Disposition des chœurs simbong et nani à Tiroan, décembre 1993. Elle marque une opposition spatiale entre la maison, domaine des femmes, et le grenier à riz, lieu des hommes. (French)

Keywords

Alternative title	TORAJA_polysimbong_EN.jpg (French)
Creator	Cixous, Mikaël
Depositor	Prouteau Pierre
Date created	2005
Date(s) de l'objet/du contenu des données/du document	1993
Lieu(x) de création	North Toraja Regency
Publishing structure	Éditions de la Maison des sciences de l'homme
Contributor	Rappoport, Dana : contributor
Metadata author	Rappoport, Dana
Data type	Dessins Schémas
Content language	Toraja-sa'dan (language, family : Austronesian )
Agents (actors, groups) evocated by the document	Toraja
License	Attribution - Non Commercial - No Derivs (CC BY-NC-ND 3.0 FR)

In Collection:

Songs from Thrice-Blooded Land
Part A : Multimedia argument
[A.3] Music of the rising sun
[A.3.1] Music for the highest ritual of the rising sun
[A.3.1.3] The simbong chorus.
[A.3.1.3 P0_13] The simbong/nani singers come in numerous groups, male and female.
[A.3.1.3 P0_13 A-1] Polymusics.

Songs from Thrice-Blooded Land
Part A : Multimedia argument
[A.3] Music of the rising sun
[A.3.1] Music for the highest ritual of the rising sun
[A.3.1.3] The simbong chorus.
[A.3.1.3 P0_13] The simbong/nani singers come in numerous groups, male and female.
[A.3.1.3 P0_13 A-2] Games of response.

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	TORAJA_polysimbong_EN.jpg (French)	2022-10-24	Public	Download

Placing of the simbong and nani choruses at Tiroan, 1993. This gives rise to a marked spatial opposition between the house, the domain of the women, and the rice granary, that of the men.