4.1] Organisation of the sounds
[A.4.1.3] Harmonic plan.
[A.4.1.3 P0_10] Ornamenting the unison is a practice common to many repertoires, and especially in the badong and simbong.

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Melismas, accumulation and distortion in the dondi’. Dondi’ in parallel fifths, 1991.