Jeu De Données
Chorus of women singing the dandan (nani), in a line, along the façade of the house. The simbong does not mark any specific ritual action, Ma’kurre sumanga’, Tiroan (Bittuang), 1993.
PublicChoeur de femmes chantant le dandan (nani) devant la maison. Le chant nani ne marque pas d'action rituelle spécifique, Bittuang, 1993. (French)
Kor para wanita yang membawakan ma’dandan. Mereka duduk berderet (ma’dandan, nani) depan rumah. Nyanyian nani tidak menandai tindakan ritual khusus, ritus bua’, Bittuang, 1993. (Indonesian)
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- In Collection:
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- Songs from Thrice-Blooded Land
- Part A : Multimedia argument
- [A.1] Religious principles
- [A.1.2] The setting sun/ rising sun opposition
- [A.1.2.2] The house, crossroads of polarities.
- [A.1.2.2 P0_12] The village space is organized around great noble houses.
- [A.1.2.2 P0_12 A-4] Social and ritual center.
- Songs from Thrice-Blooded Land
- Part A : Multimedia argument
- [A.3] Music of the rising sun
- [A.3.1] Music for the highest ritual of the rising sun
- [A.3.1.2] The most sophisticated ritual of the rising sun: bua’ kasalle.
- [A.3.1.2 P0_7] Sequences from the first ceremony: ‘at the front of the house’ (metangdo’).
- [A.3.1.2 P0_7 A-5] The choruses.
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TORAJA_2088.jpg (French) | 2022-06-10 | Public |
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