[A.3.2.3 P0_47 A-1] Sinuous melodies., [A.3.2.3 P0_47 A-1] Mélodies tortueuses (French), [A.3.2.3 P0_47 A-1] Melodi yang Berlika-Liku. (Indonesian)

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A fairly slow tempo, with chromaticisms, based on simultaneous intervals: minor seconds, major seconds, fourths and augmented fourths, with prolonged trills (mangrepe' ‘tight’). These pieces are the most original in this repertoire.

De tempo assez lent, avec des chromatismes, s’appuyant sur des intervalles verticaux de seconde mineure, seconde majeure, quarte et quarte augmentée, sur des trilles prolongées (mangrepe’ « serré »). Ces pièces sont les plus originales de ce répertoire. (French)

Tempo yang cukup lamban, dengan kromatisisme yang berdasarkan atas interval vertikal dari sekon minor, sekon mayor, kuart dan kuart yang ditingkatkan, atas getaran yang diperpanjang (mangrepe’ serre’). Karya-karya ini merupakan yang paling menarik dari repertoar itu. (Indonesian)

Parent Collections (1)

Collection Details

Creator
Rappoport, Dana
Keywords
Ethnomusicologie
License
https://creativecommons.org/licenses/by-nc-nd/3.0/fr/
Date(s) of document/data
2009
Evocated agent
Toraja

Works (7)

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  Title Inventory number Archival reference Date Added Visibility
 

Transcription of the flute quartet (1B1)., Transcription du quatuor de flûtes 1B1. (French), Transkripsi dari kuartet suling 1B1. (Indonesian)

2022-11-18 Public
 

Transcription du quatuor de flûtes 3D2. L'exemple (oto' suling) est représentatif par son jeu harmonique entre triton et quinte (fa#-do et fa#-do#), par les broderies mélodiques autour de sons pivots, par l'abondance de valeurs rythmiques brèves contrastant avec la tenue placide du fa#. (French), Transcription of the flute quartet (3D2). The example (oto' suling) is representative for its harmonic play between tritone and fifth (F#-C and F#-C#), with melodic embellishment around pivotal sounds, and with its abundance of short rhythmical values contrasting with the placid sustained note of F#. (French), Contoh (oto’ suling) ini bersifat representatif dari sudut pandang permainan harmonis antara tritone dan kuint (fa # - do dan fa # - do #), melalui sulaman melodis di sekitar suara inti, melalui keberlimpahan durasi ritmis yang singkat, dan yang kontras dengan pengelolaan tenang dari fa #. (French)

This work also belongs to: [A.3.2.3 P0_50 A-1] The ‘fundamental repertoire’., [A.3.2.3 P0_50 A-1] Le « répertoire fondamental » (French), [A.3.2.3 P0_50 A-1] “Repertoar Dasar”. (Indonesian)
2022-10-20 Public
 

From notation for a flute piece, played at the pakorong ritual, 1993., Extrait de notation d'une pièce de flûtes, jouée au rituel pakorong, 1993 (French), Cuplikan dari notasi suatu karya suling, yang dibawakan dalam ritus pakorong, 1993. (Indonesian)

This work also belongs to: [A.3.2.3 P0_49] Drone, playing in alternation, intervals of a second and a tritone are features of all the melodies., [A.3.2.3 P0_49] Dengungan, permainan silih berganti dan interval sekon dan tritone yang memberikan ciri pada keseluruhan melodi. (Indonesian), [A.3.2.3 P0_49] Bourdon, jeu alterné et intervalle de seconde et triton caractérisent l'ensemble des mélodies. (French)
2022-10-20 Public
 

Transcription of the flute quartet (1B1)., Transcription du quatuor de flûtes 1B1. (French), Transkripsi dari kuartet suling 1B1. (Indonesian)

2022-10-20 Public
 

Transcription of the flute quartet (1B1)., Transcription du quatuor de flûtes 1B1. (French), Transkripsi dari kuartet suling 1B1. (Indonesian)

2022-08-17 Public
 

Transcription of buku suling penduan, flute quartet (1FA1)., Transcription du quatuor de flûtes Buku suling penduan, 1FA1. (French), Transkripsi kuartet suling Buku Suling Panduan, 1FA1. (Indonesian)

This work also belongs to: [A.3.2.3 P0_49 A-1] Melodies with drone., [A.3.2.3 P0_49 A-1] Les mélodies sur bourdon (French), [A.3.2.3 P0_49 A-1] Melodi dengan Dengungan. (Indonesian)
2022-08-17 Public
 

Transcription of the flute quartet (3D2). The example (oto' suling) is representative for its harmonic play between tritone and fifth (F#-C and F#-C#), with melodic embellishment around pivotal sounds, and with its abundance of short rhythmical values contrasting with the placid sustained note of F#., Transcription du quatuor de flûtes 3D2. L'exemple (oto' suling) est représentatif par son jeu harmonique entre triton et quinte (fa#-do et fa#-do#), par les broderies mélodiques autour de sons pivots, par l'abondance de valeurs rythmiques brèves contrastant avec la tenue placide du fa#. (French), Contoh (oto’ suling) ini bersifat representatif dari sudut pandang permainan harmonis antara tritone dan kuint (fa # - do dan fa # - do #), melalui sulaman melodis di sekitar suara inti, melalui keberlimpahan durasi ritmis yang singkat, dan yang kontras dengan pengelolaan tenang dari fa #. (Indonesian)

This work also belongs to: [A.3.2.3 P0_50 A-1] The ‘fundamental repertoire’., [A.3.2.3 P0_50 A-1] Le « répertoire fondamental » (French), [A.3.2.3 P0_50 A-1] “Repertoar Dasar”. (Indonesian), [A.6.7 P1_1 A-1] The flutes for the divinity., [A.6.7 P1_1 A-1] Les flûtes pour la divinité (French), [A.6.7 P1_1 A-1] Suling-suling untuk dewa. (Indonesian)
2022-07-06 Public